One of our English connections (and good S21 pal), Edward Lawes sent along a note reminding us that György Ligeti is BBC3’s Composer of the Week, so be sure to check the schedule for lots of good listening on the menu. Not only that, but This Tuesday (10 March) evening brings us a great all–Xenakis broadcast on the Beeb’s Performance on 3 program. That feast includes Tracees, Anastenaria, Sea-Nymphs, Mists, Nuits, Troorkh, and Antikhthon. This stuff is generally archived for a week or so, meaning you can be fashionably late yet still not miss a note. Ed’s own blog, Complement.Inversion.Etc., is
Read moreTwo of New York New Music Ensemble’s members, clarinetist Jean Kopperud and pianist Stephen Gosling, will be premiering six new pieces at Merkin Concert Hall on Monday, Feb. 23 at 8 PM. The pieces were composed for the duo by Eric Moe, Paolo Cavallone, Steve Ricks, David Felder, James Primosch, Jason Eckardt, and Harvey Sollberger. Apparently they’re calling this the Rated X Project, but we’re hoping everyone at Merkin keeps their clothes on. Really.
Read more
ACO, Composers, Contemporary Classical, Downtown, Electro-Acoustic, File Under?, New York, Orchestral, Orchestras, Philadelphia, Uncategorized
While well-known for his writings about music, including books about Elliott Carter and George Gershwin, David Schiff is also a prolific and active composer. A professor at Reed College, he’s visiting New York this week to hear the American Composer’s Orchestra premiere a revamped version of Stomp, a piece that celebrates the music of James Brown. The concert, part of the Orchestra Underground series, also includes premieres by Margaret Brouwer and Kasumi, Rand Steiger, Fang Man, and Kati Agócs. Carey: Stomp was written in 1990 for Marin Alsop. How did you decide to write in homage to James Brown? Schiff:
Read moreI’ve been trying for maybe a more “genteel” word, but keep coming back to it… What I’m talking about is the composer, pianist and conductor Ketty Nez and her music. Born (1965) in Macedonia but quickly whisked away to the States, the whisking has continued through studies at Bryn Mawr, Curtis, Tokyo, UC Berkeley, Amsterdam and a couple passes through Paris, as well as teaching first at the University of Iowa and now Boston University. Ketty is a ferociously talented pianist (though currently working mostly in tandem with violinist Katie Wolfe), and also conductor of BU’s Time’s Arrow new music ensemble.
Read more
Classical Music, Composers, Concerts, Contemporary Classical, Downtown, Electro-Acoustic, Experimental Music
Interpretations continues its twentieth season of provocative programming in New York City. Founded and curated by baritone Thomas Buckner in 1989, Interpretations focuses on the relationship between contemporary composers from both jazz and classical backgrounds and their interpreters, whether the composers themselves or performers who specialize in new music. To celebrate, Jerry Bowles has invited the artists involved in this season’s concerts to blog about their Interpretations experiences. The concert on 12 February 2009 brings us back to Roulette for an evening of Annea Lockwood and Larry Austin, two distinguished composers in the electro-acoustic tradition. Both composers collaborated to tell
Read moreThe recent deaths of both George Perle and Lukas Foss are part of the sad but expected passing, of composers who came of age in the 1940s and 50s. But a slight shock went through me with Douglas Britt’s surprising news in the Houston Chronicle blogs that pioneering composer, percussionist, visual and sound artist Max Neuhaus (b. 1939) has just died as well. Neuhaus is from the generation that gives us Lucier, Ashley, Young, Reich, Glass and Riley. He semi-retired some time ago from pure composition and performance, preferring to focus on sound art and installations (one of which quietly
Read more
CDs, Chamber Music, Composers, Contemporary Classical, Electro-Acoustic, Experimental Music, File Under?, Music Instruments, New York, Performers, Recordings
Various Artists – the language of QUIET DESIGN RECORDS the language of is a compilation CD of ten pieces by eight emerging composers in NYC, many of whom are associated with the Wet Ink Ensemble. Released by Quiet Design Records in Austin, TX, this compilation is a forward-thinking treatise on a constantly evolving new music scene. The production, recording, and design chores were undertaken by the composers and their colleagues, thus comprising a very personalized aesthetic. the language of is an essential purchase, not only for its DIY approach, but because it contains a variety of exciting, well executed compositions.
Read more
CDs, Chamber Music, Classical Music, Composers, Contemporary Classical, Festivals, File Under?, Los Angeles, New York, Orchestras
Saturday night at 8 pm, the Brooklyn Philharmonic, under the direction of Michael Christie, gives the US premiere of Enrico Chapela’s Noctámbulos, a piece for rock trio and orchestra. Chapela will also participate in a panel discussion on Latin American Identity in Music at 4:30 (details below). Chapela is a composer on the rise; Boosey and Hawkes added him to their roster in 2008 and he’s recently received several high profile commissions. I spoke with him on Thursday about the BAM event and his other activities. Born in Mexico, he started out his musical career as a rock guitarist, playing
Read moreHave you heard the Locrian Chamber Players yet? If not, you’re missing out. The group has a unique mandate: they only play pieces less than a decade old. This results in stimulating, varied, and stylistically catholic programs. With members that include some of New York’s finest performers of contemporary music – pianist Emily Wong, flutist Diva Goodfriend-Koven, and violinist Calvin Wiersma among them – the music is exquisitely well-prepared. Admission: FREE. Locrian’s next show is this weekend, Saturday, January 31 at 8 PM, 10th Floor Performance Space, Riverside Church, and features these works: Milton Babbitt: Little Goes a Long Way
Read moreGeorge Perle died this weekend, at the ripe old age of 93. Little-known and little heard by the general audience, Perle was a name virtually every composer of the last half century knows. His book Serial Composition and Atonality passed through most of our hands at one point or other in our study; it and his later Twelve-Tone Tonality caused a lot of us to seek out performances and recordings of his poised, extremely lucid and limpid works. Big-name appreciation is rare enough anymore for composers, as to almost seem a fluke. Given that, the place to pay attention to is who
Read more