Sometimes, classical music gets a bad rap. To be perfectly honest, there is a chunk of the population that finds it to be synonymous with any number of derogatory terms: boring, annoying, or pompous. Some classical music lovers and advocates will counter this popular belief with arguments that only go to further the opinion of the other side: “Some people want to listen to mindless music”, “Some people simply don’t have patience”, etc. These ridiculous arguments only go to further the stereotype that classical music lovers are all pompous windbags who believe themselves to be uniquely educated and informed. How,
Read moreNext up in Hilary Hahn‘s chats with the composers writing for her 27 Pieces: the Hilary Hahn Encores!, it’s New Zealand composer Gillian Whitehead. [youtube]http://www.youtube.com/watch?v=-J7OdgRJegs[/youtube] And composers, don’t forget that the 27th encore slot is still open until March 15th, and it could be you! So tusches off seats, fire up your Finale & Adobe, but get cracking!
Read moreOn Monday, January 16 at Carnegie Hall, Distinguished Concerts International New York brings together over three hundred musicians to give the world premiere of The Peacemakers by Karl Jenkins. The composer will conduct this work for choir, orchestra, and instrumental soloists. It is the first world premiere of one of his large-scale works to take place in New York. TICKETS: www.carnegiehall.org or 212-247-7800 or in person at the Carnegie Hall Box Office. The recording of The Peacemakers just came out this past Tuesday on EMI Classics. It features the strings of the London Symphony Orchestra and three choirs: the City of Birmingham
Read moreCongratulations to: Kyle Lynch Ulysses Tone Everette Minchew Mark Wilson Winners, please send me a quick email with your preferred mailing address. Best, Christian
Read moreCourtesy of Boosey and Hawkes, Bridge Records, and Naxos Records, we have another special giveaway that will benefit those not able to attend Elliott Carter’s 103rd birthday party on Thursday in New York. We’re giving away two signed CDs of “Music of Elliott Carter: volume 5” (Bridge 9128), and two of String Quartets Nos. 2, 3 and 4 (featuring the Pacifica Quartet; Naxos 8.559363), along with a signed 8×10 photo to accompany each. Once again, I’ll be selecting the winners via a random drawing. If you’re interested, send me an email at: S21managingeditor@gmail.com. The contest will be open until noon
Read moreHi, All. We’re giving entrants another day to put in for the Carter ticket giveaway, extending the deadline until tomorrow (Monday). All we need is your name and a brief (a sentence or two) statement about Carter. Check back Monday evening for our next giveaway: memorabilia signed by Elliott Carter!
Read moreFred, I’m thinking of setting E.E. Cummings for tenor and chamber orchestra… That’s a wonderful idea, it goes along with your other settings of important American poets; which poems will you use? Perhaps some of the early poems having to do with WWI. Can you play these multi-stops: C, G, C#, G#, E and C, G, E#, D#, B, F#? I’ll try them out when I get home. [Later, on the telephone] Yes, they work. Good, I’m putting them in my new Double Trio. I’m working on a String Trio, do you think the viola can hold a high F-sharp
Read moreHurricane Irene approaches. We’ve got two extra guests this weekend: my Mom and Humphrey, her labrador retriever. They were evacuated from Long Island and are spending the weekend with us. Waiting out a storm can be angst-producing and, eventually, boredom provoking – particularly without music. So, File Under ? readers (the comments section is open and so are email, Twitter, Facebook, and G+), send us your “hurricane” listening lists – either in old-fashioned typewritten format or via the usual suspects (Spotify, Last.fm, etc.). The guidelines are wide open. It can be a themed list or simply musical “comfort food.” Stay
Read moreUpdate (July 5, 2011): The Villiers Quartet has revised its guidelines for its new music competition. The most notable change is the age restriction, which has been raised to 35. Good luck! London’s Villiers Quartet is seeking new works by composers under 35. If you’re an emerging composer looking for an international performance opportunity, check out the guidelines to have your work premiered next season by this exciting, young ensemble. I’ll let the ensemble’s first violinist, James Dickenson, explain: [youtube]http://www.youtube.com/watch?v=gJ9bzsWGJEQ[/youtube] And here are their guidelines, which can also be found at the Villiers Quartet’s web site. The 2012 Villiers Quartet
Read moreThe 2011 Celebrate Asia competition from the Seattle Symphony is now open! Seattle Symphony’s Celebrate Asia announces the second Seattle Symphony Celebrate Asia Composition Competition. The Competition seeks to promote and recognize young composers who are interested in Asian culture, music and traditions. The concept originated in 2008, when local Asian leaders wanted to find a way to strengthen bonds with the broader community through a cultural celebration. Celebrate Asia is part of the Seattle Symphony’s Around the World series. The Seattle Symphony, presenting its 109th season in 2011–2012, will come under the artistic leadership of Music Director Designate Ludovic
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