Tag: File Under ?

Choral Music, Concert review, early music, File Under?

The Marian Consort Provides a Window Into Renaissance Rome

The Marian Consort Miller Theatre Early Music Series Church of Saint Mary the Virgin February 13, 2026 By Christian Carey   NEW YORK – The Marian Consort are a highly-regarded vocal ensemble, specializing both in early music and recent repertoire. The former was on offer in their performance last Thursday as part of Miller Theatre’s Early Music Series. The program was titled “City of Echoes – Rome in the Sixteenth Century,”  and all of the music was performed in the city during this time period. While the program included works from three generations of composers – those relatively contemporaneous to

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CD Review, early music, File Under?

Gesualdo Six – Queen of Hearts (CD Review)

Queen of Hearts Gesualdo Six, Owain Park, director Alasdair Austin, countertenor (final track only) Hyperion Records, 2024   On Queen of Hearts, the low male vocal ensemble Gesualdo Six explores pieces devoted to queens, both the Virgin Mary (in her guise as Queen of Heaven), and queens from England and Continental Europe during the renaissance era. Some of the selections blur identities, linking the saintly actions of earthly monarchs with those of Mary.  The Song of Songs, from the Hebrew Bible, has an interesting place in both sacred and secular music of the Renaissance. In liturgical pieces, it is an

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CD Review, Chamber Music, Classical Music, File Under?, Twentieth Century Composer

Neave Trio – Rooted (CD Review)

Neave Trio Rooted Chandos Records (2024)   Neave Trio – violinist Anna Williams, cellist Mikhail Veselov, and pianist Eri Nakamura – has recently made several imaginative recordings for Chandos. Rooted is influenced by traditional music and by Antonín Dvořák, who brought the concept of using your country of origin’s folk music in concert works to the United States and, in the case of one of the programmed composers, influenced those in the UK as well.   Bedrich Smetana (1824-1884) was thought of as the premiere Czech composer of his day. Piano Trio, Op. 15 (1857), was written in the midst

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CD Review, Contemporary Classical, Dance, File Under?

Thomas Adés – Dante (CD/DVD review)

Thomas Adés  Dante Los Angeles Master Chorale, Los Angeles Symphony, Gustavo Dudamel, conductor Nonesuch CD   Thomas Adés The Dante Project London Symphony Chorus, Orchestra of the Royal Opera House, Koen Kessels, conductor Opus Arte Bluray DVD   It takes a certain amount of chutzpah to use Dante as the centerpiece of one’s own creative work. Thomas Adés has courage in spades, as he has created an ambitious  ballet based on the Divine Comedy, for dancers, chorus, and orchestra, commemorating the 700th anniversary of the poet’s death. Two documents of the piece are currently available, a Nonesuch recording of the

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Choral Music, File Under?, News

Statement from King’s Singers on Concert Cancellation

  Last week, Pensacola Christian College cancelled the King’s Singers on short notice due to concerns about some of the members’ sexuality. The ensemble has provided an eloquent rejoinder (see above) and in the spirit of joy conquering hate, shared the first single off of their latest album, When You Wish Upon a Star: One Hundred Years of Disney Songs.     

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CD Review, Contemporary Classical, File Under?

Adés Conducts Adés (CD Review)

Adés Conducts Adés Kirill Gerstein, piano; Christianne Stotijn, mezzo-soprano; Mark Stone, baritone;  Boston Symphony Orchestra, Thomas Adés, conductor Deutsche Grammophon CD/DL 4837998 Thomas Adés is in his third year as Artistic Partner of the Boston Symphony Orchestra. It has been an extraordinarily fruitful pairing. Adés has performed with the ensemble as a conductor and pianist, contributed new pieces to its repertory, and curated events such as the Festival of Contemporary Music at Tanglewood. In the midst of this plethora of activities, the March 2019 premiere of his Concerto for Piano and Orchestra was a highlight. Both the performance of the

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CD Review, Concerts, File Under?, jazz

10/13: Tonight at Nublu – Sun of Goldfinger

On Sun of Goldfinger, his latest recording for ECM Records, saxophonist Tim Berne partners with guitarist David Torn and percussionist Ches Smith. The outing incorporates the avant-jazz palette usually adopted by Berne and Smith along with amplified sonics and effects incorporated by Torn. There are three long-form pieces on Sun of Goldfinger. “Eye Meddle” builds from a fragmentary welter of ostinatos, each at first seeming to go their own direction, into a tightly interwoven and densely populated texture with wailing upper register saxophone accompanied by an insistent guitar melody and double time rhythms from Smith. Torn’s guitar then soars to

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CD Review, Composers, Contemporary Classical, File Under?

Erika Fox – Paths (CD Review)

Erika Fox Paths Goldsfield Ensemble, Richard Baker, conductor NMC Recordings Once one hears Paths, the octogenarian Erika Fox’s first CD, their first reaction may mirror mine: one of incredulity. How is it possible that a composer this talented with such a distinctive and assured musical voice had to wait so long for a monograph recording? To their credit, NMC has been a strong advocate of female composers for a number of years; I’ve recently been enjoying their recordings of Elizabeth Lutyens’s music. Thank goodness they have partnered with the Goldfield Ensemble to present Fox’s work while she is still alive to

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CD Review, Contemporary Classical, File Under?

CD Review: Riot Ensemble

Speak, Be Silent Riot Ensemble, Aaron Holloway-Nahum, conductor Works by Chaya Czernowin, Anna Thorvaldsdóttor, Mirela Ivičević, Liza Lim, and Rebecca Saunders Huddersfield Contemporary Records HCR20CD 2019 Riot Ensemble’s latest CD features five works by female composers who hail from a diverse group of countries: Israel, Iceland, Croatia, Australia, and the UK. Speak, Be Silentcomes at a time when, coinciding with overdue shifts in the broader culture, raising awareness of the abundant diversity of contemporary composers making vital music has taken on especial urgency. All of the pieces on Speak, Be Silent are recent; the earliest is from 2008. Thus, the CD also serves

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