Month: November 2021

Classical Music, Concerts, Contemporary Classical, New York, Orchestral, Premieres, Violin

The Orchestra Now at Carnegie Hall: Scott Wheeler, Julia Perry and George Frederick Bristow

Big name soloists, a symphonic work plucked from obscurity and a premiere. It’s an oft-used – and winning – programming formula used by The Orchestra Now. The ensemble’s performance at Carnegie Hall on November 18, 2021 was the latest in this successful framework. TŌN is a graduate program at Bard College founded in 2015 by Bard’s president, Leon Botstein, who is also the ensemble’s conductor. Its goal is to give conservatory graduates orchestral performance experience, training in communicating with the audience, and other essential skills for concert musicians. Throughout the concert at Carnegie, the quality of the performance was outstanding.

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CD Review, Contemporary Classical, Electro-Acoustic

Jacob Cooper, Steven Bradshaw – Sunrise

Sunrise is a new CD by Jacob Cooper and Steven Bradshaw, recently released by Cold Blue Music. Jacob Cooper has a long and distinguished composing career including commissions by the Los Angeles Philharmonic New Music Group, Eighth Blackbird, the Calder Quartet and others. His music has been performed by the JACK Quartet, the Minnesota Orchestra, Kathleen Supové, Timo Andres and many other well-known new music soloists and ensembles. Steven Bradshaw is a founding member of the two-time Grammy Award-winning ensemble The Crossing and has appeared with the Philadelphia Chamber Orchestra, Bang on a Can and the Network for New Music.

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Ambient, Best of, CD Review, File Under?

Best of 2021: Philip Blackburn and Chris Campbell (CD Review)

Best of 2021: Recordings by Philip Blackburn and Chris Campbell   Philip Blackburn Justinian Intonations Neuma CD   Chris Campbell Orison Innova LP     Both Philip Blackburn and Chris Campbell are poly-artists, sitting astride composition and sound art and working with homemade (or, in the case of Blackburn, also Partch made) instruments. In 2021, Blackburn’s Justinian Intonations and Campbell’s Orison topped the currently crowded field of ambient classical, providing long form pieces that encourage contemplative listening. It is frustrating that some quarters have tagged them with a “New Age” label, as their work is more intricate and, frankly, interesting

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