Received a blurb from the LA Phil the other day, which in all caps proudly declares “LA PHIL LAUNCHES MICROSITE CELEBRATING INCOMING MUSIC DIRECTOR GUSTAVO DUDAMEL” … Kaboom!… Here’s the relevant bit (my bolds): On September 24, 2009, the LA Phil launched a microsite celebrating the arrival of incoming Music Director Gustavo Dudamel. Introducing audiences worldwide to Gustavo in new and engaging ways, the comprehensive microsite, located at http://www.laphil.com/gustavo, features videos such as Gustavo’s first rehearsal with the YOLA Expo Center Youth Orchestra, the LA Phil’s video tribute “Welcome Gustavo,” and the press conferences unveiling Gustavo’s inaugural season and appointment
Read moreThe New York Times Arts Beat has details about a $10 million dollar gift the New York Philharmonic recently received from equity manager Henry Kravis. A gift earmarked for new music, the money will underwrite composer residencies and commissions for the orchestra. For those disheartened by the NYPO’s sometimes tepid commitment to new music during the 90s and 00s, this is a welcome sign that things may be changing for the better under the tenure of their new Music Director Alan Gilbert. Magnus Lindberg will be the orchestra’s Composer-in-residence for the ’09-’10 and ’10-’11 seasons. New York audiences will get
Read moreWell, that is if the time happens to be this Tuesday September 08 from 7:00pm EDT, ’till 7:00pm EDT Wednesday September 09, and you pin your ear to Princeton’s WPRB (103.3FM). I’m just reminding you of what Elodie Lauten has already so nicely plugged a little while back on her own blog: that it’s once again time for radio host Marvin Rosen to serve up his annual Classical Discoveries Marathon. And by “all new”, I don’t mean just the stock & standard 20th-century stuff; this year’s adventure is titled “Viva 21st Century – American Edition” — music by almost 100
Read moreUp and running for a few weeks now, The Cereal List blog/website attempts to goose the arse of the always-just-a-little-too-sacrosanct classical music world. Run by the shadowy “Milton Blabber”, “Randall Scandall” and “Miss Information”, the blog’s posts have their share of flats mixed with a few good sharps. Though some jabs have veered just this side of awful or even libel, when they get it right, with such gems as “Generate a New York Times Review of your Work“, they’re pretty spot on. My current fave though, has to be “How to Design a Classical Music CD Cover”: [youtube]http://www.youtube.com/watch?v=uoqcHAdyiN4[/youtube] Whoever
Read more(Thanks to Kevin Austin, who runs the Canadian Electroacoustic Community e-mail list, for pointing this one out): Every serious classical listener/collector has spent time probing through the hiss, pop and crackle of early monophonic 78 and 33 rpm recordings; though the sound is tinny and boxed in, they love the magical feeling of somehow being brought closer to some vital moment, performer or composer. Until 1958 people could only buy monophonic records; some might have heard stereo sound previously in a few push-the-envelope films like Fantasia, but for at least a couple generations mono was all they had. Yet there
Read moreI’m late getting to this but one of our regulars called my attention to an article in last Sunday’s New York Times about the League of Composers titled Modernists Commission Their Future that struck said regular as misleading. To wit, the article says, in reference to new music organizations that commission new works from composers: Aside from ensembles like Signal and Alarm Will Sound, which started springing up around specific projects, the American Composers Orchestra was practically the only option in town. Correct me I’m wrong here, but I don’t believe Signal has commissioned anything so far and Alarm May
Read moreNew New Paths in Music presents An Hispanic Festival Elebash Recital Hall Graduate Center – CUNY New York On Friday June 5th, New Paths in Music presented a concert of composers from Mexico, Argentina, and Spain: two of each. While the program centered around national identities, it contained music in disparate styles and for varying forces. DAVID ALAN MILLER, conductor of the Albany Symphony, led the New Paths Ensemble, a chamber orchestra of crackerjack contemporary players from the New York area. ENRICO CHAPELA’S “Irrational Music” was a perfect curtain-raiser. The piece is based on Chapela’s explorations of irrational numbers; but
Read moreMonday last week I headed over to San Antonio to hear a house concert hosted by composer and San Antonio Symphony bassist Doug Balliett. The program included two new pieces by P. Kellach Waddle, “Louange a l’Eternite de Jesus” from Messiaen‘s Quartet for the End of Time, and selections from Balliett’s arrangements and reinventions of Schumann‘s Dichterliebe for ensemble and tape. Balliett also contributed three new songs and arrangements of two by Mendelssohn, sung by Ken-David Masur. It was hot. The audience, which ranged from symphony players to kids and families, made do with hand-fans but, now that I think
Read moreWorks & Process celebrates Donald Hall this weekend. The 14th U.S. Poet Laureate will read and discuss his work. New musical settings of Hall’s poetry by Drew Baker, George Lewis, David Del Tredici, Joshua Schmidt and Charles Wuorinen are performed for the first time. Performers include a host of New York’s finest: Mary Nessinger, Tom Meglioranza, Lauren Flanigan, Judith Bettina, James Goldsworthy, Moran Katze, Fred Sherry, Peter Kolkay, David Del Tredici, and Lois Martin. Musical Premieres – settings of Donald Hall (Works & Process Commission) DREW BAKER: THE SEA (mezzo-soprano & cello) DAVID DEL TREDICI: THE POEM &THE MASTER (soprano &
Read moreTHE AUSTRIAN CULTURAL FORUM NEW YORK CONCERTS ENSEMBLE ON_LINE MONDAY MAY 4, 7:30 PM Austrian Cultural Forum NY, 11 East 52nd Street, New York, NY 10022 Also touring to Philadelphia, Washington and Chicago, this program is curated by Karlheinz Essl and Reinhard Fuchs, in cooperation with Soundfield and the Slought Foundation. PROGRAM Gene Coleman | Subaugusta (2009) for bassflute, bassclarinet, violin, cello and piano Karlheinz Essl | Sequitur II (2008/09) for bass clarinet and live-electronics Simeon Pironkoff | Spiel(t)räume (2006) for piano solo Gerard Grisey | Talea (1985/86) for flute, clarinet, violin, cello and piano Leah Muir | i frammenti di desiderio,
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