Contemporary Classical

CDs, Chamber Music, Contemporary Classical, Exhibitions, Experimental Music, Houston, Improv, Mix Tape

Houston Mixtape #1: Hand+Made, Screwed+Chopped

[Ed. — After many years in NYC but fresh to my own stomping ground of Houston, Chris Becker has offered to write some semi-regular musings on the new-music scene down thisaway. His own introduction: In its March 2010 Global Ear column, The Wire magazine described Houston as “the weirdest and wildest of (Texas) cities” with a “rich tradition of unofficial and DIY art.” Speaking as a recent transplant from New York City (where I lived for twelve years), I can confirm that our British friends were on point with their analysis of H-Town. I am in my third month as a

Read more
by Steve Layton
Concerts, Contemporary Classical, Dance, Experimental Music, Festivals, Seattle

The 2010 NW New Works Festival

We covered some great shows coming up this month in the Bay Area and NYC, now it’s Seattle’s turn. For the next two weekends (June 4-6 & 11-13) On the Boards will be hosting the 2010 NW New Works Festival which features “emerging and established artists from a variety of performance disciplines” and “highlights artists who are pushing themselves to take on new challenges.” Looking over the list of showcases it seems that the festival is primarily focused on new theater and dance, but there are a few music related sets in there if you look hard. The Mint Collective,

Read more
by James Holt
Contemporary Classical

Benjamin Lees, 86

Benjamin Lees died of heart failure on Monday, May 31 at North Shore Long Island Jewish Hospital in Glen Cove, New York at the age of 86. Lees’s work rose to prominence in 1954 when the NBC Orchestra performed his Profile for Orchestra in a national broadcast. He was later awarded Guggenheim and Fulbright fellowships, allowing him to live in Europe for seven years and present his works throughout the continent. Upon his return to the United States in 1962, Lees was appointed Professor of Composition at the Peabody Institute in Baltimore, where he served until 1964. He later taught

Read more
by Jerry Bowles
Chamber Music, Commissions, Concerts, Contemporary Classical, Festivals, Interviews

Decisions, decisions, decisions

[Polly writes about great events happening in the Bay Area, here.  And, I’ll have a few cool things happening in Seattle soon.  In the meantime here are some interesting performances coming up in NYC ] It looks like the first couple weeks of June are going to be full of tough choices.  Like, on Saturday, June 5th will I check-out, a) The JACK Quartet on the opening night of the Tribeca New Music Festival, b) Wet Ink meets Yarn/Wire at Roulette, or c) Feldman performed by Flux Quartet and Evan Ziporyn? Here’s what’s coming up, choose wisely: June 2: Da

Read more
by James Holt
Contemporary Classical

Signal, Reich kicks off June in Buffalo

2010 celebrates 35 years of the new music festival June in Buffalo and the 25th year that it has been under the direction of composer David Felder. Based at the University of Buffalo, the festival has brought many leading composers and performers together since Morton Feldman started it in 1975 (a wonderful online exhibit on June in Buffalo has been put together by the UB Library and can be found here). This year’s festival kicked off last night with performances of Steve Reich’s Sextet and Double Sextet by the chamber ensemble Signal, who have quickly become a major force in

Read more
by Rob Deemer
Concerts, Contemporary Classical, Events, Festivals, Improv, San Francisco

It’s that time of year again.

The beginning of June has taken on a certain meaning to the San Francisco Bay Area new music community, and every single one of us would erase that meaning if we could.  It’s once again time for the Matthew Sperry Memorial Festival, held every year around this time in memory of one of our own, lost to us in a tragic accident on June 5, 2003. The eighth annual festival happens this week, and the theme is “Homegrown”, since organizers are taking a break from the out-of-town headliners who’ve graced the event each year up till now. First up, on

Read more
by Polly Moller
Choral Music, Commissions, Conductors, Contemporary Classical, Grammy, San Francisco, Women composers

They really didn’t plan it this way…

A year ago at this time, Susan McMane, Artistic Director of the San Francisco Girls Chorus, had no idea what a hot-button issue immigration would be in June 2010.  For her, the works of immigrant composers formed a compelling programmatic mix for her five-time Grammy-winning ensemble’s concert series, which she’d entitled A New Land, A New Song. Now, in the midst of nonstop political debate and a deployment of additional National Guard troops to the border, SFGC will celebrate the contributions of immigrant composers to the choral music oeuvre.  Composers come literally from all over the map, from Russia with

Read more
by Polly Moller
Composers, Concerts, Contemporary Classical, File Under?, New York, Songs, Women composers

Short Chat with Elizabeth Ziman

Brooklynite singer/songwriter Elizabeth Ziman is probably best known for her work with the indie pop band Elizabeth and the Catapult. But Ziman, a trained pianist who studied film scoring, was recently involved in composing music for a crossover “art song” project. The commission was premiered last Thursday at New Sounds Live, a concert hosted by John Schaefer at Merkin Hall in New York City. Elizabeth and the Catapult, Gabriel Kahane, and Ed Pastorini all appeared, performing new works that demonstrated their own particular takes on the ‘art song’ concept. After the gig, Elizabeth was kind enough to share some thoughts

Read more
by Christian Carey
Contemporary Classical, Opera

To Be Sung

For our friends in Southern California… Soprano Susan Narucki (Professor of Music at UC San Diego) and her new ensemble, Kallisti, will debut this week with the West Coast premiere of Pascal Dusapin’s chamber opera To Be Sung (text by Gertrude Stein). Check out To Be Sung on May 26, 27 and 28 at 7 p.m. in the Black Box Theater at the Conrad Prebys Music Center on the UC San Diego campus. General tickets are $25, but get this: $1 student rush tickets available one hour before the concert. Did you see that? $1 student rush tickets!

Read more
by James Holt