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SEQUENZA21/
340 W. 57th Street, 12B, New York, NY 10019

Zookeeper:   
Jerry Bowles
(212) 582-3791

Managing Editor:
David Salvage

Contributing Editors:

Galen H. Brown
Evan Johnson
Ian Moss
Lanier Sammons
Deborah Kravetz
(Philadelphia)
Eric C. Reda
(Chicago)
Christian Hertzog
(San Diego)
Jerry Zinser
(Los Angeles)

Web & Wiki Master:
Jeff Harrington


Latest Posts

My Disc of the Year, so far
Islands in the Stream
Tyranny: My Role in Its Elimination
More on The Honda Ad
My new favorite jingle
Leo Ornstein�s Piano Quintet - Up Close and Personal
And concert composers/performers think they have it tough...
Hold That Note
Surviving Rita
Slow New York


 

Record companies, artists and publicists are invited to submit CDs to be considered for review. Send to: Jerry Bowles, Editor, Sequenza 21, 340 W. 57th Street, 12B, New York, NY 10019


Thursday, February 02, 2006
Going-Nowhere Music Hits the Bigtime


As many of you are by now aware, the LA Phil and John Adams are teaming up to present a two week series from March 18th to April 2nd which they have entitled "Minimalist Jukebox." The programs include such classics as Terry Riley's "In C," Steve Reich's "Tehelim," John Adams's "Harmonielehre," and scenes from Philip Glass's "Akhnaten," and a multitude of other lesser known works and composers. The final days of the festival include lectures and panel discssions. It's really a pity that the City of Angels is so far away from my home in the frozen Northeast.

But after the initial flush of enthusiasm, one is left to consider a less cheery subject. In the press package for the 2005/2006 Season, John Adams is quoted as saying �The works of the Minimalists have given a jump start to concert music and have brought composers and their audiences together again in a way not experienced since the 19th century. It�s only fitting that the Los Angeles Philharmonic should be the first American orchestra to realize this and to celebrate it.� First, I'm not sure that the Boston Modern Orchestra Project didn't beat them to the punch with their Minimalism concert last year, but aside from that, "In C" was written in 1965, "Music for 18 Musicians" was premiered in 1974, "Einstein on the Beach" is from 1976 -- and this "first" is happening in 2006? Seriously, people, that's pathetic.

So Bravo to BMOP and the LA Phil, but I leave you with this thought: these two orchestras have each put together programs of all Minimalist music -- BMOP called theirs "Minimalism" and the LA Phil called theirs "Minimalist Jukebox." What do you call a concert of, say, all Serialist music? It's just a concert.

 



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