Bang on a Can

Bang on a Can, Chamber Music, Concerts, Downtown, File Under?, New York, Opera

Too Many Shows: Zombie-clone reviewers frowned upon!

Once again, we find ourselves in the thick of things. The New York concert season is reaching a fever pitch of pre-holiday season intensity, in which presenters and ensembles try to get their programs heard before the inevitable onslaught of Messiahs, Nutcrackers, tree-lighting ceremonies, and caroling elbows its way to the forefront of New York’s calendar of musical events – ready or not. While we can’t be in two places at once (I still think Steve Smith has a magic ring that enables this power!), hopefully between the various new music enthusiasts in the Sequenza 21 community’s NYC cadre, we can support these “hot tickets.”

Tom Cipullo's The Husbands in Rehearsal

11/4 at 8 PM at Weill Recital Hall: Opera Shorts 2011

The third annual installment of the Remarkable Theater Brigade’s Opera Shorts program is this Friday. These mini-operas – ten minutes or less – are an emerging composer’s dream: a chance to hear a brief slice of their work on the stage. But Opera Shorts draws some heavy hitters to the mini-opera game as well. The 2011 installment features works by prominent songsters Jake Heggie, William Bolcom, and Tom Cipullo, as well as emerging creators Marie Incontrera, Mike McFerron, Davide Zannoni, Anne Dinsmore Phillips, Patrick Soluri, and Christian McLeer. Given the length of that list, it’s lucky that none of them have Wagnerian ambitions — this time out at least!

11/4 at 8 PM on the water: Bennett Brass at Bargemusic

Can’t decide whether you’d prefer an evening of early music or present day fare? Bennett Brass (trumpeters Andy Kozar and Ben Grow, hornist Alana Vegter, trombonist Will Lang, and tubist Matt Muszynski) has got you covered. Friday night at Bargemusic, they are presenting a program that works with both of the venue’s series: ‘Here and Now’ and “There and Then.’ The latter is represented by a Rameau suite  and Elgar’s Serenade for Strings (but this time arranged for … you guessed it … brass!).  Among the more recent music is Fanfare for All by the Dean of Dodecaphony: Milton Babbitt. His compositional antipode John Cage is also on the bill, as are some still-living figures: Ted Hearne, Nick Didkovsky, and Dan Grabois.
BoaC. Photo: Pascal Perich and Julien Jourdes
11/5 at 9 PM at Zankel Hall: Bang on a Can’s 25th NYC season opener!

BoaC celebrates 25 years of gigging in New York City with a show at a ‘modest’ venue – Zankel, the theater downstairs at Carnegie Hall! The centerpiece of the show is the New York premiere of Louis Andriessen’s Life with film by Marijke Van Warmerdam (postponed from a previous season due to that unpronounceable volcano in Iceland). There’s also David Lang’s sunray,  Michael Gordon’s for MadelineKate Moore’s Ridgeway, three pieces commissioned by Bang on a Can from David Longstreth of the Dirty Projectors (Instructional VideoMatt DamonBreakfast at J&M), and Lukas Ligeti’s Glamour Girl. The concert serves as a live preview of the All-Stars’ first studio album in five years: a two-CD set titled Big Beautiful Dark and Scary (out January 2012 on Cantaloupe Music). Ticket info is here, but we’ll let you in on a nice perk for early attendees: the first 200 to arrive get a free drink at the Zankel Bar!

Gorecki. Photo: ©Gerry Hurkmans

11/8 at 7:30 at Le Poisson Rouge: IN MEMORIAM HENRYK MIKOŁAJ GÓRECKI
Seems like yesterday, but it’s been a year since Gorecki’s passing. To commemorate the first anniversary of his death, the Polish Cultural Institute is hosting a concert at Le Poisson Rouge on Tuesday. The program includes Kleines Requiem für Eine Polka (1993), performed by Ensemble Signal, conducted by Brad Lubman,  as well as JACK Quartet playing the 2nd SQ (“quasi una fantasia,” 1991).
It’s a free show so long as you email rsvp to gorecki@lprnyc.com.
Bang on a Can, CDs, Chamber Music, Concerts, Contemporary Classical, Downtown, File Under?, New York

The Apple doesn’t fall far from the Timber

Tonight at 7 PM at the Apple Store on Manhattan’s Upper West Side,  Mantra Percussion performs Michael Gordon’s Timber, a work for six percussionists playing 2″x4″s. The event celebrates Cantaloupe’s release of a CD of Slagwerk den Haag’s performance of Timber (which I reviewed yesterday on File Under ?).

Don’t you love the one pound wooden box they’ve packaged the CD in? Don’t you love saying Slagwerk den Haag three times fast?

