Best of 2018: Holiday CD, Opera Recording Best Holiday CD Nine Lessons and Carols: 100 Years King’s College Choir, Stephen Cleobury, Director Choir of King’s College label 2018 is the hundredth anniversary of Lessons and Carols at King’s College (and ninetieth year of radio broadcasts of the event). In order to celebrate, the Choir of King’s College has released a two-CD set of some of their most famous offerings from broadcasts over the years, as well as new music commissioned for the occasion. The release also celebrates Director Stephen Cleobury, who will be stepping down after an illustrious tenure
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Choral Music, Commissions, Concert review, Contemporary Classical, early music, File Under?, New York
Tallis Scholars: A Renaissance Christmas Miller Theatre Early Music Series Church of St. Mary the Virgin December 1, 2018 Published on Sequenza 21 By Christian Carey NEW YORK – The Tallis Scholars, directed by Peter Phillips, made their annual appearance in New York as part of Miller Theatre’s Early Music series at the Church of St. Mary the Virgin in Midtown. The program was billed as a dual celebration — the 45th anniversary of the Tallis Scholars and Miller Theatre’s 30th anniversary season. In honor of the occasion, Miller Theatre commissioned a new piece for the Tallis Scholars
Read moreBest of 2018 – Best Violin Concerto Michael Hersch end stages, Violin Concerto Patricia Kopatchinskaja, violin, International Contemporary Ensemble, Tito Muñoz, Orpheus Chamber Orchestra New Focus Recordings fcr208 Composer Michael Hersch consistently writes music with emotional immediacy that explores aching vulnerability with consummate eloquence. His Violin Concerto is like a wound still raw. Soloist Patricia Kopatchinskaja ramps up the intensity, as does ICE, conducted here by Tino Muñoz, rendering the work’s first and third movements with bracing strength and its second with fragile uneasiness. This emotion returns, amplified by high-lying solos and echoing attacks from the ensemble, to provide
Read moreOne of my favorite active vocal composers is Tom Cipullo. In the nineties, I performed his song cycle “Land of Nod,” which demonstrates his penchant for contemporary subjects, including pop culture, and the mixture in his music of lyricism, poignancy, and, occasionally, moments of wry humor. Cipullo’s work as an opera composer has delved into topics with weightier resonances. The following two works are no exception. EVENT DETAILS Chelsea Opera presents NY premieres After Life and Josephine Two one-act operas by Tom Cipullo December 1, 2018 7:00 pm Christ & St. Stephen’s Church 120 West 69th Street New York, NY Tickets available online Preferred seats: $35 in
Read moreStile Antico in Concert October 13, 2018 Church of St. Mary the Virgin By Christian Carey NEW YORK – The first concert in Miller Theatre’s 2018-19 Early Music Series, given in midtown at the Church of St. Mary the Virgin, presented the acclaimed choral group Stile Antico from the UK. They have made regular appearances on the Miller series. As is their custom, Stile Antico sang without a conductor in a semicircle facing front. The occasional setup change consists of singers changing formation and, in pieces in which the full ensemble isn’t required, “extra” singers sit down. They
Read moreGeorge Perle Orchestral Music 1965-1987 Jay Campbell, cello Seattle Symphony, Ludovic Morlot, conductor George Perle Vol. 4, Bridge Records 9499 A recording of five previously unrecorded pieces, Orchestral Music 1965-1987 supplies excellent renditions of an underserved segment of composer George Perle’s output. Best known for his chamber music – he received a Pulitzer for his Wind Quintet No. 4 – Perle (1915-2009) also had significant orchestra commissions, including a residency with San Francisco Symphony and a 150th anniversary commission from the New York Philharmonic. Those who know his work as a music theorist will also be aware of his
Read more“Sorry About the Mess – Portraits in Music:” Lev “Ljova” Zhurbin and Friends Lewis Center for the Arts, Princeton University February 27, 2018 Sequenza21.com By Christian Carey PRINCETON, NEW JERSEY – Violist and composer Lev “Ljova” Zhurbin has been a guest artist this semester at Princeton University’s Atelier. The special courses in this program feature guest artists in interdisciplinary collaboration: student participants can “mirror” or “shadow” their work. Zhurbin’s course, “Grandma’s Russian Painting: Puppetry and Music,” also involves puppeteer Basil Twist. As part of his residency, on Tuesday, February 27th Zhurbin gave a composer/performer portrait concert. Held in The Forum,
Read moreVerisimilitude Tyshawn Sorey Tyshawn Sorey, drums, percussion, composer; Cory Smythe, piano, toy piano, electronics; Chris Tordini, bass Pi Records PI70 Tyshawn Sorey has had quite a year of musical accomplishments. After recently finishing up his doctorate at Columbia, he succeeded Anthony Braxton on the faculty at Wesleyan University, won a MacArthur Foundation Fellowship, and received several other major awards and commissions. He has remained active in a number of ensembles, playing a pivotal role on another of this year’s best CDs, Vijay Iyer Sextet’s Far From Over (ECM). Verisimilitude, for Pi Recordings, is his sixth recorded outing as leader. Sorey
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CD Review, Chamber Music, Contemporary Classical, File Under?, Guitar, Strings, Twentieth Century Composer
Terry Riley and Stefano Scodanibbio The Dark Queen Mantra Del Sol String Quartet; Gyan Riley, guitar Sono Luminus On this Sono Luminus CD, Terry Riley’s chamber works are superlatively performed by Del Sol String Quartet. Joined on the title piece by the composer’s son, guitarist Gyan Riley, the group navigates an array of rhythms, many of Spanish origin. Movement titles evoke the Basque region Vizcaino and the paintings of Goya. The final, eponymous, movement builds to an intense conclusion; Gyan Riley incorporates distortion and high volume, matching the whirling dance of the quartet in a rock-inflected finale.
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Best of, Boston, CD Review, Conductors, Contemporary Classical, Criticism, Critics, File Under?, Orchestral, Recordings, Review, San Francisco, Saxophone
Wayne Peterson Transformations Boston Modern Orchestra Project, Gil Rose, conductor; PRISM Quartet BMOP/sound 1053 Composer Wayne Peterson (b. 1927) served as one of his generation’s fixtures on the West Coast music scene where, in addition to several other academic appointments, he elevated the composition program at San Francisco State to prominence. Despite fine recordings of his chamber music, this is his first portrait disc of orchestral music. 2017 has been a year where Boston Modern Orchestra Project, under the inspired direction of Gil Rose, has released a number of fine recordings, including CDs of works by Paul Moravec, David
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