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SEQUENZA21/
340 W. 57th Street, 12B, New York, NY 10019

Zookeeper:   
Jerry Bowles
(212) 582-3791

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David Salvage

Contributing Editors:

Galen H. Brown
Evan Johnson
Ian Moss
Lanier Sammons
Deborah Kravetz
(Philadelphia)
Eric C. Reda
(Chicago)
Christian Hertzog
(San Diego)
Jerry Zinser
(Los Angeles)

Web & Wiki Master:
Jeff Harrington


Latest Posts

ComplineNYC
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4'33"
The composers (for so it will be convenient to speak of them) are expounding a recondite matter to us.
Clock's tickin'
Bang on a Vibe
Decca deliver Malcolm Arnold Edition
Britten on the War Requiem
Reading Taruskin


 

Record companies, artists and publicists are invited to submit CDs to be considered for review. Send to: Jerry Bowles, Editor, Sequenza 21, 340 W. 57th Street, 12B, New York, NY 10019


Sunday, August 13, 2006
Early Music

The New York Times dumps another truckload of logs onto to the bonfire of hype attending 14-year-old musicial phenom Jay Greenberg, whose first recording for Sony Classical will be in shops on Tuesday. The disk contains young Greenberg's Symphony No. 5, recorded by the London Symphony Orchestra, and his Quintet for Strings, played by the Juilliard String Quartet and cellist Darrett Adkins. Writes Matthew Gurewitsch, perhaps a bit optimistically:
Who will buy it? All a contemporary composer of classical music can count on from the mainstream audience is indifference. On rare occasions a new symphony touches a universal chord (as with Henryk Gorecki’s Third Symphony more than a decade ago), but commercial success on this order cannot be manufactured. Conceivably a composer in his early teens could win a following for his music among his own generation and beyond, in the process winning converts to the art form more generally.

We've discussed the pros and cons of too much too soon for young Jay before but this new profile puts an endearing human face on a nerdy wunderkind who since the age of three has been hearing music in his brain and feeling compelled to write it down.

 



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