Below is a video with more information about the piece, including interviews with performers and the composer. If you’re in NYC and want to beat the heat, check out an iPad, and hear six percussionists knock wood, amble on over to Apple tonight.

[youtube]http://www.youtube.com/watch?v=U2cubmnH6MQ[/youtube]

Bang on a Can, Cello, Contemporary Classical, Downtown, Electro-Acoustic, File Under?, Video

Avant Cellist’s Ideas Worth Spreading

Maya Beiser, everyone’s favorite ex-Can Banging All Star downtown cellist, was an invited presenter at the March 2011 TED conference. The TED site recently released a high quality video of her lecture recital, and it’s already garnered over 80,000 views!

TED’s slogan: “Ideas worth spreading.” We’re glad that Maya’s getting the chance to spread the word about Steve Reich’s Cello Counterpoint and David Lang’s World to Come far and wide!


Bang on a Can, Concert review, Concerts, Contemporary Classical

Liveblogging the BOAC Marathon

So I happened to be in the city over the weekend and didn’t have any interviews or other meetings today, so I figured “Hey, I’ve got a laptop…why not liveblog the Bang on a Can Marathon over at the World Financial Center? One press pass and sweet front row seat later, and here I am. I’m not sure if I’l be insane enough to make it to midnight, but I’ll try to give y’all a sense of as much of the festivities as I can. Started in 1987 by David Lang, Julia Wolfe, and Michael Gordon, the Marathon has turned into one of the biggest new music events in the country. I’ve never liveblogged anything before, so this should be interesting! I’ll keep the rest of the posts under the break so as to not take up a huge amount of space – if you have time and in the NYC area, come on down – it’s free, you can come and go as you’d like, and I’ll be in the front on the corner if you want to say hi! (more…)

Bang on a Can, Brooklyn, CDs, Classical Music, Composers, Concerts, Contemporary Classical, Electro-Acoustic, Experimental Music, Houston

Musiqa presents Todd Reynolds at CAMH


Todd Reynolds photographed by Toni Gauthier

HOUSTON, TX – On February 17th, 6:30 pm at the Contemporary Arts Museum of Houston, the Houston music group Musiqa in collaboration with the Mitchell Center and CAMH present Answers to Questions with works by composers Bill Ryan, Michael Lowenstern, David T. Little, Ingram Marshall, and Nick Zammuto all performed by composer and violinist Todd Reynolds. The concert is produced in conjunction with and in response to the CAMH exhibition Answers to Questions: John Wood & Paul Harrison, the first United States museum survey of work in video by this British artistic team. Admission is free.

Composer, conductor, arranger and violinist, Todd Reynolds is a longtime member of Bang On A Can, Steve Reich and Musicians and an early member of Yo-Yo Ma’s Silk Road Project. His commitment to genre-bending and technology-driven innovation in music has produced innumerable artistic collaborations that cross musical and disciplinary boundaries. As a solo performer, Reynolds continues to develop and perform a repertoire of works for his instrument in combination with the laptop computer and his main software weapon of choice Ableton Live. His forthcoming double CD Outerborough (Innova) features a CD of original works paired with a second disc of works composed especially for Reynolds in the past year. Reynolds will include two of his own works from Outerborough on the Feburary 17th concert. Outerborough is due out in March.

(Outerborough design, photography, and artwork by Mark Kingsley)

Reynolds says that while certain violinists impressed and inspired him from his very beginnings as a musician, including Stuff Smith, Stephane Grappelli, and electric violinist Jerry Goodman, more relevant to him as composer and soloist is guitarist Robert Fripp (“The first looper!”) and his Frippertronics performances, as well as composer singer Meredith Monk. Like Fripp and Monk, Reynolds has absorbed the musical techniques of many musical worlds, including country, blues, Indian music, jazz, and rock. As an independent instrumentalist, he reaches to fellow composers to compose pieces that utilize his formidable technique in combination with the edges of what is possible with digital technology. Other composer/performer/composer collaborations like Dawn Upshaw with Osvaldo Golijov, Helga Davis with Paola Prestini, and Pat Metheny with Steve Reich have similarly helped “strengthen the art” of both new music and its interpreters.

This is Reynolds’ first visit to and performance in Houston, Texas. He admits he has little knowledge of Houston’s artistic output, and is tremendously excited to get to know the city. With a music and multidisciplinary scene that includes experimental music hosted by the Houston Museum for African American Culture, Nameless Sound, and the aforementioned Musiqa, to the recently lauded production of Dead Man Walking by the Houston Grand Opera, creative programming by several smaller opera companies, chorale ensembles and chamber groups including the Grammy nominated Ars Lyrica, Houston should be a destination of choice for experimental musicians from other parts of the U.S. and the world. H-Town is beating the drum loudly. The question is, are you listening?

