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SEQUENZA21/
340 W. 57th Street, 12B, New York, NY 10019

Zookeeper:   
Jerry Bowles
(212) 582-3791

Managing Editor:
David Salvage

Contributing Editors:

Galen H. Brown
Evan Johnson
Ian Moss
Lanier Sammons
Deborah Kravetz
(Philadelphia)
Eric C. Reda
(Chicago)
Christian Hertzog
(San Diego)
Jerry Zinser
(Los Angeles)

Web & Wiki Master:
Jeff Harrington


Latest Posts

Alarm Will Sound: A Lesson in How to Sell New Music
Odd Couples
Depends On What You Mean by "Contemporary"
Gubaidulina Premiere: Bosch Meets Techno
What Did Christopher Rouse Know and When Did He Know It?
Cupid, Draw Back Your Bow
AMC Loves Composers
Who Killed Downtown?
Last Night in L.A. - Thomas Ad�
The Weather Outside is Frightful


 

Record companies, artists and publicists are invited to submit CDs to be considered for review. Send to: Jerry Bowles, Editor, Sequenza 21, 340 W. 57th Street, 12B, New York, NY 10019


Monday, February 20, 2006
How Does Music Mean?

Ryan Maelhorn applies John Ciardi's famous question about poetry to music in a new thread in the Composers Forum...Elodie Lauten praises some famous women composers you may never have heard of and recommends Tai Chi for orchestral relaxation...Blackdogred praises, faintly, the new Beth Orton (I'm still in the jury room on it, too) and brings William Gaddis back to the party...Jack Reilly praises Lennie Tristano...Rusty Banks has some thoughts about how to make performances more compelling...and Lawrence Dillon quotes John F. Kennedy praising Robert Frost, a man who certainly knew how to make a poem mean. I found the passage sad because it suggests just how much we've lost as a country over the past 50 years.

 



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