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SEQUENZA21/
340 W. 57th Street, 12B, New York, NY 10019

Zookeeper:   
Jerry Bowles
(212) 582-3791

Managing Editor:
David Salvage

Contributing Editors:

Galen H. Brown
Evan Johnson
Ian Moss
Lanier Sammons
Deborah Kravetz
(Philadelphia)
Eric C. Reda
(Chicago)
Christian Hertzog
(San Diego)
Jerry Zinser
(Los Angeles)

Web & Wiki Master:
Jeff Harrington


Latest Posts

Blogging 911
Another Life
Outsourcing, Child Abuse and Love and Attention
An 0rgy of Great Modern Music
Dispatch from BAM
The Demon Barber
A Happy Birthday to Milton Babbitt
New York Miniaturist Ensemble Auctions a 100 Notes by Mauricio Kagel
Firebird
Yellow Back Black Radio Broke Down


 

Record companies, artists and publicists are invited to submit CDs to be considered for review. Send to: Jerry Bowles, Editor, Sequenza 21, 340 W. 57th Street, 12B, New York, NY 10019


Tuesday, May 16, 2006
Werewolves of London

Can music be too scary? According to a profile of film composer Hans Zimmer in today's Wall Street Journal (alas, accessible only to subscribers), the British Board of Film Classification threatened to put "The Da Vinci Code" off-limits to children under 15 if Sony didn't agree to tone down Zimmer's score, which it deemed "too tense." Saith the Journal:

"An opus for strings and liturgical choir, Mr. Zimmer's majestic work can be appreciated on its own merits. Largely written before he saw a rough cut of the film, the approximately 70-minute score is by turns violent and sacred, hostile and meditative, terrifying and lovely. Perhaps too violent, hostile and terrifying..."

The score, in all its frightening glory, was issued last Tuesday on the Decca label. The movie opens on every screen in America this Friday.

 



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