Tag: Best of 2021

Best of, CD Review, Chamber Music, Composers, Contemporary Classical, Electro-Acoustic, File Under?

Best of 2021 – Burned into the Orange by Peter Gilbert (CD Review)

Burned into the Orange Music of Peter Gilbert Arditti String Quartet; Iridium Quartet, Emmanuele Arciuli, piano; et al.  New Focus Records CD/DL   This is composer Peter Gilbert’s second recording for New Focus; the first was back in 2008, The Long Arch of Undreamt Things. He is Associate Professor of Music at University of New Mexico, and has a long artistic pedigree filled with prestigious residencies, performances, and awards. There is a visceral character in Gilbert’s music that distinguishes it, and in his recent music it appears that geography plays as much of a role as any of the aforementioned

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Ambient, Best of, CD Review, File Under?

Best of 2021: Philip Blackburn and Chris Campbell (CD Review)

Best of 2021: Recordings by Philip Blackburn and Chris Campbell   Philip Blackburn Justinian Intonations Neuma CD   Chris Campbell Orison Innova LP     Both Philip Blackburn and Chris Campbell are poly-artists, sitting astride composition and sound art and working with homemade (or, in the case of Blackburn, also Partch made) instruments. In 2021, Blackburns Justinian Intonations and Campbells Orison topped the currently crowded field of ambient classical, providing long form pieces that encourage contemplative listening. It is frustrating that some quarters have tagged them with a New Age label, as their work is more intricate and, frankly, interesting

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Best of, CD Review, File Under?, Piano, Twentieth Century Composer

Best of 2021: Messiaen on Kairos (CD Review)

Sequenza 21 – Best of 2021   Olivier Messiaen Vingt regards sur l’enfant-Jésus Alfonso Gómez, piano Kairos CD   In 1944, Olivier Messiaen wrote a recital length work (about 2 hours in duration) for pianist Yvonne Loriod, one of his proteges and, later, his spouse. Vingt regard sur l’enfant-Jésus (“Twenty Visions of the Infant Jesus”) widely encompasses the techniques of Messiaen’s musical language and epitomizes the importance of religious contemplation and corresponding symbolism in his work. Where some Christmas music takes a sentimental approach to regarding the infant Jesus, there is none of that here. Instead, Vingt regards explores the

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