The Ojai Music Festival came to a triumphal ending last night with a raucous, committed, glowing performance of Louis Andriessen’s “Worker’s Union” (1976). The performance of the Andriessen began four and a half hours after the start of the Sunday evening concert. The six musicians of eighth blackbird came on stage and played two or three iterations. Then one of the other musicians of the evening came on stage from the wings and joined in. Then another. Then two more. Then four more came through the audience. Then more. Almost three dozen playing and joining in “Workers Union”, including Tom

Wednesday night was the debut of the Orchestra of the League of Composers/ISCM — an improbable eighty-five years after the organization’s founding. As Jerry pointed out earlier, the NY Times included strangely sweeping and sadly misinformed coverage leading up to the concert. However, this did little to dissuade an enthusiastic audience from attending the performance. They were treated to quite an evening. Below are a few highlights: -Lou Karchin: An excellent choice as conductor. Lou did a fine job leading the orchestra in a varied and challenging program. -Musicians: Anyone acquainted with new music in New York was apt to

The Friday night concert at the Ojai Music Festival was the premiere performance of “Slide”, a musical work of theatre by Steven Mackey and Rinde Eckert, and performed by the two with eighth blackbird as performer/musicians. For the title, think of those cardboard holders of 35mm photographic images. The composition was named for a series of related psychological experiments in which subjects were shown out-of-focus images from slides, and asked to guess the subject of the image, which would then abruptly come into focus. In “Slide”, the principal character is the psychologist who ran the experiments, sorting through his box

The freeway ends a few miles from Ojai. You have to slow down to get there. You look at the hills and at the valley floor. You look at the trees. You think about the concerts you’ll hear over the next hundred hours. The group eighth blackbird was named Music Director of this 63rd instance of the Ojai Music Festival, and this initially-surprising choice is looking to be one of Thomas Morris’ more inspired ideas. They’ve put together an exciting program. (Yes, I do say that almost every year.) Here’s an eighth blackbird blog about this year’s event. Last night’s

If, like me, you’re a San Franciscan who’d rather have your mind blown than numbed on a Monday night, Other Minds is hoping you’ll turn out for a benefit movie screening this coming Monday, June 15th. The film, which bears the politicially-incorrect title The Revenge of the Dead Indians: In Memoriam John Cage, is neither a documentary nor a feature, but it’s scored with John Cage’s music, plus found audio landscapes.  Encounters with market vendors and street cleaners mix in with Cage tributes from Frank Zappa, Noam Chomsky, Yoko Ono, Frank Gehry, Ellsworth Kelly,  and Merce Cunningham, directed by Henning

David Lang’s The Little Match Girl Passion, which won the Pulitzer last year, was released today on a  Harmonia Mundi recording.  Paul Hillier’s Theatre of Voices, who co-commissioned the piece with Carnegie Hall, perform the piece beautifully, and there are nice details in this studio recording that were only hinted at in the live recording which Carnegie Hall made available after the premiere.  You can hear streaming audio here, buy through Amazon here, or support the evil iTunes empire here. My most devoted fans (hi Mom!) will remember that I interviewed David about Match Girl, the Pulitzer, and other things

On June 9, 2009 the prestigious Finnish classical recording label Ondine announced a change in ownership to Naxos International. Additionally, the label will be distributed in the U.S. and in Canada by Naxos of America beginning on July 1. Ondine was founded 1985 by Reijo Kiilunen in Helsinki, where the Finnish classical label is still based and today offers an extremely eclectic catalogue of both Finnish contemporary music and recordings with major Finnish and international artists. “I’m extremely excited that Naxos was keen to become our owner,” said Reijo Kiilunen, Managing Director of Ondine. “Naxos shares our solid commitment to