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340 W. 57th Street, 12B, New York, NY 10019

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Record companies, artists and publicists are invited to submit CDs to be considered for review. Send to: Jerry Bowles, Editor, Sequenza 21, 340 W. 57th Street, 12B, New York, NY 10019

Friday, March 03, 2006
Who In the World is J. D. McClatchy?

If even our most famous composers are invisible to the public at large (see Frank J. Oteri's post in the Composers Forum and the comments under it), where does that leave the poor schmoes who collaborate with them and often have as great an impact on the finished product as the composers themselves? There is a very nice fellow who has a work studio a couple of doors just down the hall from me whose name appears on virtually all of Stephen Sondheim's musicals. When he introduced himself and said he was a playwright and director, my wife and I said simultaneously "Oh, what have you done?" And, of course, we had seen them all and should have known that...reverent pause (credit to Ben Brantley)...Sondheim didn't write them by himself.

Which brings me to the question in my headline. The name J. D. McClatchy seems to be popping up on every new opera that comes along. He did the libretto for Eliott Goldenthal's Grendel, Lowell Leibermann's Miss Lonely Hearts, and Ned Rorem's Our Town. Also for Lorin Maazel's much-maligned vanity project 1984, for William Schuman's A Question of Taste, for Francis Thorne's Mario and the Magician, for Bruce Saylor's Orpheus Descending, and Tobias Picker's brilliant Emmeline.

Anybody seen J.D. on Entertainment Tonight lately?

Something to think about the next time you're feeling obscure.
posted by Jerry Bowles 3/03/2006



 
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