Musiqa presents Answers to Questions with violinist Todd Reynolds. February 17, 2011, 6:30 pm, at the Contemporary Arts Museum Houston, 5216 Montrose. Admission is Free.

ACO, BAM, Bang on a Can, Concerts, Lincoln Center, New York

Kraft, Transit, Talea, ACO, BAM

There are a few more concerts happening in New York this week that you should know about, and then I’ll give the concert updates a rest for a while.  Promise.

Tonight (Tuesday, October 12), is your last chance to see the New York premiere of Kraft by Magnus Lindberg.  7:30pm, New York Philharmonic, Avery Fisher Hall.  If you somehow haven’t heard about this, you can read the s21 posts about it here, here, and here; the New York Times articles and videos here, and here.  You can even find some info over at Huffington Post.  Check on ticket availability here, and see you tonight!

Thursday (October 14), like most nights here, is full of fantastic concerts to check out.  Here are two that I strongly recommend: Option #1, Transit presents So Percussion, Tristan Perich, and Corps Exquis (a collaboration between Daniel Wohl and six video artists) at Galapagos (8pm).  Option #2, Talea Ensemble is presenting a concert called KINETICS (also at 8pm at the Rose Studio at Lincoln Center); they will perform music by Philippe Leroux, Luciano Berio, Frank Denyer, Manfred Stahnke, and a world premiere by Alexandre Lunsqui appropriately titled Kineticstudies.  Good luck choosing!

Friday (October 15) is the season opener for the American Composers Orchestra (7:30pm. Zankel Hall).  Their program is called “Mystics & Magic” and they will present John Luther Adams, Jacob Druckman, Wang Jie (winner of ACO’s 2009 Underwood New Music Readings Commission), Alvin Singleton, and Claude Vivier.  And they will also be welcome two truly amazing soloists: soprano Susan Narucki (for Claude’s piece), and pianist Ursula Oppens (for Alvin’s piece).

Saturday (October 16) I’ll be checking out A House in Bali over at BAM.  Of course, this is actually being presented the 14-16th, so take your pick.  There’s no need to go into details about it here, you can read my earlier post for more information.

BAM, Bang on a Can, Boston, Contemporary Classical, New York, Opera

A House in Bali (and in Boston and New York)

Finally, it’s almost here, after over a year of waiting, the east coast premiere of Evan Ziporyn’s new opera A House in Bali.

Our friends in Boston get to check it out first this weekend: Friday and Saturday, October 8th and 9th, at the Cutler Majestic Theater (219 Tremont Street).  The good folks at Bang on a Can have even made a special offer available for these two shows – just click here for the offer.

Then, the next weekend, the whole production is coming down to NYC for performances at BAM, October 14-16th, as part of the 2010 Next Wave Festival.

While I know that I have been waiting a year to see this, I realize that people may not know what A House in Bali is all about.

A House in Bali (featuring a rare U.S. appearance by the 16-member Balinese gamelan orchestra Salukat intertwined with the Bang on a Can All-Stars, western opera, live video feeds, and traditional Balinese dance) tells the “East meets West” story of composer Colin McPhee and his immersion in Balinese music and culture. The trailblazing work directed by Jay Scheib with libretto by Paul Schick follows the course of McPhee’s sojourn to Bali, his encounters with anthropologist Margaret Mead and painter Walter Spies, and their ultimately tragic relationship with dancer I Sampih, a Balinese youth whom McPhee mentors after the boy saves his life.  In addition to Gamelan Salukat and Bang on a Can All-Stars, featured performers include Dewa Ketut Alit, recognized worldwide as one of the top Indonesian composer-performers of his generation, renowned American tenor Peter Tantsits as Colin McPhee, mesmerizing dancers Kadek Dewi Aryani and Desak Madé Suarti Laksmi, celebrated Balinese masked dancer I Nyoman Catra, tenor Timur Bekbosunov, soprano Anne Harley, and Nyoman Triyana Usadhi.

Over the past couple years I have been able to sit down and talk with most of the members of the Bang on a Can All-Stars, who will all be performing in these Boston and New York productions.  None of the interviews are about A House in Bali specifically, but they are all about these musicians’ experience working with composers.  Click on a name to go straight to the audio:  Evan Ziporyn, Vicky Chow, Robert Black, Ashley Bathgate, and Derek Johnson (subbing for Mark Stewart).

And, if any of you can’t seem to get enough of Evan, he also has this show at Carnegie on October 30th… if you aren’t already going to this or this.

