Some festivals have a curatorial vision that takes pages and pages of press releases and program notes to explain. Other curators, like Glenn Cornett, revel in the whimsy of amusing composers’ names. Why organize a one-night Nono, Muchmore, and Warp(ed) mini-marathon? The names sounded fun together and the players are the bee’s knees. The evening will feature music by Italian modernist master Luigi Nono, New York cellist/composer and Anti Social Music member Pat Muchmore, and San Francisco based composer/sound designer Richard Warp. With a 7 PM start time, the show is three and a half hours long, and is full
Read moreSongs for Persephone: Mimi Goese & Ben Neill Take a seductive voiced art-pop singer and a post-jazz/alt-classical trumpeter. Add fragments of nineteenth century classical melodies, electronics elicited by a “mutantrumpet” controller. Then add influences ranging from ancient Greek mythology to the Hudson River Valley. What you have are the intricate yet intimate sounds on an evocatively beautiful new CD: Songs for Persephone. The Persephone legend is one of the oldest in Greek mythology, with many variants that provide twists and turns to the narrative and subtext of the story. In the myth, Persephone, daughter of Zeus and the harvest
Read moreThe Sequenza 21/MNMP Concert is fast approaching. This free event will be at Joe’s Pub on Oct. 25 at 7 PM (reserve a seat here). The American Contemporary Music Ensemble (ACME) will perform a program that features composers selected from our call for scores. In the coming weeks, we’ll be hearing from a number of the composers and performers appearing on the concert. First up is Jay Batzner, who teaches at Central Michigan University and contributes regularly to Sequenza 21. He tells us about his piece on the program: Slumber Music. I remember a lot about composing Slumber Music, which
Read moreComposer Ricky Ian Gordon and librettist Mark Campbell have teamed up with director Kevin Newbury and conductor Rob Fisher to create a unique musical view into the people who were affected by the Civil War. Co-commissioned as a commemoration of the 150th anniversary of the beginning of the Civil War by the Modlin Center for the Arts at the University of Richmond, Texas Performing Arts at the University of Texas at Austin, Virginia Arts Festival and Virginia Opera, “Rappahannock County” [will receive its Richmond*] premiere Tuesday, Sept. 13 at the Modlin Center of the Arts at 7:30 and run for
Read moreThe venerable Kronos Quartet brings its much-anticipated production of Awakening: A Musical Meditation on the Anniversary of 9/11 to Brooklyn September 21-24 as part the Next Wave festival. The program features works by Michael Gordon, Terry Riley, Osvaldo Golijov and Gustavo Santaolalla, and John Oswald—as well as arrangements of traditional songs from around the globe. It is a collection of pieces designed–as Kronos violinist David Harrington puts it–to restore “equilibrium in the midst of imbalance” in those instances where traditional language fails us. Thanks to the nice folks at Nonesuch Records, who just released Kronos’ recording of Steve Reich’s WTC’s
Read moreOne might assume that any work receiving its premiere this weekend – especially this Sunday – would have to be somehow related to the 9/11 memorials taking place around the country. One work, however, is being premiered on Sunday simply due to the natural schedule of the festival during which it is to be performed, and has no connection to the memorial whatsoever. The work in question is David Del Tredici’s String Quartet No. 2, set to be given its premiere performance by the Orion String Quartet at 3pm this Sunday at the South Mountain Concert Series in Pittsfield, MA.
Read moreLast year, saxophonist Trygve Seim and pianist Andreas Utnem collaborated on Purcor, a recording for the ECM imprint (Seim’s sixth as leader). Drawing on material from a wide range of sources, including settings of the Mass, folk music, and Seim’s own compositions, it was among the recordings in frequent rotation when I got home from the hospital this past November. Needing a calm environment in which to regenerate and reflect, I found Purcor to be the perfect listening to accompany a healing respite. Meditative yet soulful, earnest yet elegant, gently articulated yet substantively thoughtful, Seim and Utnem craft a series
Read moreA couple of years ago, I touched off a full-blown shitstorm in these pages by asking what I thought was a fairly innocent question, which was: Is Nico overrated? I had not listened to much of his music at the time and the little I had heard was pleasant enough but not, to my taste, particularly interesting or distinctive. It was competent, but not something I would bother to listen to again. I was aware, however, that young Nico was much beloved in some quarters of our small and incestuous little new music demimonde and not so much in
Read moreThe US premiere of James Dillon’s Nine Rivers, a three evening long contemporary classical epic, will open Miller Theatre’s 2011-’12 season (details below). I’ll be writing about the first evening of the piece for Musical America. That said, I’ve been assured by those in the know that you probably shouldn’t take this Gesamtkunstwerk as if it’s three separate evenings of music: it’s kind of like having your Siegfried without your Götterdämmerung. Is Nine Rivers a postmodern retort to the Ring? Perhaps not in terms of narrative, but in terms of its ambitious scope and extended genesis, its not an inapt
Read more[youtube]http://www.youtube.com/watch?v=wHnpLbMWo7c[/youtube] Video shot and edited by Jonathan Jindra. Music by George Heathco.
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