Author: Jerry Bowles

Classical Music, Composers, Contemporary Classical, Minimalism

Happy Birthday, Steve

Steve Reich turns 70 today.  There will be the usual superlatives–greatest living composer, most important musical thinker, and other fun, but largely unreliable, speculations. We won’t burden Reich with any of them.  The path of music history is already littered with the ghosts of greatest livings whose work has since fallen into neglect and obscurity.  Others fade for awhile only to have their reputations re-claimed by forceful new advocates.  One of the great things about leaving behind a body of work as essential to its time as Reich’s is that it is a legacy each age can evaluate on its own terms and through the prism of its own judgements and tastes.  Suffice

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CDs, Classical Music, Composers, Concerts, Contemporary Classical

Family Bidness

Elodie Lauten is performing and presenting her piano and chamber music on Tuesday, October 3 – 8 PM at Faust Harrison Pianos, 205 West 58th Street in Manhattan. Elodie will perform selections from her new Piano Soundtracks CD, including Variations on the Orange Cycle, a work that was included in Chamber Music America’s list of 100 best works of the 20th century. Pianist Francois Nezwazky, violinist Tom Frenkel and cellist Kurt Behnke will give the World Premiere of her new trio, The Elusive Virgin Bachelor. The concert is free and open to the public, however, a donation of $15 is suggested. For reservations

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CDs, Uncategorized

Free CDs

In my continuing efforts to find volunteer reviewers who will actually write reviews, this is my latest tack.  All of the wonderful CDs you see below are currently in my possession and available to be shipped to your mailbox.  The rules are this:  You can request up to 3; first e-mail request wins (list a couple of alternatives in case somebody else has beaten you to your first choice).  You have one week per CD to write and post a review on the CD page and you must agree to accept one CD of my choice for every one of your choice. 

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Classical Music, Concerts, Experimental Music, Music Events

Sonic Beatings in Boston

Should you find yourself in the vicinity of Williams Hall at the New England Conservatory tonight at 8:30, the Callithumpian Consort is playing Alvin Lucier’s Small Waves for string quartet, piano, trombone, and feedback, an hour long investigation/hallucination of microtones, sonic beatings, and water pouring.  (Sounds like your tax dollars at work on a normal day at a CIA detention camp.) Survivors of the water pouring and sonic beatings will then get to hear John Luther Adams’ Strange Birds Passing for 8 flutes and …And Bells Remembered for 5 percussion Alvin Lucier will be present to explain himself.

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Classical Music, Composers, Contemporary Classical, Music Events, Orchestras

An Orchestra Blooms in Brooklyn

The Brooklyn Philharmonic Orchestra announced the schedule yesterday for its usual four concerts at the Brooklyn Academy of Music and there’s great news for contemporary music lovers, especially those who have a jones for the didgeridoo.   The season opens on February 3 with two works by the Australian composer Peter Schulthorpe–Earth Cry and Mangrove–plus Stravinsky’s Rite of Spring.  Music director Michael Christie, now in his second season, was formerly director of the Queensland Orchestra, which explains the ‘Roo connection.  The second concert, on March 10, pits Osvaldo Golijov’s Last Round and a new orchestration of Dreams & Prayers of Issac the Blind against Mahler’s Symphony No. 1.  My

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Classical Music, Music Events, Opera

Jihadists 1, Mozart 0

Deutsche Oper said it will scrap planned showings of Mozart’s Idomeneo because of warnings by Berlin security officials that a scene in the current production depicting the head of the Prophet Mohammed (along with the heads of Jesus and the Buddha)  present an “incalculable security risk.”  Actually, they said references to “world religions” but we know which one is the problem. This is the kind of infuriating capitulation that can push otherwise rational people at least temporarily into the nuke ’em back to the Stone Age camp.  But, we need to remember that Death of Klinghoffer and the American premiere of Mark-Anthony Turnage’s Silver Tassie suffered similar fates

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Classical Music, Contemporary Classical, Opera, Piano, Rock Opera

What to Wear is Boffo in La La Land

Mark Swed, who is (perhaps wisely) ignoring our attempts to stir up trouble over his incoherent Jefferson Friedman review last week, is wild about the Michael Gordon/Richard Foreman opera What to Wear which is now playing a limited run at REDCAT at the Walt Disney Concert Hall in beautiful downtown L.A..  A couple of snippets: “What to Wear” — with dazzling, hard-hitting music by Michael Gordon and words, staging, design and equally hard-hitting and dazzling zaniness by Richard Foreman — is being called a rock opera. It’s not. If it were, rock opera could, after the premiere of this arresting new

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Composers, Contemporary Classical, Downtown, Experimental Music, Festivals, Music Events

Loose Ends

Alex Ross has a moving tribute to Lorraine Hunt Lieberson in this week’s New Yorker.  “She was the most remarkable singer I ever heard,” he writes, and it’s hard to argue with that.  Speaking of Alex, he’ll be chatting with Mason Bates, Corey Dargel, Nico Muhly, and Joanna Newsom at BargeMusic at 10 pm on October 7 as part of the New Yorker Festival.  Alas, the event seems to be sold-out. Alan Rich in L.A. Weekly on why he didn’t hang around for Carl Orff’s Carmina Burana at the Hollywood Bowl:  The night had turned cold; the gin had run low;

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