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SEQUENZA21/
340 W. 57th Street, 12B, New York, NY 10019

Zookeeper:   
Jerry Bowles
(212) 582-3791

Managing Editor:
David Salvage

Contributing Editors:

Galen H. Brown
Evan Johnson
Ian Moss
Lanier Sammons
Deborah Kravetz
(Philadelphia)
Eric C. Reda
(Chicago)
Christian Hertzog
(San Diego)
Jerry Zinser
(Los Angeles)

Web & Wiki Master:
Jeff Harrington


Latest Posts

Lera Auerbach: The Total Package
Wake up! � It�s Wednesday
for Lou Harrison
Tuesday = Snooze-day
David Hanlon at Banglewood
Monday Molto Largo e Doloroso
Forget It, Jake. It's Chinatown.
It�s Friday!
No such thing as an unknown Venezuelan conductor
Thursday Poco Piu Mosso


 

Record companies, artists and publicists are invited to submit CDs to be considered for review. Send to: Jerry Bowles, Editor, Sequenza 21, 340 W. 57th Street, 12B, New York, NY 10019


Thursday, August 11, 2005
Exciting new music discovery from Australia

Well OK this one is stretching it a bit. But it is the 'silly season' for news stories, and it makes a great headline doesn't it? Dr Janice Stockigt from Melbourne University has unearthed a brand new 11 movement Dixit Dominus by Vivaldi in Dresden, get the whole story at Now for some very little known Vivaldi.

But there's lots of genuine new music news as well. Next week's BBC Proms have some real gems. These include the world premiere of Marc-Andre Dalbavie's Piano Concerto played by Leif Ove Andsnes. This is a BBC co-commission with the Cleveland and Chicago orchestras, so we should be hearing a lot more of it. And don't miss Tippett's Symphony No 4 on Friday 19th September conducted by that great champion of his music Sir Colin Davis. Picking up the antipodean thread I started with listen out for Douglas Lilburn's (see photo) 1961 Symphony No 3 played on Thursday 18th by the New Zealand Symphony Orchestra. He is a very underrated composer who deserves a wider audience. On an overgrown path's weekly Proms preview has all the information, including links to webcasts.

Staying with not quite so new music there is an interesting thread at Whatever happened to Howard Hanson?. And elsewhwere the Gustavo Dudamel debate rages on. This one is not only about how to launch a new talent. It is also about the importance of music education as pioneered in Venezuela, and the commercial forces shaping classical music, which like an iceberg are 90% invisible. There are some really worthwhile comments and links (Including one from Felipe Izcaray who is Music Director of the Salta Symphony Orchestra in Salta, Argentina and has recorded works by contemporary Argentinian composer Eduardo Alonso-Crespo). The comments are both on the original Dudamel story, and the follow up review.

 



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