(Houston, TX) On Sunday, April 27, 2014 the Houston Composers Salon presents its Spring Concert, featuring works by Houston-based composers Hsaio-Lan Wang, Stephen Yip, Ryan Gagnon, and Eric Fegan. All four composers will be in attendance to introduce their compositions and answer questions from the audience. The concert takes place at 6:00 PM at 14 Pews, a popular venue for independent film screenings, visual art, and experimental and contemporary music performances. The eclectic and provocative program includes Wang’s Houston Duet, a collaboration with video artist Daniel Zajicek with an electro-acoustic score by Wang, Gagnon’s Three Duets for flute and vibraphone,
Read moreNick Brooke: Border Towns To experience Border Towns is to undo the idea of both. The border is metaphorically ubiquitous—as powerful as it is arbitrary. Towns are more immediate—tactile and moving to the pulse of indeterminate social interaction. Together the words form not an oxymoron but a median. Such is the spirit that moves composer Nick Brooke in this quasi-opera of Americana and stardust. The music’s formula is diaristic, appropriating snippets from songbooks familiar and not so familiar, gunpowder from the popular canon loaded into a rather different cannon and shot across the past century until fleetingly recognizable. Brooke’s intertextual
Read moreNext week is the third annual Composers Concordance Festival in New York City. They’ve called it ‘Timbre Tantrum,’ organizing the concerts by instrumental family: PERCUSSION Dec. 1 – 3pm ArtBeat with Glen Velez, Lukas Ligeti, Peter Jarvis. Dimenna Center (W. 37th St. NYC) 3pm Dec. 2 – 7pm ArtBeat (repeat of program) William Patterson University KEYS Dec. 4 – 7pm Three’s Keys with Taka Kigawa, Inna Faliks and Carlton Holmes music by Dan Cooper, Milica Paranosic, Gene Pritsker, Sean Hickey, Debra Kaye, Carlton Holmes, Daniel Palkowski and guests Klavierhaus (211 W. 58th St. NYC) ELECTRONIC MUSIC Dec. 6 – 8pm
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Ambient, Composers, Contemporary Classical, Electro-Acoustic, Experimental Music, File Under?, Houston, Improv, Sound Art
(Houston, TX) If Houston is becoming, as one young Houston-based composer puts it, a “hub for contemporary music,” credit must be given to more than a few local ensembles, organizations, and venues that operate without institutional support and on shoestring budgets. Contemporary music ensembles made up of university professors and their students performing contemporary music in universities for other professors and students are nothing new. But composers who not only write, perform, and creatively program contemporary music and present it outside of academia in venues typically dedicated to performance art, experimental rock and underground noise? That’s a little more interesting,
Read moreOn a hot September 7th Saturday night, People Inside Electronics and LA Sonic Odyssey presented bass-baritone Nicholas Isherwood in a concert of electronic and vocal music given at the Moryork Gallery in Highland Park. This was the Los Angeles appearance for Isherwood’s world tour that will also take him to New Zealand, Portugal and France. The evening included works by Michael Norris, Jean-Claude Risset, Lissa Meridan, Isaac Schankler and featured an adaptation of Karlheintz Stockhausen’s powerful Capricorn. The Moryork gallery space was roomy and comfortable for the 40 or so in attendance and even though the interior walls were lined
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Composers, Concerts, Contemporary Classical, Dance, Electro-Acoustic, Experimental Music, Flute, Houston, Improv, Women composers
(Houston, TX) This Sunday, Houston-based flutist, composer, and improviser Michelle Yom presents FALKOR, an interactive music and dance composition featuring Yom on flute and four dancers, Kriten Frankiewicz, Erin Reck, Leslie Scates, and Sophia Torres. FALKOR utilizes video motion tracking and a wireless system triggering audio samples based on the colors of the costumes worn by the dancers as well as their movements. FALKOR takes place at Studio 101 as part of the ongoing electronic music series Brave New Waves. Fantasy film fans (not to mention fans of 1980s pop music) will no doubt recognize the name Falkor (i.e. Falkor
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Cello, Chamber Music, Concerts, Contemporary Classical, Downtown, Electro-Acoustic, Festivals, File Under?, New York
We’re pleased to introduce cellist Maya Beiser’s performing the Michael Harrison composition “Just Ancient Loops,” with film by Bill Morrison, which will receive its premiere at the Bang on a Can 25th Anniversary Marathon this coming Sunday in NYC. [vimeo]http://vimeo.com/43002580[/vimeo] This is just one of many performances that will occur over the marathon’s 12 hours of free live music-making: check out the complete schedule online here. Congrats to the can bangers – may you have many more seasons of marathoning!
Read moreNew York-based new music collective West 4th (aka W4) are garnering a wonderful reputation in being very active and decisively creative in concepts for their concert series. This coming June 8th, they will put on an all-cello program titled “Cellophilia” where they will feature music not just for solo cello, but for multiple cellos of 2-8 at a time. There are eight cellists scheduled to appear, among them are Mariel Roberts, who is also a co-producer of the concert, and Bang On a Can All-Stars’ Ashley Bathgate. The concert is being funded via Kickstarter. Please click here or on the
Read moreCutting Edge Concerts presents Great Noise Ensemble Conducted by Armando Bayolo Guest soloist, Cornelius Dufallo Leonard Nimoy Thalia at Symphony Space, NY April 16, 2012 DC’s Great Noise Ensemble made a vibrant and yet intimate New York debut at Symphony Space. The contemporary music ensemble, performing in the smaller room known as Leonard Nimoy Thalia, and the ensemble not having its full lineup on this occasion, presented a night of works for varied paired-down ensemble setups. Each of these selections was presented by composer Victoria Bond, who acted as emcee and conducted interviews with each composer of the program’s works
Read moreHow awful is the dystopia in The Hunger Games? Well, if you listen to one cue in the movie, you might be led to believe that only pitch-drifting analog synthesizers are available, and multitrack recordings are made with the greatest of difficulties. At least that’s what one might believe encountering Laurie Spiegel’s 1972 composition, Sediment, during the cornucopia scene in the Hollywood blockbuster. (Steve Reich’s music also makes an appearance!) Geeta Dayal has the full story, along with an interview of Laurie Spiegel, here.
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