Contemporary Classical

CD Review, Contemporary Classical, File Under?, Organ

Anna Lapwood – Luna (CD Review)

  Luna Anna Lapwood Chapel Choir of Pembroke College, Cambridge Sony Classical   At 27, organist Anna Lapwood is a rising star, performing at the BBC Proms and recently being given the RPS Gamechanger Award at The Royal Philharmonic Society Awards. For her latest Sony recording, Luna, Lapwood focuses on transcriptions, a venerable tradition in organ music. Most of the transcriptions are Lapwood’s, and they prove that she knows the possibilities of pipe organs inside and out. Alongside staples of the classical repertoire, the organist plays a number of pieces from popular and film music. The blend of old and

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CD Review, Contemporary Classical, Electro-Acoustic, File Under?

Steve Lehman and Orchestre National de Jazz (CD Review)

Steve Lehman and Orchestre National de Jazz Ex Machina Pi Recordings   Saxophonist Steve Lehman not only has chops as a jazz musician, he is a trained composer with a background in electronics. Ex Machina is his most ambitious project to date, with electronics developed at the premiere new music center IRCAM in Paris. They respond live in performance to the spectral harmonies and polyrhythms made by the orchestra. While live electronics have been emanating from IRCAM for some time, Lehman’s electronics are neatly incorporated into both composed and improvised textures.   The first track “39” contains a solo by

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Ambient, CD Review, Contemporary Classical, Experimental Music

greyfade – LP2

LP2 is a newly-released album from the greyfade recording label that consists of electronic, vocal and instrumental sounds woven into a rare and beautiful ambient tapestry. Available in vinyl LP and digital download formats, LP2 is an inspired collaboration between vocalist Theo Bleckmann and electronic musician Joseph Branciforte. More than just a series of tracks, LP2 is intended as “…a complete conceptual universe – a synthesis of sound, compositional architecture, design and text worthy of sustained engagement.” Several years in the making, LP2 is a natural extension of greyfade’s acclaimed ambient album LP1 from 2019. Joseph Branciforte, the founder of

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CD Review, Contemporary Classical, Experimental Music, File Under?, Vocals

What of Words and What of Song – Juliet Fraser on Neos (CD Review)

    What of Words and What of Song Juliet Fraser, vocalist With Mikael Rudolfsson, trombone, Helen Bledsoe, bass flute, and Uli Fussenegger, double bass NEOS Music    Soprano Juliet Fraser is one of very few performers who could successfully present the challenging program on What of Words and What of Song (NEOS Music). It consists of works by European composers born in the 1950s and 1960s: Rebecca Saunders, Enno Poppe, Beat Furrer, and Chaya Chernowin. Fraser doesn’t just sing them, she inhabits the pieces with encompassing dramatic commitment.    “O,” by Rebecca Saunders, features swooping glissandos and breath slides,

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CD Review, Contemporary Classical, Los Angeles

Microfest Records – Flotsam and Jetsam

Flotsam & Jetsam is a new release by Microfest Records that features pieces by three contemporary composers. Altromondo (2013-15, rev. 2018), by Kurt Rohde, consists of ten tracks as performed by Genevieve Feiwen Lee and Aron Kallay. Titanium (2014), by João Pedro Oliveira, is performed by the piano duo of Vicki Ray and Aron Kallay, Nothing hidden that will not be revealed (2007, rev. 2019), by Alan Shockley, is also performed by Kallay. These pieces are comprised mostly of piano music although there are many extended techniques as well as other unusual instruments included. The album is sub-titled “Music for

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CD Review, Contemporary Classical, File Under?

Sciarrino on Kairos (CD Review)

Salvatore Sciarrino Paesaggi con macerie Kairos Monica Bacelli, mezzo-soprano Icarus vs. Muzak, conducted by Marco Angius   Salvatore Sciarrino (b.1947) is one of today’s most prominent Italian composers. His work encompasses the effects and inflections of second modernity, frequently alongside transcriptions of earlier music. This combination yields singular pieces from a composer who has a distinctive and compelling voice. Icarus vs. Muzak, conducted by Marco Angius, adopts well the various facets of Sciarrino’s music, performing the quotations with clarity and the frequent contrasts energetically.   The influences incorporated on Paesaggi con macerie, Sciarrino’s latest portrait CD for the Kairos imprint,

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CD Review, Contemporary Classical, File Under?

Stephen Yip – By Moonflowers (CD Review)

Stephen Yip By Moonflowers Kairos    Composer Stephen Yip (b. 1971) was born in Hong Kong and now lives in Houston, Texas, teaching at the local community college and fulfilling a number of high-profile commissions. His debut on Kairos is a portrait CD featuring excellent ensembles that play his intricate works skilfully, with a keen sense of their fluid interpretive potentialities.    The Mivos Quartet performs Luminosity Etude (2017), in which rich harmonics and high partials are distressed by glissandos. Mivos also plays the title track (2022), which is inspired by Bashõ’s five original haiku. Although the general atmosphere is

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CD Review, Contemporary Classical, File Under?

Bracing Change 2 on NMC (CD Review)

Bracing Change 2 Piatti Quartet, Heath Quartet, Quatuor Bozzini NMC Recordings   The first Bracing Change recording dates from 2017, when Wigmore Hall decided to use the moniker as the title for a series of string commissions. Three string quartets play on Bracing Change 2, another collection of commissions by the organization.   The Piatti Quartet plays Mark-Anthony Turnage’s “Contusions.” It begins with sforzando punctuations of a modal ostinato, gradually picking up steam, accumulating material, and more dissonant harmonies along the way. An emphatic and knotty passage of counterpoint marks the end of the first large section, after which there

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CD Review, Contemporary Classical

Yotam Haber – Bloodsnow (CD Review

Yotam Haber Bloodsnow Sideband Records Taylor Ward, Baritone; Don-Paul Kahl, Alto Saxophone Talea Ensemble, James Baker, conductor American Wild Ensemble   Composer Yotam Haber’s Bloodsnow is based on life events and contemporary concerns. The title work was from a harrowing experience. Haber was caring for a friend’s sled dogs during her first Iditarod, and sustained a serious injury to his finger. The blood mixing with snow, the fear of finding treatment for the wound, and the sense of dizziness from blood loss are all musically depicted with bracing verisimilitude. Talea Ensemble, conducted by James Baker, catches every nuance of its

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Awards, CD Review, CDs, Composers, Contemporary Classical, File Under?, LPs

Eno Voiced and Voiceless

Brian Eno – solo tour, FOREVERANDNEVERMORE and FOREVERVOICELESS This past Saturday, Brian Eno played the first show of his 2023 tour at the Venice Biennale Musica. The Guardian posted a review of the concert, indicating that it spotlighted Baltic Sea Philharmonia Orchestra, an opportunity presented to Eno as part of his winning Venice’s Golden Lion Award. The centerpiece of the concert was The Ship, a compelling piece that was recorded for Warp in 2016. Eno’s song catalog was also explored, mostly recent material, but reaching back to 1977’s “By This River,” from his fantastic album Before and After Science.  Eno’s

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