Composers Forum is a daily web log that allows invited contemporary composers to share their thoughts and ideas on any topic that interests them--from the ethereal, like how new music gets created, music history, theory, performance, other composers, alive or dead, to the mundane, like getting works played and recorded and the joys of teaching. If you're a professional composer and would like to participate, send us an e-mail.


Regular Contributors


Adrienne Albert
Beth Anderson
Larry Bell
Galen H. Brown
Cary Boyce
Roger Bourland
Corey Dargel
Lawrence Dillon
Daniel Gilliam
Peter Gordon
Rodney Lister
Ian Moss
Tom Myron
Frank J. Oteri
Carlos R. Rivera
David Salvage
Stefano Savi Scarponi
Alex Shapiro
Naomi Stephan
David Toub
Judith Lang Zaimont

Composer Blogs@ Sequenza21.com

Lawrence Dillon
Elodie Lauten
Anthony Cornicello
Everette Minchew
Tom Myron

Alan Theisen
Corey Dargel



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Friday, March 11, 2005
organic connections

When I was a doctoral student, I had a seminar in composition in which the class was divided into essentially two camps: the constructivists vs. the representationalists, for lack of better terms. That year may have been unique in its equal and acute division, each side passionately defensive, each zealously dismissive of the other. Each side thought the other was misguided, at best.

It was fascinating. This followed a year that was extremely supportive and remarkably tolerant, and I don't know what tipped everyone into such a competitive stance. Perhaps the job market changed.

But I often wonder about music's power to conjure such dogmatic reactions over sounds that appear then evaporate. When misdirected or coopted, this passion we feel can be propagandized, as in the excellent illustration that Rodney posted. It can result in terms like "Entartete Musik." It can be racialized, genderized, elevated, dismissed, and otherwise problematized.

Perhaps it's the nature of the human endeavor....

Anyway, are any of you working on interdisciplinary projects? Film? Dance? Politics? I'd be curious to know what the issues are.



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