Conductors

Boston, Chamber Music, Composers, Concert review, Concerts, Conductors, Contemporary Classical, File Under?, Orchestras

Tanglewood FCM Highlights (Part One)

Those who’ve read File Under ? for a while may know that, two years ago, my wife and I went on our honeymoon to Tanglewood. We celebrated our first anniversary at the 2010 FCM (composers take note: if your prospective partner doesn’t mind taking in a contemporary music marathon as part of your honeymoon, he/she is a keeper!) Due to work obligations, Kay and I weren’t able to attend the first three days of the 2011 Festival of Contemporary Music. Those who’d like to read excellent coverage of the beginning of the festival should head on over to New Music Box for

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by Christian Carey
Boston, Composers, Concerts, Conductors, Contemporary Classical, Criticism, File Under?, New York, Orchestras, Performers, Violin

Levine leaving BSO, but show goes on with Birtwistle premiere

We’re saddened to learn of James Levine’s cancellation of the rest of his appearances this season at the Boston Symphony Orchestra and his resignation from the post of BSO Music Director. Levine has been in that position since 2004, but has had to cancel a number of appearances during his tenure due to a variety of health problems. In an interview published today in the New York Times, Levine indicated that he will retain his position as Music Director at the Metropolitan Opera. Apparently, conversations between Levine and the BSO about a possible future role with the orchestra are ongoing.

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by Christian Carey
Composers, Concert review, Conductors, Contemporary Classical, New York

New York Philharmonic performs Kraft by Magnus Lindberg

[As part of my residency at the NEA Journalism Institute for Classical Music and Opera, I had to write an overnight review with a word limitation–something I hadn’t done in 15 years. What follows was my original story; an edited version appeared on our private web site where our reviews were posted. I was very impressed with how the NY Phil turned a performance of a relatively obscure 25-year-old work into a must-attend event. The last time I saw that much excitement about a contemporary orchestral instrumental work was back in the late 1980s in San Diego, when a Soviet

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by Christian Hertzog
Composers, Concert review, Conductors, Contemporary Classical, Experimental Music, File Under?, New York, Orchestras

Magnus Lindberg on Kraft + Einstürzende Neubauten

My tweet right after the concert on Thursday: “Magnus Lindberg’s Kraft: some very beautiful passages + intriguing spatial effects amidst a joyously chaotic maelstrom of sound.” It’s a fascinating piece and a gutsy one for the New York Philharmonic to present. I do question the wisdom of programming it alongside Joshua Bell playing the Sibelius Violin Concerto. It threw some of the more conservative ticket-holders a curveball, as they had no idea (unless they’re checked out the promo videos on YouTube) what the Lindberg had in store for them. There were far more than the “handful” of walkouts Anthony Tommasini

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by Christian Carey
Conductors, Contemporary Classical, Houston, Interviews, Opera, Premieres

Houston Mixtape #6: The Silent Prince

It’s a cliché to say Texans like things BIG although a mid morning drive on Houston’s freeways will do little to dispel this notion. However, many incredible opera companies in Houston presenting cutting edge programming and embracing fresh approaches to audience outreach are relatively small operations. But that doesn’t mean these companies and their ambitions aren’t growing. Viswa Subbaraman is the Founder and Artistic Director of Opera Vista, Houston’s innovative contemporary opera company. October 15, at 8pm at Zilkha Hall (located in the Hobby Center for the Performing Arts) maestro Subbaraman and company present the world premiere of composer and

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by Chris Becker
CDs, Classical Music, Composers, Conductors, File Under?, Los Angeles

The Kids are All Rite

Rite Simon Bolivar Youth Orchestra of Venezuela; Gustavo Dudamel, conductor Deutsche Grammophon CD True, Stravinsky’s Sacre du Printemps is a watershed work. It serves as many a classical listener’s jumping off point when first exploring Twentieth Century repertoire. But can a work, no matter how seminal, have too many recordings? Can it get programmed so often on concerts that it loses its zing? I have several recordings of the piece myself, but I’d begun to wonder in the past couple years whether the Rite was in danger of being overexposed. And I’m not the only one… Enter young conductor Gustavo

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by Christian Carey
Concert review, Concerts, Conductors, Contemporary Classical, File Under?, New York, Philadelphia Orchestra

Orchestra of the League of Composers at Miller Theatre

The Orchestra of the League of Composers (ISCM) presented the group’s “season finale” at Miller Theatre on Monday June 7, 2010. True, this is a pickup orchestra, but you’d never know it from listening. Composer/conductor Lou Karchin confidently led the group through a wide stylistic range of pieces, including New York and World premieres. WNYC’s Jonathan Schaefer hosted, engaging the composers in brief interviews between the various pieces. D.J. Sparr’s piece DACCA:DECCA:GAFFA featured ace new music guitarists William Anderson and Oren Fader playing steel string acoustic instruments alongside the ensemble. The title referred to a set of chord progressions that

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by Christian Carey
Choral Music, Commissions, Conductors, Contemporary Classical, Grammy, San Francisco, Women composers

They really didn’t plan it this way…

A year ago at this time, Susan McMane, Artistic Director of the San Francisco Girls Chorus, had no idea what a hot-button issue immigration would be in June 2010.  For her, the works of immigrant composers formed a compelling programmatic mix for her five-time Grammy-winning ensemble’s concert series, which she’d entitled A New Land, A New Song. Now, in the midst of nonstop political debate and a deployment of additional National Guard troops to the border, SFGC will celebrate the contributions of immigrant composers to the choral music oeuvre.  Composers come literally from all over the map, from Russia with

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by Polly Moller