Composers Forum is a daily web log that allows invited contemporary composers to share their thoughts and ideas on any topic that interests them--from the ethereal, like how new music gets created, music history, theory, performance, other composers, alive or dead, to the mundane, like getting works played and recorded and the joys of teaching. If you're a professional composer and would like to participate, send us an e-mail.


Regular Contributors


Adrienne Albert
Beth Anderson
Larry Bell
Galen H. Brown
Cary Boyce
Roger Bourland
Corey Dargel
Lawrence Dillon
Daniel Gilliam
Peter Gordon
Rodney Lister
Ian Moss
Tom Myron
Frank J. Oteri
Carlos R. Rivera
David Salvage
Stefano Savi Scarponi
Alex Shapiro
Naomi Stephan
David Toub
Judith Lang Zaimont

Composer Blogs@ Sequenza21.com

Lawrence Dillon
Elodie Lauten
Anthony Cornicello
Everette Minchew
Tom Myron

Alan Theisen
Corey Dargel



Latest Posts


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Rob Deemer

James MacMillan Interview
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A More Perfect Union
Galen H. Brown

'In C' Follow-Up
jodru

Text and Con-Text
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Will choral music always be tonal?
Roger Bourland

Two Questions
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Cary Boyce


Beepsnort Lisa Hirsch


Record companies, artists and publicists are invited to submit CDs to be considered for review. Send to: Jerry Bowles, Editor, Sequenza 21, 340 W. 57th Street, 12B, New York, NY 10019


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Saturday, February 26, 2005
Music and Politics and Women

A few days ago we were talking about music and politics. One of the ways that music can be political without changing the music itself is in its presentation. The concert series, Womenís Work, presents primarily women composers. Most concert series present primarily men composers. It is a political act to choose music to be performed around a theme such as women composers or French composers or Jewish composers, for several examples. There has been a lot of argument regarding whether or not this is a good idea. I think it is a useful idea to present women composers together and will continue to be useful as long as most concert series present primarily men composers.

When I go to art museums I always look around to see which paintings were painted by women. I am especially pleased when I like a particular picture and discover that it was painted by a woman. One of the great pleasures for me in going to the National Museum of Women in the Arts in Washington, DC is that all the paintings are by women. It is a thrill to see their collection and their special shows. If you havenít been, you can look around on their site at http://www.nmwa.org/. The NMWA building is pink marble!

In case you are interested in attending the concert series, Womenís Work takes place March 3, 17, and 31 at 8pm, at Greenwich House in The Renee Weiler Concert Hall, 46 Barrow Street in New York City. For information and to see the beautiful poster celebrating this series, call 212.242.4770 and go to www.gharts.org.

Womenís Work 2005 begins on Thursday, March 3 at 8pm with chamber works (string quartets and piano solo music) and songs performed by the Aviva Players, which celebrates its 30th season this year. March 17 is a solo piano concert by Dr. Claudia Knafo. March 31 has the wonderful CASE Saxophone Quartet plus two pianos and cello from Pennsylvania.



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