I’m off to Seattle today. I think I have alluded to, but not explained, the wonderful situation I am walking into. It’s a situation every composer should be afforded on a regular basis, so I’m going to describe it in the hopes that my description might spur other organizations to imitate it.
I’ve been commissioned by Seattle Chamber Music Society’s Commissioning Club to create a septet to be premiered on their summer festival. Over the last six months or so, the club, led by composer Jeremy Jolley, has been getting together from time to time to discuss my music. On Sunday they will meet me — and I will meet them — for the first time, and we’ll talk about the new piece I’ve written. Then in July I will return for the premiere.
What’s not to like about this scenario? Curious music lovers support the creation of a new work and get a glimpse into a composer’s creative process. The composer gets paid for his work and gets it performed before a knowledgeable, engaged audience.
There are so many communities that have the resources to create this kind of setup. All it really takes is one person with vision and persuasive skills to bring it off.
So I’m getting ready to board transcontinental. If I find out more about how this club works, I will share when I return.