Posts Tagged “Symphony Space”
Last month, I heard the second installment of Anthony De Mare’s Liasons: Re-Imagining Sondheim from the Piano project at Sheen Center. De Mare has commissioned dozens of composers to fashion arrangements of Sondheim songs. The results are as fascinating as they are eclectic.
On Thursday at Symphony Space, De Mare completes his live presentations of the commissions with a third concert. Among the featured composers are Steve Reich, David Rakowski, Paul Moravec, and Duncan Sheik. The concluding arrangement is by De Mare himself: “Sunday in the Park – Passages.” Sondheim will be on hand and the ECM recording, a 3-CD set, will receive its official release.
There are some tickets left to the performance (buy here).
Comments Off on 11/19: De Mare at Symphony Space
Posted by Jonathan Lakeland in American Music Center, Classical Music, Composers, Composers Now, Contemporary Classical, Experimental Music, Interviews, New York, News, The Business, Twentieth Century Composer, tags: laura kaminsky, New York, Symphony Space
Updated : 9/6/12 with added thoughts from Laura Kaminsky.
Every so often we have a conversation that changes us for the better. Sometimes, we have this type of conversation with our mothers, our fathers, our close friends and allies, our colleagues, or with an artist. Last weekend I had a profound conversation with the latter, an artist named Laura Kaminsky.
Laura Kaminsky, composer, is also the artistic director of Symphony Space, the renowned performance venue in New York City. She has received commissions, fellowships, and awards as both a composer and presenter from over twenty organizations including the Koussevitzky Music Foundation and the Aaron Copland Fund. Ms. Kaminsky also plays a large role in the operation of many musical and arts organizations including Chamber Music America, and, in the past, New Music USA (formerly the American Music Center), and as a member of the Artistic Advisory Council of the New York Foundation for the Arts, among others. Laura Kaminsky is an important and influential voice in the arts world today. Having the chance to speak with her by phone, I first asked her about her musical upbringing.
Laura Kaminsky (LK): I grew up in New York City, and was surrounded by musicians, painters, writers, and actors. As a very young child I thought I was going to be a painter when I grew up. But I started taking those typical piano lessons at about age ten or eleven, and quickly decided that practicing wasn’t nearly as much fun as making up my own music. This led me to start trying to figure out how to write down that which I made up. So, I was composing at a very young age, untrained, just writing the things that occupied my imagination. Still, I just thought of it as a fun thing to do. [Around this time] I began tormenting my younger sisters because I used to create family musical evenings that I insisted they participate in. We would perform these programs on the weekend for our parents. I think this is probably where I got my passion for producing.
When I was about 13, it was that time in New York when, if you were a public school kid, you could test and audition to go to a special high school. I wanted to go to [LaGuardia High School of] Music and Art, and originally I thought I was going to audition with an art portfolio. As I got closer to the day of the testing, however, I realized I was more passionate about my time spent in music, and requested that I switch my art audition to a music audition. I got in not because I was a particularly good pianist or clarinetist (that was my second instrument) but I think because I presented music that I wrote, and performed one of my own compositions. My four years at M&A were profound and formative; many of my friends today still date from that time, and many are living active lives in the arts. Read the rest of this entry »
Comments Off on Kaminsky Comments
You know it’s going to be an exciting evening when one of the performer’s bios states that, among other things, she has performed, “with robots locked inside a Van de Graff generator at Boston’s Museum of Science.” From that moment on, I was sold.
Ear To Mind produced the evening’s concert, at the Leonard Nemoy Thalia theatre at Symphony Space. Ear to Mind is a New York City based arts organization that “strives to present innovative programs that allow the public to experience contemporary music in non-traditional context.” What was heard on this evening was a truly remarkable display of modern art today.
Read the rest of this entry »
Comments Off on “This Is Just To Say: Live Art II” – Leonard Nemoy Thalia theatre at Symphony Space
Posted by Christian Carey in Chamber Music, Concerts, Contemporary Classical, Festivals, File Under?, New York, Video, Women composers, tags: Cutting Edge, Laurie Anderson, multimedia, Symphony Space
Thus far, 2011 seems to be the year of the festival. From Tune Up to Tully Scope and beyond, a wide variety of adventurous outings have been offered in New York. Starting tonight, Symphony Space joins in the fun with their Cutting Edge Concerts New Music Festival.
If each festival has had its own identity – Tune Up reveling in the Park Avenue Armory’s generous space and acoustics, Tully Scope celebrating the diversity of its offerings and its newly remodeled digs – the emphasis of Cutting Edge seems, like so many events at Symphony Space, to be outreach and interaction.
All of the composers will be present at the concerts featuring their music. Each program will include onstage discussion between the featured composers and Victoria Bond. One hopes that meeting composers “in the flesh” and learning about their works firsthand will encourage audience members to approach their works with open minds and ears.
Tonight’s concert includes a world premiere by talented up and comer Hannah Lash, as well as a New York premiere by perennial audience favorite Peter Schickele. Kathleen Supove performs a work by Randy Woolf . Topping it all off is Hidden Inside Mountains, a new multimedia work by downtown luminary Laurie Anderson.
Cutting Edge Concerts New Music Festival is on four Monday evenings at 7:30 pm on
March 28, April 4, April 11 and April 25, 2011 at the Leonard Nimoy Thalia Theatre in
Peter Norton Symphony Space, 2537 Broadway at 95th Street in New York City.
More information about the Festival, including program notes, performer and composer bios, and
Tickets are $20 ($15 for students and seniors).
Program for Monday, March 28, 2011
Hannah Lash: Folksongs (world premiere)
MAYA: Sato Moughalian, flute; Bridget Kibbey, harp, John Hadfield, percussion
MAYA’s appearance is supported by the Jarvis and Constance Doctorow Family
Peter Schickele: Music for Orcas Island (NY premiere)
Renee Jolles, violin; Daniel Panner, viola; Maxine Neuman, cello; Kathleen Supove,
Jon Deak: Bye Bye
Sato Moughalian, flute; Kathleen Supove, piano
Randall Woolf: Righteous Babe
Sato Moughalian, flute; Kathleen Supove, piano
Laurie Anderson: Hidden Inside Mountains
Laurie Anderson, video and music
Comments Off on Cutting Edge Concerts Kicks Off Tonight