Contemporary Classical

Contemporary Classical

The Two Best Things I’ve Heard in Weeks

1. Kyle Gann recently posted Carolyn Yarnell’s piano piece The Same Sky on his blog. (Click here and scroll down for the link to the recording) He calls it “one of the most fantastic keyboard works anyone’s written in the last 20 years” and I have to agree.  Kathleen Supové is the pianist, and she tears it up. 2. Swedish electronic rock duo The Knife was commissioned by a Danish performance company called Hotel Pro Forma to write an opera about Charles Darwin. The result, which was premiered in Copenhagen in September 2009, is called Tomorrow in a Year, and

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Composers, Concerts, Contemporary Classical, Los Angeles, New York, Online, Premieres, Radio

Incoming

Head’s up on a couple things this coming week that caught my eye: WPRB’s Marvin Rosen is doing a special edition of his Classical Discoveries radio show this Wednesday, Jan. 27th. From 5:30 until 11:00 AM EST. Titled “East Meets West“, the entire five-and-a-half  hours will be devoted to works by Middle and Far Eastern Composers, as well as to works by Western composers inspired by these regions. A special treat in the 10-o’clock hour will be the world premiere broadcast of the Sonata for solo viola Op. 423 (1992) by Alan Hovhaness (1911-2000), performed by Christina Fong (from a

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Chamber Music, Composers, Concerts, Contemporary Classical, San Francisco

Unwrapping Small Packages on a Saturday Night

I like to plan ahead.  But does that just mean I’m too old to decide where I’m going at the last minute, like the Generation Y and Z impulsives we hear so much about at arts participation conferences?  You know, the ones who don’t know where they’re going until somebody they’re following tweets their destination on the night of? Mid-life insecurities and fuddy-duddiness aside, I know where I’ll be this coming Saturday evening: in the San Francisco Conservatory of Music’s sweet new Concert Hall, taking in new short works by ten local composers, all presided over grandly by Gyorgy Ligeti’s

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CDs, Charity, Click Picks, Contemporary Classical

New Music helping Haiti

The tremendously devastating earthquake in Haiti has brought forth a wonderful outpouring of donations from all corners, to a lot of fine organizations dedicated to helping these folk through the weeks and months ahead. Sometimes though, it takes a little extra prod to dislodge those few more dollars that, while so small here, can make an enormous difference in the survivor’s well-being. That’s why musicians (including some of the regulars from around here) who regularly meet up on various sites around the web decided early on to make up an online CD of works, the proceeds from which will virtually

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CDs, Composers, Contemporary Classical, Opera

Dr. Atomic as Opera or Symphony?

Many people are still talking about the New York production of John Adams’ latest opera, Dr. Atomic. But Adams wasn’t through with the material after its stage presentation. Nonesuch recently released a symphonic version of music from Dr. Atomic; Dr. Atomic Symphony is paired with Guide to Strange Places on the CD. There’s also a DVD release of the opera, in its Netherlands production, available on Opus Arte. Sequenza 21 readers: How do you prefer Dr. Atomic, in its operatic or symphonic incarnation? The comments section is open for feedback.

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Contemporary Classical

Glass on Colbert

Last night on The Colbert Report, Steven Colbert brought in Philip Glass to assist him in a parody of. . . Philip Glass. The Colbert Report Mon – Thurs 11:30pm / 10:30c We Are at War – Philip Glass www.colbertnation.com Colbert Report Full Episodes Political Humor Economy It’s clearly a spoof of Einstein on the Beach–or “Einstein on the Beeyotch,” as Colbert says at the end of the show when he thanks Glass and mentions the recently released recording of Glass’s A Toltec Symphony.  Colbert is one of the most knowledgeable television hosts on the air when it comes to

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Composers, Contemporary Classical, Electro-Acoustic, Exhibitions, Experimental Music, Festivals, New York

Gone but not, not forgotten

An illegal immigrant with a civil engineering degree in Paris, fugitive from his native Greece for his WWII resistance activity (for which he nearly died, and lost one eye) Iannis Xenakis (1922-2001) eventually found himself working for the famed architect Le Corbusier, first as one of any number of assistants but soon enough as collaborator. Yet he was always drawn above all else to the need to compose music. Nadia Boulanger, Arthur Honneger, Darius Milhaud –all were either rejecting or rejected. It wasn’t until Xenakis stumbled upon Olivier Messiaen that he found a teacher that saw past the inexperience and

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Contemporary Classical

Introducing Syzygy

In a city like New York, with so many first-rate musicians moving to town every year to try to “make it,” promising new chamber ensembles spring up all the time, and I think this is a great thing.  One of 2009’s most promising new groups was the Syzygy New Music Collective, which gave their debut concert at St. Anthony of Padua church, in the West Village, on December 4th. Founded by Jessica Salzinski and Danielle Schwob, two composers who recently graduated from NYU, Syzygy is dedicating itself to the presentation of music by young and emerging composers, and indeed most

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Composers, Contemporary Classical, File Under?

Deerhoof – and sfSound – Dig Ligeti

Greg Saunier is in the indie band Deerhoof, but he’s also a composer of concert music. sfSound commissioned a work from Saunier as part of an upcoming concert centered around György Ligeti‘s Chamber Concerto (Jan. 23 at SF Conservatory). Apparently, this isn’t the first time sfSound has paid tribute to Ligeti. Last time around, in 2002, they ran afoul of the composer’s representatives. You can read a passel of legalese between Ligeti’s lawyers and the group’s bass clarinetist here. Hopefully this time out, they’ll be allowed to go ahead with what looks to be a fascinating concert and appropriate tribute

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