"There are no two points so distant from one another that they cannot be connected by a single straight line -- and an infinite number of curves."

Composer Lawrence Dillon has produced an extensive body of work, from brief solo pieces to a full-length opera. Three disks of his music are due out in 2010 on the Bridge, Albany and Naxos labels. In the past year, he has had commissions from the Emerson String Quartet, the Cassatt String Quartet, the Mansfield Symphony, the Boise Philharmonic, the Salt Lake City Symphony, the Ravinia Festival, the Daedalus String Quartet, the Kenan Institute for the Arts, the University of Utah and the Idyllwild Symphony Orchestra.

Although he lost 50% of his hearing in a childhood illness, Dillon began composing as soon as he started piano lessons at the age of seven. In 1985, he became the youngest composer to earn a doctorate at The Juilliard School, and was shortly thereafter appointed to the Juilliard faculty. Dillon is now Composer in Residence at the University of North Carolina School of the Arts, where he has served as Music Director of the Contemporary Ensemble, Assistant Dean of Performance, and Interim Dean of the School of Music. He was the Featured American Composer in the February 2006 issue of Chamber Music magazine.

Visit Lawrence Dillon's Web Site

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Thursday, November 15, 2007

As I write this, I am listening to tracks from the recording session I had on Tuesday, taking notes in the score of where the glitches are, in the hopes of finding clean takes of every moment in Exit. I find this task both thrilling and stultifying: itís exciting to hear great musicians playing my music so effectively, and to know that Iím getting closer and closer to a pristine rendition of the piece -- but itís tedious to spend so much time listening to the same passages over and over, passages Iíve lived with for so long I have a hard time hearing them as if for the first time anymore. Iíd rather be off creating something new. Instead I have to fool myself into thinking that my creative urges are satisfied by the effort it takes to listen knowledgably and innocently at the same time.

Egads, thereís a nasty note. Scrap that take.