Bang on a Can, Concerts, Contemporary Classical

The season has begun for Bang on a Can

The founders of Bang on a Can have been busy, and it looks like the fall season is starting in a big way for David Lang, Michael Gordon and Julia Wolfe.  Below are some concerts coming up in Boston, New York, Los Angeles, Palo Alto and Cleveland, which are all worth checking out.

Sunday, October 3:  Music of Julia Wolfe performed by Robert Black and the Hartt Bass Band, JACK Quartet, and Matthew Welch at Le Poisson Rouge.  Wait, that was last night, sorry – whoops. Well, even though it’s too late to check out that concert, I wanted to give a tip-of-the-hat to Julia for a truly satisfying and earsplitting(!) concert last night.  She started off the evening by saying that the program was full of rarely performed music, and understandably so.  She told us that Dig Deep is her least performed quartet, and then JACK promptly tore it apart (in a good way).  She also mentioned how hard it is to get eight great contrabasses in the same place to perform Stronghold and how difficult it would be to find the right bagpiper for LAD if not for Matthew Welch.  Completely worth the wait.

Don’t worry though, there is still plenty of time to check out Julia (and Michael and David) this fall at these concerts that haven’t passed, yet.

For those of you in New York:
Thursday, October 7: David Lang’s score for the latest ballet by New York City Ballet Principal Dancer Benjamin Millepied will premiere at New York City Ballet’s Gala Performance. A repeat performance will take place on October 10 (plus four performances in February 2011).

Friday, October 8: The Kronos Quartet and the Young People’s Chorus of New York will perform the world premiere of Exalted by Michael Gordon at LPR.

Saturday, October 9: Michael Gordon will be performed AGAIN by Kronos in the New York premiere of Clouded Yellow, again at LPR.

For those of you in Los Angeles:
Tuesday, October 19: David, Michael AND Julia will all be part of the Los Angeles Philharmonic’s Green Umbrella series.

Peeking into November, for those of you near Palo Alto:
Friday, November 5: The All-Stars will be performing pieces by both David and Julia at the Dinkelspiel Auditorium at Stanford University.

And finally, again in November, for those of you in Cleveland:
Saturday, November 13: David Lang will be featured at the Cleveland Museum of Art by the Oberlin Contemporary Ensemble with the Ohio premiere of his Pulitzer Prize-winning the Little Match Girl Passion.

Of course there is also Evan Ziporyn’s opera extravaganza, A House in Bali, coming up in Boston and New York – more on that in another post.

Awards, Bang on a Can, CDs, Chamber Music, Composers, Contemporary Classical, Downtown, File Under?, Minimalism, New York, Video

We Love Advances

Steve Reich’s latest Nonesuch CD recently arrived, sans artwork in a little cardboard case. The disc features Double Sextet and 2×5, his collaborations with Eighth Blackbird and Bang on a Can. The former piece won the 2009 Pulitzer Prize in Music. The latter is his most explicit use of rock instrumentation to date.

According to the Nonesuch site, it’s still in the “pre-order” phase of activities, so we’ll be good and hold off on a proper review ’til it’s closer to the actual release date (9/14).

Suffice it to say, if you’re a regular visitor to Sequenza 21, you’re likely going to want one, possibly three, copies of this recording. An intergenerational summit – minimalist elder statesman meets post-minimal/totalist ace performers – that, in terms of importance, is more or less the Downtown version of Duke Ellington and John Coltrane.

Here’s some footage of Reich rehearsing BoaC:

Bang on a Can, Concerts, Festivals

BOAC Marathon redux at MASS MoCA

North Adams MA’s summer claim to fame, the Bang on a Can summer music fest, has been going great guns the past week, and wraps up Saturday, July 31, with the rural version of BOAC’s Marathon concert spectacle. Kicking off at 4pm, it will include Steve Reich’s Pulitzer Prize-winning Double Sextet, Arvo Part’s classic Fratres in a version for percussion and string orchestra; Julia Wolfe‘s blazing Fuel for string orchestra, with a film by legendary experimental filmmaker Bill Morrison (Decasia). Plus a new work by Swiss post-jazz master and ECM records mainstay Nik Baertsch, Evan Ziporyn dressing up Balinese music in ripped jeans in his Music from Shadowbang, an ensemble of Uzbekis come half way around the globe just to shake up North Adams, Christine Southworth‘s electrifying concerto Zap originally written for Van de Graaf generator and ensemble, pattern master Tom Johnson‘s translation of an ancient Indian math problem into a minimalist masterpiece, and much more. Tickets are $22, and directions are here. If you’re adventurous, free and mobile it sounds like a great way to escape the city swelter.