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SEQUENZA21/
340 W. 57th Street, 12B, New York, NY 10019

Zookeeper:   
Jerry Bowles
(212) 582-3791

Managing Editor:
David Salvage

 Contributing Editors:
Galen H. Brown
Evan Johnson
Ian Moss
Lanier Sammons
Deborah Kravetz
(Philadelphia)
Eric C. Reda
(Chicago)
Christian Hertzog
(San Diego)
Jerry Zinser
(Los Angeles)

Web & Wiki Master:
Jeff Harrington

Latest Posts
Back to Bach
Last Night in L.A. - Kurt�g's Ghosts
Jambalaya
�A Tribute to Great Cities� with the Brooklyn Philharmonic
More From Bloomington
A Tragedy in Bloomington
Curses. Foiled Again.
Evan Johnson On the Record: Thomson and Still on Naxos
Free Stuff
You Heard It Here First


 

Record companies, artists and publicists are invited to submit CDs to be considered for review. Send to: Jerry Bowles, Editor, Sequenza 21, 340 W. 57th Street, 12B, New York, NY 10019

Tuesday, April 25, 2006
That new music authority--Midori

Midori's not the first performer that leaps to mind when thinking about champions of new music. But this story in the NY Times may change your perception of her:
http://www.nytimes.com/2006/04/23/arts/music/23toum.html

One of our favorite games here is trying to answer the question of how to bring more people to contemporary classical music. One thing that is invariably overlooked in these discussions is how performer-driven the classical music industry is. When a name performer programs contemporary music, that does so much to help our cause, first by bringing composers such as Yun, Kurtag, Lutoslawski, and Weir (all performed by Midori on her recent programs) to the public, and second, by inspiring younger performers to take up new and/or neglected important repertory. I never thought I'd see Erwartung on the Billboard classical charts--but it was a bestseller over a decade ago because Jessye Norman recorded it. And how many young cellists has Yo-Yo Ma inspired to commission new works?
posted by Christian Hertzog 4/25/2006



 
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