Year: 2011

Chamber Music, Concerts, Contemporary Classical, Electro-Acoustic, Events, Experimental Music, Festivals, New York, Performers

Viola & …

On Monday, January 24, 2011 at 8:00 p.m. at The Bushwick Starr in Brooklyn, violist Wendy Richman of the International Contemporary Ensemble (ICE) will present “Viola & “, the first program in her “Vox/Viola” project, in which she presents new and important works for singing violist and/or electronics. The program features works by Arlene Sierra, Lou Bunk, Hillary Zipper, Kevin Ernste, Kaija Saariaho, Giacinto Scelsi and Sequenza21’s own Senior Editor, Christian Carey. I caught up with Ms. Richman via email to speak with her about the project’s origin and her interest in performing “one-woman duos.” “It’s not entirely fair for

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Contemporary Classical, Experimental Music, Online, Post Modern, Video

Autotune the silence

Ah, this the Golden Age, my friends, when the mellifuous sound of Autotune is everywhere, bringing dulcet harmony and order to everything from the latest pop and hip-hop singles worldwide to even the news. And now, thanks to the inspiration of  Toronto composer Matthew Reid, even to the veritable sounds of “silence” as well!…  Of course we all know that John Cage‘s iconic piece 4’33” is not really three movements of silence; the point is that those movements frame and draw attention to all of the other sounds present in the space where the piece is being played. What Reid has

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Contemporary Classical

In Memoriam Steven Bodner

Conductor Steven Dennis Bodner, who was a passionate, fiery, radical force for new music, died tragically on Monday night after a brief illness. Steve was a fanatically devoted new music performer and advocate, who helped develop a new appreciative audience for this music during his tenure as conductor of the Williams College Wind Ensemble and the Opus Zero Band, the college contemporary music group which he founded. He was a man of incredible depth, joy and energy whose early death is not only a great personal loss to those who knew him but is an immesurable loss to the contemporary

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Classical Music, File Under?, New York, Orchestras

Gilbert to direct Juilliard Conducting Program

As Daniel Wakin reported today in the NY Times, Alan Gilbert has been announced as the incoming Director of Conducting and Orchestral Studies at the Juilliard School. He replaces James DePriest, who will remain on the faculty as Principal Conductor and Director Emeritus. Gilbert will also get some help from James Ross (currently at the University of Maryland), who will serve as his assistant, providing a “more permanent presence” than that of a frequently touring maestro. Gilbert plans to integrate his work at the New York Philharmonic, where he assumed the post of Music Director in 2009, with his teaching

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Chamber Music, Choral Music, Composers, Concerts, Contemporary Classical, Electro-Acoustic, Experimental Music, File Under?, Interviews, New York

Jeff Gavett talks about Ekmeles

On Tuesday 1/11, newish New York vocal ensemble Ekmeles presents a program of music by Martin Iddon, Alvin Lucier, and David Lang at The Tank. I caught up with Ekmeles’ director, baritone Jeff Gavett to learn more about the event. Carey: Why did you form the group Ekmeles? Gavett: “While New York is home to many exceptional instrumental groups dedicated to contemporary music, there is a relative paucity of new vocal music. Ekmeles was created to fill the gap, and bring adventurous new music for solo voices to audiences that otherwise have little or no chance to hear it.” “Our

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Composers, Contemporary Classical, Lectures, New York

Two Feldman Lectures in NYC and via the Internet around the world.

[Noted composer/performer Bunita Marcus asked to share some information on her upcoming lectures on Morton Feldman.] Hello Friends and Colleagues, I am doing two lectures on Morton Feldman’s Notation and Compositional Process here in NYC this coming January 16th and 23rd at 1:00 to 3:00 pm. These lectures will also be available via Ustream.tv for people outside of NYC. These lectures are unique audio/visual powerpoint presentations. The first lecture is on the influence of Rugs and the Visual Arts on his Composition and Orchestration. The second lecture is a closer look at his Rubato Notation and his Compositional Process, examining

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Click Picks, Composers, Contemporary Classical, Magazines, Online, Recordings, Websites

The Open Space reopens

…Though it never really closed… Started around 1998 in upstate New York by a small group of musicians including Benjamin Boretz, Mary Lee Roberts and Arthur Margolin, The Open Space was conceived as print and online magazine venture and CD publisher dealing with contemporary music as “…output from a community for people who need to explore or expand the limits of their expressive worlds, to extend or dissolve the boundaries among their expressive-language practices, to experiment with the forms or subjects of thinking or making or performing in the context of creative phenomena. We want to create a hospitable space for

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Chamber Music, Classical Music, Composers, Concerts, Contemporary Classical, Film Music, Houston, Music Events

Houston’s Musiqa presents: Real and Imagined

[vimeo http://vimeo.com/12767232] (Visual Abstract, First Movement, Music by Pierre Jalbert, Film by Jean Detheux) On January 8th, 2011, at 7:30 p.m. in Zilkha Hall of The Hobby Center for the Performing Arts, the Houston TX new music group Musiqa presents Real and Imagined – a concert collaboration with Aurora Picture Show featuring Theo Loevendie’s Six Turkish Folk Songs as well as music by Eve Beglarian, Paul Frehner, and Evan Chambers. Houston-based composer Pierre Jalbert’s Visual Abstract for flute, clarinet, violin, cello, piano, and percussion will be performed live to a film created by Jean Detheux. The concert will be conducted

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