San Francisco’s Mission District, home of so much that is cool, is a natural neighborhood for the arts. The San Francisco Community Music Center located at 544 Capp Street is the the Bay Area’s oldest community arts organization and San Francisco’s largest provider of low-cost, high quality music education. In 2008, 2,300 students of all ages, ethnicities and income levels enrolled in Music Center programs and over 16,000 people enjoyed musical performances at no or low cost. Starting this Sunday, the SFCMC will host the eighth annual Outsound New Music Summit, a festival which for all its success and longevity
Read moreI’ve been working so hard today I’ve forgotten to eat, and it’s in that spirit of lightheadedness and poor impulse control that I share with you the following San Francisco Bay Area new music scene update. The Lab’s 25th anniversary performance series is well underway, and in just one night, they’ll run the gamut of styles celebrating their audacious artistic vision. On Thursday, July 2nd, Mills College’s own Chris Brown will curate and perform in a concert featuring Charles Johnson, Chad and Curtis McKinney, Tom Nunn and William Winant. When Johnson et. al. take the stage, you’ll hear amplified string
Read moreThe San Francisco Bay Area has a unique way of celebrating the first day of summer. Our most popular new music event, the Garden of Memory, comes around every summer solstice, and reliably attracts more than 1,000 visitors while creating a parking nightmare for miles in every direction. In 2007 I was forced, like many attendees, to park in the nearby cemetery and accidentally backed over the curb. I left my car there and hurried away apologizing profusely for actually driving over somebody’s grave. Every year over 30 composers, improvisers, and sound-artists take over the columbarium at the Chapel of
Read moreTwo of the happiest experiences I’ve had as a composer were back to back summers (’98 and ’99) at JUNE IN BUFFALO. Held at SUNY Buffalo in upstate New York, the weeklong festival is a chance for ‘emerging’ composers to hear their music performed by top notch musicians and to have it critiqued by master composers. By the end of the festival, they’re likely to have gotten a good tape of their piece, met performers and new music ‘movers and shakers,’ listened to nigh a hundred hours of contemporary fare, gathered tons of ideas for new works of their own,
Read moreI write that note to myself about four times a year, and I forget every time, and every time I miss out on a key aspect of the Illuminated Corridor – “a collision of public art, music and film” that persistently crops up in different San Francisco Bay Area locations to work its site-specific magic. On May 30th the Illuminated Corridor will manifest in Middle Harbor Shoreline Park, at 7th Street and Middle Harbor Road in West Oakland. The public is invited to show up between 7:00 and 9:30 p.m. to hear and admire sounds and visuals created by 30
Read moreSan Francisco is famous for its innovations, its open minds, and its spirit of protest. In 2005, according to Rova Saxophone Quartet member Larry Ochs, “our government was committing all sorts of crimes against humanity in all of our names. I wanted to create some art that flew in the face of those acts – but not overtly political because that’s not what we do.” Rova dreamed up an international collaborative work in honor of the visionary genius of Buckminster Fuller and his “Spaceship Earth” global perspective. “Good works by people brought together from different countries – if only to
Read moreTHE AUSTRIAN CULTURAL FORUM NEW YORK CONCERTS ENSEMBLE ON_LINE MONDAY MAY 4, 7:30 PM Austrian Cultural Forum NY, 11 East 52nd Street, New York, NY 10022 Also touring to Philadelphia, Washington and Chicago, this program is curated by Karlheinz Essl and Reinhard Fuchs, in cooperation with Soundfield and the Slought Foundation. PROGRAM Gene Coleman | Subaugusta (2009) for bassflute, bassclarinet, violin, cello and piano Karlheinz Essl | Sequitur II (2008/09) for bass clarinet and live-electronics Simeon Pironkoff | Spiel(t)räume (2006) for piano solo Gerard Grisey | Talea (1985/86) for flute, clarinet, violin, cello and piano Leah Muir | i frammenti di desiderio,
Read moreThe Ditmas Park Concert Series is up and running for its second season. Curated by Jody Redhage, there will be five concerts in the series. Friday, May 1 / 9:00 pm Erica von Kleist Trio, 10:30 pm John Ellis Trio / Sycamore Bar & Flower Shop, 1118 Cortelyou Rd. at Westminster Rd., Brooklyn, NY (Q to Cortelyou Rd) $10 Sunday, May 10 / 4:00 pm Janus / Temple Beth Emeth, 83 Marlborough Rd. at Church Ave., Brooklyn, NY (B/Q to Church Ave) $10 Saturday, May 23 / 9:00 pm Dan Pratt Organ Quartet / Sycamore Bar & Flower Shop, 1118 Cortelyou
Read moreWe’ve reached the final concert of Interpretations’ twentieth season of provocative programming in New York City! Founded and curated by baritone Thomas Buckner in 1989, Interpretations focuses on the relationship between contemporary composers from both jazz and classical backgrounds and their interpreters, whether the composers themselves or performers who specialize in new music. To celebrate, Jerry Bowles has invited the artists involved in this season’s concerts to blog about their Interpretations experiences. Our last concert is also an anniversary celebration: The String Trio of New York has been going strong for 31 years. Guitarist James Emery and bassist John Lindberg
Read moreIt’s hard to imagine a percussionist that you would want to perform your music more than Alex Lipowski. Alex has a passion for the new, the challenging and the unusual and I find him to be one of the most inspirational musicians I’ve ever met. He spent much of our time together explaining how important it is to take risks and to find new and innovative sounds — good advice. You can see Alex and the Talea Ensemble on April 28 at the Players Theatre, 115 Macdougal Street, NYC. Looking ahead, there will be three episodes in May and I’ll be devoting the
Read more