Krys Bobrowski is up next in our series of interviews with composers who are premiering new works at the 10th Annual Outsound New Music Summit in San Francisco on Friday, July 22nd. The Friday night concert, entitled The Art of Composition, starts at 8 pm at the Community Music Center, 544 Capp Street, San Francisco. Tickets are available online from Brown Paper Tickets, and you can also buy them at the door. Listeners who don’t want to wait that long can get up close and personal with the composers, and learn about their creative process, at a free Monday night panel discussion at 7 pm on
Read moreOnce upon a time in 2000, there was a brand-new underground music collective in the San Francisco Bay Area, presenting a monthly concert series named “Static Illusion/Methodical Madness”. The SIMM series is still going strong today, and its parent organization, Outsound Presents, now additionally puts on the weekly Luggage Store Gallery concert series and the Outsound New Music Summit. Outsound acquired a Board of Directors and incorporated its bad self in 2009. Now with a 501(c)(3) IRS determination in hand, it’s a stalwart provider of experimental music, sound art, found sounds, improvisation, noise, musique concrete, minimalism, and any other kind of
Read moreThus far, 2011 seems to be the year of the festival. From Tune Up to Tully Scope and beyond, a wide variety of adventurous outings have been offered in New York. Starting tonight, Symphony Space joins in the fun with their Cutting Edge Concerts New Music Festival. If each festival has had its own identity – Tune Up reveling in the Park Avenue Armory’s generous space and acoustics, Tully Scope celebrating the diversity of its offerings and its newly remodeled digs – the emphasis of Cutting Edge seems, like so many events at Symphony Space, to be outreach and interaction. All
Read moreFollowing up on Alex Ross’ post about the New York Philharmonic’s 2011-’12 season, which mentioned the lack of representation of American composers on the Contact! series and women composers throughout the schedule, we asked Sequenza 21 readers to share their lists of American women composers that the Philharmonic should consider programming (more comments/lists welcome). Here’s my own take. I’ve compiled three chamber orchestra programs for the Contact! concerts and one for the regular subscription series: all consisting entirely of living women composers. One features American music and the other programs have a more diverse array of nationalities. I hasten to
Read moreYesterday, Alex Ross wrote a short essay on The Rest is Noise about next season’s offerings at the New York Philharmonic. After discussing several highlights, including Stockhausen’s Gruppen at the Park Avenue Armory, the NYPO’s first presentation of a piece by Philip Glass (!), and a new work by John Corigliano, he pointed out some curious omissions. Ross wrote,”The Contact! series will elicit new works from Alexandre Lunsqui, Yann Robin, and Michael Jarrell. The series has no American music this year, nor is there any music by women in the entire season.” Like Ross, I’m very excited by some of
Read moreWhen the 2010 Composer Collaboration Awards call for proposals went out on May 10, 2010, music presenters, ensembles, and composers all over the San Francisco Bay Area called, paged, and emailed one another, then got together to put their dream projects down on paper in time for the deadline. Today the staff and Boards of six organizations, their chosen composers, and their artistic collaborators are popping champagne corks and dancing around their offices. They’ve received $75,000 each from the Wallace Alexander Gerbode Foundation and the William and Flora Hewlett Foundation, to make six world premieres. Cabrillo Festival of Contemporary Music
Read more[youtube]http://www.youtube.com/watch?v=N36TWwH98gE[/youtube] This Friday and Saturday October 22 and 23, Andrea Liberovici’s multimedia work Mephisto’s Songs premieres a part of the Apollo Theater’s Salon Series. I’m not familiar with Liberovici, but I am familiar with Mephisto’s featured performer singer Helga Davis. In addition to Ms. Davis’ amazing vocals, the piece includes recorded narration by Robert Wilson and cello improvisations by The Kronos Quartet’s awesome Jeffrey Zeigler. Live musicians for this performance include Clarice Jenson (cello), Fred Cash Jr. (bass), and Abe Fogle (drums). Some of you may be familiar with Helga Davis as a host of WQXR’s Overnight Music. She works
Read morePyramid and Michelle Yom at Labotanica (Houston, TX) This Friday, October 1st at 7pm, Michelle Yom will present her sound performance installation Back To Imagined Spaces at Houston’s alternative arts and music venue Labotanica located at 2316 Elgin Street. This is a part of Labotanica’s ongoing Hear/Her/Ear series spotlighting women in experimental music. I got a chance to hear Michelle last month in a solo vocal set at Avant-Garden where she recorded and looped her singing in real time to additively build a series of haunting chorales. Michelle is perhaps best known as a flautist with a strong classical technique
Read moreComposer, violinist, and performance/video artist Laurie Anderson has never been one to rest on her laurels. But Homeland, her latest project for Nonesuch takes her farther afield than she’s previously been. Rather than staying at home to record, Anderson developed the album’s songs over a two year period of touring. And, for the first time, she’s involved her partner Lou Reed in a collaborative recording process (he receives a co-producer credit). The results sound recognizable as songs by Laurie Anderson; but the sonic formula has been tweaked – indeed, refreshed – by the risks taken and departures made during the
Read moreOutside the Eldorado Ballroom, Houston, TX (Photo by Chris Becker) “ …(Houston is) one of the epicenters of noise bands and experimental music. Nobody even knows that, you know? ” Dan Workman of Houston’s Sugarhill Studios. Here’s an excerpt of a recording I made of a Houston thunderstorm using a Zoom H4 recorder positioned just behind the front screen door to our house. You might want to turn down the volume about half way through if you listen to this headphones: Houston rain and thunder Part One New York City – the city where I lived for twelve years before
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