Saturday, March 30th: Kafka Fragments at Tenri On Saturday at 8 PM, Kafka-Fragmente by György Kurtág will be performed at Tenri Cultural Institute (43A West 13th Street,New York NY), by soprano Susan Narucki and violinist Curtis Macomber (tickets). Earlier this week, they performed it at another venue also abundantly supportive of contemporary classical music, Buffalo University. Kafka-Fragmente is based on aphoristic texts by Franz Kafka from his diaries and correspondence. As is his practice, Kurtág brought the composition together gradually, collecting fragments over time and completing the piece in 1985. At seventy minutes in duration, until his opera Fin
Read morePolytempic Polymicrotonal Music in Four Pieces, by Peter Thoegersen, is a new digital release from the Fragments of Blue recording label. Since obtaining his Doctorate in Composition from the University of Illinois, Urbana, Thoegersen has devoted much of his composing career to the exploration of the musical possibilities at the intersection of rhythmic structures in multiple meters combined with scales built from microtonal pitches. This latest album builds on earlier works by simultaneously combining different meters and tempi with various microtonal temperaments. These pieces originally date from 2003 to the present, but all have been updated to incorporate expanded combinations
Read moreKinds of ~Nois ~Nois, Kinds of Kings Bright Shiny Things The Bright Shiny Things recording Kinds of ~Nois is the result of a six-year long collaboration between the saxophone quartet ~Nois (Julian Velasco, soprano; Hunter Bockes, alto; Jordan Lulloff, tenor; János Csontos, baritone) and the composer collective Kinds of Kings (Shelley Washington, Maria Kaoutzani, and Gemma Peacocke). The recorded works are generally in a complexly post-minimal style, but each composer has their own distinctive voice. ~Nois’s rich ensemble tone and dexterous rhythms serve the music quite well. One can readily hear that a lot of preparation was put into
Read moreBreve Euclid Quartet Afinat The Breve Quartet has been in residence at Indiana University South Bend for sixteen years. During that time they have recorded a wide range of repertoire. Like so many ensembles, their catalog was put on ice during the pandemic, and their latest since 2017 for Afinat, Breve, returns with eleven miniatures in disparate styles. Listeners are encouraged to shuffle them to hear in any order. Miniatures are often thought of as the fare of encores, but a full program of them suggests that small doesn’t mean insubstantial or merely flashy. Wolfgang Amadeus Mozart’s C-minor
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Chamber Music, Classical Music, Composers, Concert review, Concerts, Contemporary Classical, New York
How does a composer write music? Whether she pulls interesting sounds out of the air, or creates an elaborate scheme of hieroglyphics – can an uninformed listener tell the difference? Sometimes not, as was the case Wednesday night at the 92nd Street Y where the incomparable Takács Quartet gave the New York premiere of Flow by Nokuthula Endo Ngwenyama. Flow was backed up by an elaborate set of program notes that described inspiration ranging from the sound of the Big Bang to the breathing discipline “Pranayama”. Even with that knowledge in hand, for the most part I couldn’t detect the
Read morepremiering multimedia works by composer collective ICEBERG New Music Friday, May 17th @ DiMenna Center, New York City Known for reaching new heights in percussive music, pioneering percussion soloist, drummer and software engineer Lisa Pegher premieres A.I.RE (Artificial Intelligence Rhythm Evolution), an evening-length multimedia concert on Friday, May 17th at Manhattan’s DiMenna Center. In a groundbreaking collaboration with New York-based composer collective ICEBERG New Music, Pegher seamlessly melds new works by 10 different composers into an explosion of technology and sound, complete with stunning live video and sound processing installations. Audience members will be taken on a musical journey of percussion music’s evolution starting with
Read moreMartin Arnold Flax Kerry Yong, piano Another Timbre Martin Arnold’s solo piano work Flax has a sad backstory. It was originally commissioned by the abundantly talented new music pianist Philip Thomas, who shortly afterward became seriously ill and was unable to premiere the work. Kerry Yong performs the piece in his honor on an Another Timbre CD. The piece was already well underway when this transpired, but one cannot hear the considerable poignancy and elegant gracefulness of Flax without connecting it to Thomas’s loss of health. Arnold is a Canadian composer whose work is influenced by Morton Feldman
Read moreGuitarist Mike Skagerlind and synth-player Chris Romero, alongside electronic beats, perform as Venusian Motel Guests. I’ve been spending a fair bit of time listening to their upcoming EP, All Was Carbon, which will be released on April 24th. Today their first teaser track, “The Re-entry of Embers,” has been released (see the Bandcamp embed below to stream). It embodies just one of the many moods found on the EP, with a laidback groove featuring melodic guitar riffs and a bass synth providing a countermelody and occasional surges that add to the syncopated feel of the track. All Was Carbon by
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