Blogger Updates

RSS Christian Carey

RSS Jay C. Batzner

RSS Lawrence Dillon

CD Reviews

Cast and Crew

Steve Layton

Managing Editor

Christian Carey

Contributing Editors:
Galen H. Brown

Chris Becker
Armando Bayolo
Garrett Schumann
Wes Flinn
Rob Deemer
Paul Bailey
Polly Moller
Ilona Oltuski
Elliot Cole
Ed Lawes
Scott Unrein
Iván Sparrow
James Holt
Lanier Sammons
Rodney Lister
Jerry Zinser

Jerry Bowles
(212) 582-3791

Founding Publisher:
Duane Harper Grant

Send Review CDs to:
Chrisitan Carey
218 Augusta Street
South Amboy NJ 08879

Featured Release

3 Disks
For Christian Wolff
Morton Feldman
California Ear Unit

Recent Comments

Recent Posts

Music Blogs


Listen Online:

RSS Scott Unrein’s Nonpop Podcast

Kalvos & Damian!
& Noizepunk and Das Krooner

The longest-running New & Nonpop music program on the web.

Counterstream Radio
Streaming radio from New Music USA.

Q2 Music - WQXR
New York-based online station devoted to the music of living composers.


The toy that grew up

Many instruments have their 99-cent toy counterpart: tiny play trumpets, cheap plastic recorders, pint-sized accordions, even mini drum-kits with cymbals the size of espresso saucers. But it’s only the toy piano that has graduated to the big leagues, with an large and diverse repertoire and even a dedicated group of high-caliber performers to boost its status. I really think this all came about from two sources: John Cage‘s modest 1948 Suite for Toy Piano, and the instrument’s inclusion in George Crumb‘s highly influential Ancient Voices of Children (1970). Both of these works had (and still have) a certain vogue; pianos were obtained, kept around, and led to performers and composers thinking “now that I’ve got it, what else can I do with this thing”? Fast-forward a few decades and we now find a whole body of work from composers big and small, with piano solo, duo, trio and beyond, accompanied by everything from a few trinkets to elaborate interactive electronics. Entire concerts of toy piano music take place now, with a variety pieces and forces equal to any other chamber music concert.

Like this one… Co-Directors and composers David Claman and Matt Malsky are presenting The Extensible Toy Piano Festival at Bargemusic, with another of those said dedicated toy-piano performer/composers, Phyllis Chen– this Sunday, June 12, at 3pm (Fulton Ferry Landing near the Brooklyn Bridge / Tickets: $25 ($20 Seniors; $15 Students). Claman and Malsky started The Extensible Toy Piano Project a number of years ago, sponsoring concerts, commissions, contests and even symposia (I told you this little instrument done all growed up!). This iteration will also feature guest performers Nancy Newman and mezzo-soprano Jessica Bowers, and works by Chen, Claman, Malsky, Karlheinz Essl, Konrad Kaczmarek, John McDonald, and Atsushi Yoshinaka.  Here’s Chen performing one of her works that will be on the concert, Double Helix: