In One Week: Recital in Princeton

Christian Carey recital postcard

Emerged: A Recital of Compositions by Christian Carey

Christian Carey headshot

Saturday, September 28th at 2 PM

Prince of Peace Church,

Princeton Junction, NJ

Free Event

Performed by:

Righteous Girls

(Gina Izzo, flute; Erika Dohi, piano)

loadbang

(Jeffrey Gavett, baritone, Carlos Cordeiro, bass clarinet,

Andy Kozar, trumpet, Will Lang, trombone)

Peter Jarvis, drum set

Sara Noble, soprano

Megan Ihnen, mezzo soprano

Carl Patrick Bolleia, piano

Zheng Yuan, viola

Natalie Spehar, cello

Program

Prayer  (2011)    loadbang

3 Bagatelles (2006)    Righteous Girls

“He Wishes for the

Cloths of Heaven” (2009)   Megan Ihnen and Zheng Yuan

3 Flourishes (2008)            Gina Izzo

Solo for piano  (2013)            Erika Dohi   (World Premiere)

“Fuller Brush Music”    (2010)             Peter Jarvis

“Blue Symphony” (2013)   Sara Noble & Carl Patrick Bolleia

Two Miniatures  (2012)    Carl Patrick Bolleia

“Gloss on Guston”

“Fiery Sunset”

3 Kenyon Settings  (2009)    Megan Ihnen and Natalie Spehar

For Milton   (2011)     Righteous Girls

Sunday in LA: Eagle Rock Music Festival

Mak Grgic

I’m hoping to beat the blizzard out of town and make it to the premiere of my Three Fantasies for Cello and Guitar in Los Angeles. This Sunday, it will be heard twice during a day filled with concerts of American works at the Eagle Rock Music Festival. Cellist Jay Campbell and guitarist Mak Grgic are performing at 1 and 6 PM and JACK Quartet gives a concert at 3:30 PM. If you are in sunny southern California, instead of facing down winter storm Nemo, I hope you’ll consider attending.

Ticket info may be found here.

Don’t Toy with the Noonday Demon

Much as I respect his work as a composer, I was upset by Keeril Makan’s post on the NY Times’ Score blog yesterday.

I’m not sure I buy Keeril’s suggestion that all composers battling with depression fear how it will impact their work if they are treated. In my discussion with creatives, I’ve come to learn that when you are in the grips of a major depressive episode, you may not be able to work at all. Indeed, those I know who are really dealing with depression don’t toy with it: they fear it as an unwelcome and unbidden visitor.

The notion that depression (or addiction) is a little seasoning to our creative juices is a pernicious one that has caused a lot of self-inflicted wounds by artists. Going after “dark moments” to spur your creativity, which is what is described in the article, is very different from experiencing brain chemistry gone haywire and completely out of your control. Having worked with blocked composers who deal with severe emotional issues, I can only hope that Mr. Makan doesn’t try and share this tidbit of “method acting” with his students.

I also steadfastly reject the notion that composers are inevitably reflecting their emotional life in their music. Some of Mozart’s most joyful works are written from the depths of mourning. It is a romantic notion, but it just doesn’t hold up for everyone. Keeril is free to explore his dark materials, but I’d urge other composers not to feel compelled to “emote all their notes.”

(Note: an abridged version of the commentary above appeared on the NYT blog here). 

 

Fantasy for cello and guitar III (SoundCloud)

Program Note

Written in Autumn 2012, in Three Fantasies for Cello and Guitar I sought to explore various techniques for playing the guitar and ways that the cello might imitate or replicate them. There are sections highlighting harmonics, pizzicato (plucked strings), single-note melodies, arpeggiated and block chords, and rasgueado (flamenco style strumming). Descriptive terms like misterioso (mysteriously), dialogo (dialogue), birichino (mischievously), and solenne (solemn) locate the motivation for these technical etudes in the realm of character pieces.

Some MIDI demos below via my SoundCloud page.

More information about Gilgamesh EP

Over at my BandCamp site, we’re offering “Gilgamesh EP,” which features Gilgamesh Suite for prepared piano and ensemble, for sale to benefit Locrian Chamber Players’s future activities. I’m doing this not to fund my own work, but as a thank you to the group for premiering the piece, and for their continued advocacy for a wide variety of contemporary composers. Locrian’s programming aesthetic is catholic, and the criterion crystal clear: pieces must be a decade or younger.

File Under ?’s Tumblr page has a stream of the first movement from the Suite.

Listen here.

12/10 Premiere at Connecticut College

Monday, December 10
Percussion and New Music Concert.
Peter Jarvis, director
7:00 pm Evans Hall
Tickets $5; Students & Seniors $3, free to CC Students, Staff & Faculty

Program includes works by Elliott Carter, John Cage, David Saperstein, Gene Pritsker, and James Romig.

Program Note: Fuller Brush Music - Christian Carey

Fuller Brush Music for drum set is an etude for playing with brushes and for playing in a prevailingly soft dynamic range. The performer employs various brushes and dampening techniques to balance the kit for this more delicate sound world. Commissioned by Calabrese Brothers Music, it is dedicated to Peter Jarvis.

Composed 2010 in South Amboy, NJ and New York, NY.

 - Christian Carey


First Solo Release on Bandcamp

All proceeds from the sale of “Gilgamesh Suite EP” will benefit Locrian Chamber Players’ next concert season.

“‘Gilgamesh Suite ‘is a newly composed work based on selections from incidental music I contributed to the play ‘Gilgamesh Variations,’ produced at Brooklyn’s Bushwick Starr Theatre in 2011. Written to commemorate the 2012 John Cage centenary, its touchstone work is ‘Sonatas and Interludes.’ Instead of creating a trope on Cageian compositional practices, I focused on incorporating the rich sound palette of the work’s prepared piano into the play’s eclectic and highly gestural aesthetic.

The suite, composed for Locrian Chamber Players, is scored for flute, prepared piano, harp, and string quartet. The sixth movement embeds ‘Locrian Flourish,’ a work commissioned by the ensemble for flutist Diva Goodfriend-Koven, as an extended cadenza.” – Christian Carey

credits

released 09 December 2012
Locrian Chamber Players: Conrad Harris and Miranda Cuckson, violin; Daniel Panner, viola; Greg Hesselink, cello; Roger Wagner, bass; Diva Goodfriend-Koven, flute; David Broome, prepared piano; Lynette Wardle, harp. Artistic Director: David MacDonaldMusic by Christian Carey, published by File Under Music (ASCAP).
Copyright 2012. All rights reserved.

Recorded August 24, 2012 at Riverside Church, New York.
Locrian Chamber Players (locrian.org)

Mastering: Robert Thomas (retmusic.com)
Artwork: Tyler Carey

For scores, parts, and more information about Christian Carey, please visit www.christiancarey.wordpress.com

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Composer Concordance Festival Starts Friday

Celebrating the “Growing Diversity of Music,” Composers Concordance, a new music consortium and record label, presents its second festival from Nov. 30 – Dec. 7. Over the course of five concerts, one will get to hear works in a variety of styles and different forces: electroacoustic, chamber music, amplified ensemble music, and works for chamber orchestra.

On Friday the 30th, CC joins forces with Vox Novus, presenting a “60X60″ mix of one-minute electroacoustic works. I just learned on Monday that my “Gilgamesh Variation” is one of the pieces in the mix. The show is at Spectrum (details below).

Festival Details

Concert #1: 60 x 60
Instrumentation: Electronic Music / Multimedia
60 Electronic Composers
Friday, November 30th at 8pm at Spectrum
121 Ludlow Street, 2nd floor, NYC – Tickets $10

Concert #2: Soli
Instrumentation: Solo
Kathleen Supové, Eleonor Sandresky, & Jed Distler
Saturday, December 1st at 7pm at Faust Harrison Pianos
207 West 58th Street, NYC
Free Event – Note: seating is limited. RSVP: info@faustharrisonpianos.com 

Concert #3: Composers Play Composers Marathon
Instrumentation: Solo, Duo, Trio
30 Composer-Performers
Sunday, December 2nd from 3pm to 7pm at Drom NYC
85 Avenue A, NYC
Tickets $15 (includes one drink)

Concert #4: Nine Live
Instrumentation: Ensemble
Composers Concordance Ensemble
Tuesday, December 4th at 7:30pm at Shapeshifter Lab
18 Whitwell Place, Brooklyn
Tickets $10

Concert #5: Legends
Instrumentation: Chamber Orchestra
Composers Concordance Chamber Orchestra (CCCO), Lara St. John – violin, Valerie Coleman – flute, Thomas Carlo Bo – conductor
Friday, December 7th at 8pm at DiMenna Center – Mary Flagler Cary Hall
450 West 37th Street, NYC
$20 day of performance, $15 students and advance tickets
Tickets: http://ccco_evolution.eventbrite.com/