[youtube]http://www.youtube.com/watch?v=kRmeEzvIyBY[/youtube] Above: From the first European recording of the complete Ives Violin Sonatas, by János Négyesy and Cornelius Cardew Those of us who knew him will miss his personal warmth and humor, and the joy he took in making music. This was originally posted by Rand Steiger on Facebook, and it’s so good I’m sharing here: It is with deep sadness that I write to inform you that the great violinist János Négyesy passed away today due to complications that arose during cardiac surgery. Professor Négyesy was 75 and had been a member of the UCSD faculty since 1979. He
Read moreToday is the last day you can hear Derive 2 at the BBC’s web site–they stream for one week after the concert. There was a CD released earlier this year that contains this same version (which supersedes the earlier version released by DGG in 2005). I don’t generally think of double reeds in Boulez’s music, but he really gives the oboe and bassoon some wonderful music in Derive 2. It’s conducted by Daniel Barenboim, whose Boulez performances are always colorful and invigorating. You can listen to it here. Some wonderful recent works heard earlier on the Proms: Canon Fever by
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Concert review, Concerts, Contemporary Classical, Experimental Music, Festivals, Ojai, Percussion, Photos, Post Modern, Premieres
They say a picture is worth a 1000 words, so consider this photo album a 26,000 word review until I file my story. Inuksuit was one of the most extraordinary pieces of music I’ve heard since–well, John Luther Adams’ orchestra and tape work, Dark Waves. (On Sunday, we’ll hear JLA’s two-piano version of Dark Waves.) Do read Paul Muller’s account of this concert and Thursday evening’s concert. To give you some idea of what the performance was like, here are some crude videos I made on my not-designed-for-filming camera. The mike on the camera did a reasonable job of capturing
Read more[youtube]http://www.youtube.com/watch?v=WPZU_fK4-J8[/youtube] Early reviews care of bloggers (one well-informed, one not so much) Boosey and Hawkes has a perusal score available–through an inadequate interface methinks–here. I was able to get some sense of the First Act by glancing at the score, and I wrote a preview for the LA Weekly here. I’m attending the Sunday show and will report back here. Did anyone see the premiere last night? Your opinions are most welcome in the comments section! Updates: Zachary Woolfe weighs in with the first professional review I’ve found online. His verdict? Moments of power and beauty, but Adams and Sellars
Read more[youtube]http://www.youtube.com/watch?v=TSbOCfIh3HI[/youtube] There has been plenty of eulogizing and assessment of Maurice Sendak’s remarkable career, most of it focused (rightly so) on his wonderful books. While Sendak’s work in opera and ballet has been praised, I don’t feel that enough attention has been paid to the two operas he worked on with Oliver Knussen. The first, Where the Wild Things Are, is the best children’s opera of our time; the second, Higglety Pigglety Pop!, is one of the best late 20th-century operas of any type. Higglety Pigglety Pop! is a fairy tale with great appeal to children, yet the surreal story
Read moreHow awful is the dystopia in The Hunger Games? Well, if you listen to one cue in the movie, you might be led to believe that only pitch-drifting analog synthesizers are available, and multitrack recordings are made with the greatest of difficulties. At least that’s what one might believe encountering Laurie Spiegel’s 1972 composition, Sediment, during the cornucopia scene in the Hollywood blockbuster. (Steve Reich’s music also makes an appearance!) Geeta Dayal has the full story, along with an interview of Laurie Spiegel, here.
Read more[youtube]http://www.youtube.com/watch?v=CwZ9uPQw33E&feature=youtu.be[/youtube] Two American premieres of important new works by Louis Andriessen at the LA Philharmonic’s Green Umbrella concert tomorrow evening (Feb. 28), 8 pm. Get there at 7 pm for the preconcert talk with Andriessen and conductor Reinbert de Leeuw. Much more is revealed in my preview here.
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Composers, Contemporary Classical, Events, Experimental Music, Festivals, Los Angeles, Recordings, Twentieth Century Composer
[youtube]http://www.youtube.com/watch?v=pcHnL7aS64Y[/youtube] We had just seen John Cage recite his mesostic/theater work, James Joyce, Marcel Duchamp, Erik Satie: An Alphabet. My composition teacher, a tenured faculty member who had won many awards including a Pulitzer Prize, told us, “Everyone should see John Cage once.” And then, as if to underscore the idea that one only needed to see Cage once, the Pulitzer Prize-winning composer added, “But of course, his ideas are much more important than his music.” At that time (the early 1980s), there weren’t many recordings of Cage’s music available, and I rarely encountered any performances of his music, so
Read more[youtube]http://www.youtube.com/watch?v=5oOj1EKSS6M[/youtube] This has got to be a first. Luis Andrei Cobo is offering his services to compose a grand opera to the highest Ebay bidder. For $150,000 you can buy a grand opera over 2 hours in length. Cobo estimates that he’ll need 2 years of full-time work to complete the project, so $75K/year will enable him to maintain the lifestyle to which he has become accustomed as a software programmer. Don’t have $150K? That’s OK, he’s open to other offers. For as little as $32,000 he will write a half-hour long chamber opera for 3 to 5 singers. The
Read moreSeems like it’s been a while since we had some Golijov bashing (and defending) on our site. What do you think about this story about a Eugene Symphony premiere, with its disturbing allegations of extended theft of another composer’s work? The reporter doesn’t mention that Golijov’s m.o. these days is to collaborate with pop/folk musicians, making the question of authorship in works such as Ayre particularly murky. Nevertheless, if nearly 50% of the work is music by another composer, shouldn’t that composer get a conspicuous co-credit on the composition? Golijov does credit his collaborators, but you usually have to dig down
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