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Classical Music, Composers, Concert review, Concerts, Conferences, Contemporary Classical, Downtown, Electro-Acoustic, Events, Experimental Music, Festivals, Lectures, Media, Music Events, New York, Percussion, Performers, Sound Art, Strange, Twentieth Century Composer, Women composers

The New York City Electroacoustic Music Festival (NYCEMF) takes Manhattan

Most New Yorkers are walking about, minding their own business, completely oblivious to the international sonic earthquake vibrating through their midst all week: The New York City Electroacoustic Music Festival (NYCEMF). The first wave of the festival (seven concerts) took place as part of the New York Philharmonic’s Biennial at National Sawdust in Brooklyn last week. Yet the lion’s share of the festival is happening right now: 28 more concerts during June 13-19, at Abrons Arts Center on Grand St., for a total of 35 concerts. Yes you read that correctly: 35 concerts of electroacoustic music, including some 350 works,

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by Joshua Banks Mailman
Composers, Conductors, Interviews, Media, Orchestras, Performers, The Business

TwtrSymphony: an Interview with Chip Michael

TwtrSymphony is an intriguing ensemble of musicians connected via social networking. Instead of working together to simply promote and distribute news about contemporary music, TwtrSymphony is a fully functional new music ensemble in absentia. The individual members of this orchestra never meet and rehearse as a group. Instead, the performers record their parts in isolation from each other, in widely different settings, and Musical Director Chip Michael and his merry band of engineers then assemble these recordings into cohesive works all 140 seconds in duration. Right now, TwtrSymphony is working on Chip Michael’s Second Symphony, Birds of a Feather, and

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by Jay Batzner
Classical Music, Composers Now, Contemporary Classical, Contests, Media, Music Events, New York, Online, Opportunities, Radio, Resources, The Business, Twentieth Century Composer, Websites, Women composers

Lend Your Voice to Q2 Music

Sometimes, classical music gets a bad rap. To be perfectly honest, there is a chunk of the population that finds it to be synonymous with any number of derogatory terms: boring, annoying, or pompous.  Some classical music lovers and advocates will counter this popular belief with arguments that only go to further the opinion of the other side: “Some people want to listen to mindless music”, “Some people simply don’t have patience”, etc. These ridiculous arguments only go to further the stereotype that classical music lovers are all pompous windbags who believe themselves to be uniquely educated and informed. How,

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by Jonathan Lakeland
American Music Center, Composers, Contemporary Classical, File Under?, Media, Orchestras, Women composers

NY Phil’s Curious Omissions

Yesterday, Alex Ross wrote a short essay on The Rest is Noise about next season’s offerings at the New York Philharmonic. After discussing several highlights, including Stockhausen’s Gruppen at the Park Avenue Armory, the NYPO’s first presentation of a piece by Philip Glass (!), and a new work by John Corigliano, he pointed out some curious omissions. Ross wrote,”The Contact! series will elicit new works from Alexandre Lunsqui, Yann Robin, and Michael Jarrell. The series has no American music this year, nor is there any music by women in the entire season.” Like Ross, I’m very excited by some of

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by Christian Carey
CDs, Contemporary Classical, Hilary Hahn, Media, Recordings

Bringing new meaning to “double concerto”

It is a huge day for new music new releases tomorrow, Tuesday, September 21st. Last month you might remember I interviewed Nico Muhly about his new releases before he spoke in LA about the works on the Decca label and featured an in-store performance. Tomorrow those discs will hit the stores as well as two major works by another composer, Jennifer Higdon. What is astounding about Higdon’s cds are that they are by two different labels (Telarc & DG) and by two different violinists (Jennifer Koh and Hilary Hahn) of two different violin concertos, written closely together: The Singing Rooms

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by John Clare
Classical Music, Conductors, Los Angeles, Media, Online, Orchestras, Websites

Forget the “Maestro” and “Dudamel”, just call me Gustavo

Received a blurb from the LA Phil the other day, which in all caps proudly declares “LA PHIL LAUNCHES MICROSITE CELEBRATING INCOMING MUSIC DIRECTOR GUSTAVO DUDAMEL”  … Kaboom!… Here’s the relevant bit (my bolds): On September 24, 2009, the LA Phil launched a microsite celebrating the arrival of incoming Music Director Gustavo Dudamel. Introducing audiences worldwide to Gustavo in new and engaging ways, the comprehensive microsite, located at http://www.laphil.com/gustavo, features videos such as Gustavo’s first rehearsal with the YOLA Expo Center Youth Orchestra, the LA Phil’s video tribute “Welcome Gustavo,” and the press conferences unveiling Gustavo’s inaugural season and appointment

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by Steve Layton