Author: Christian Carey

CDs, Classical Music, Composers, Contemporary Classical, Recordings

Sampling your way through Sunday brunch

Sunday Music: CD Samplers in the Era of Pandora
Sunday Music Volume 4

Big Helium Records BHRSM004 / www.bighelium.com

Unlike the album driven days of yore, today it’s all about the mix. From purchasing single tracks digitally at online stores such as Itunes and Amazon to the internet radio sensation Pandora, which tailors ‘stations’ to a listener’s preferences, music is presented as eminently accessible; instant gratification, inevitable. While all aforementioned methods of mix are exciting in their potential for discovery, surfing the impossibly commercial Itunes or using Pandora’s efficient but sometimes ham-fisted engine is unlikely to provide the enlightening swerves and hidden treasures found on the best mixtapes and compilation CDs.
Sunday Music, promoted by Barnes and Noble and released by Big Helium, has to cast a wide net; but despite this, the fourth volume of the series is an intriguing mix of classical and crossover-classical fare. There are chestnuts such as Magdelena Rozena’s fluid rendition of Lascia chi’io Piange from Handel’s Rinaldo and Bernstein’s Somewhere from West Side Story: Symphonic Dances. Also included are current favorites: Hilary Hahn playing Bach beautifully and Sting singing a lute song: Robert Johnson’s Have you Seen the Bright Lilly Grow. While no one will mistake the latter for Rogers Covey-Crump or Andreas Scholl anytime soon, his crooning take on the Elizabethan repertory has introduced a number of listeners to its charms.
True, some of the pop-oriented moments – Lisa Gerrard’s evocative but somewhat out-of-place instrumental The Unfolding and Craig Armstrong’s regrettably New Age take on Be Still My Soul – dilute the classical bent of the CD and may raise the eyebrows of purists. Rather, what makes Sunday Music 4 better than your average comp disc are its adventurous classical choices. The inclusion of up and comer Eric Whitacre’s Lux Autumque, with its lush cluster chords and ambient atmosphere, is a master stroke, as is Anna Netrebko’s glorious rendition of O Silver Moon from Dvorak’s Rusalka. Pepe Romero playing Rodrigo and a Schubert Impromptu performed by Wilhelm Kempf round out the disc in handsome fashion. While designed for the Sunday brunch set, this CD promises to keep things interesting and may well spur on many a conversation about classical music discoveries; something that keeps the spirit of the mixtape/comp CD very much alive.
Contemporary Classical

Locrian Chamber Players this Saturday at Riverside Church

Dear Friends,
 
You are cordially invited to a concert of The Locrian Chamber Players this Saturday, August 23 at 8PM in the 10th Floor Performance Space of Riverside Church, 490 Riverside Drive, New York.
The Program:
 
Charles Wuorinen: Duo Sonata (NY Premiere)
 
Charles Wuorinen: Josquiniana
 
Louis Andriessen: Miserere (U.S. Premiere)
 
Sebastian Currier: Night Time
 
Hayes Biggs: Sultry Air, Balmy Breezes (World Premiere)
 
The Players:
Calvin Wiersma and Curtis Macomber, violin; Dan Z. Panner, viola; Greg Hesselink, cello; Erin Lesser, flute; Anna Reinersman, harp; Blair McMillen, piano.
 
A reception will follow the concert.
 
Best to all,
 
David Macdonald
Contemporary Classical

Bad news from Tanglewood: The BSO press release

BSO MUSIC DIRECTOR JAMES LEVINE LEAVES TANGLEWOOD TO UNDERGO SURGERY

    BSO Music Director James Levine regrets that he will have to withdraw from the balance of the 2008 Tanglewood season. Because of a cyst causing pressure and discomfort, Levine will undergo surgery this week to have a kidney removed. The procedure has been described by Levine’s doctors as curative, with no other treatment necessary and with every expectation for a complete recovery. The anticipated recuperation period is six weeks -leaving ample time to prepare and conduct the season openings of the BSO and the Metropolitan Opera in September.

    “It is extremely frustrating that I need to have this surgery now,” said Levine. “My projects at Tanglewood have been planned so carefully and coordinated in such detail by the Festival administration. I especially regret not being here with Elliott Carter for his 100th birthday celebration, which I was looking forward to more than I can say. And I’m very disappointed at having to miss concerts with my colleagues in the BSO, as well as my work with the young musicians of the Tanglewood Music Center.”

    Mark Volpe, BSO Managing Director, expressed the sentiments of everyone at the Festival: “All of us at Tanglewood are very disappointed that James Levine will not be with us for his remaining concerts this summer,” said BSO Managing Director Mark Volpe. “However, we are primarily concerned for Jim’s health and well-being, and that everything be done to ensure a complete recovery so that he returns as soon as possible to his musical life with the Boston Symphony Orchestra and Metropolitan Opera.”

    The 2008 Tanglewood concert schedule, which offers 67 ticketed performances and runs through Labor Day weekend, will not be disrupted, with all concerts to take place as originally scheduled. An announcement about guest conductors scheduled to take over Maestro Levine’s remaining Boston Symphony Orchestra and Tanglewood Music Center concerts will be forthcoming. Maestro Levine led the BSO, a cast of international soloists, and the Tanglewood Festival Chorus in the opening weekend of the Tanglewood season, leading a performance of Berlioz’ monumental Les Troyens, July 5 and 6. Also last week, Maestro Levine led the Tanglewood Music Center Orchestra in a performance of Dvorak’s Eighth Symphony.

Tanglewood, located in Lenox, MA, is the summer home of the Boston Symphony Orchestra. For complete details about the 2008 Tanglewood season, visit www.tanglewood.org.

Contemporary Classical

New Music Duo Hybrid Groove Project Drops Latest Hit “HGP Anthem”

Peabody faculty member David Smooke sent this along for your delectation:

Summer’s just beginning and Hybrid Groove Project, the genre-bending new music duo from Baltimore, is already heating things up with their number one summer jam, “HGP Anthem.” In the grand tradition of the great hip-hop conflicts like Tupac v. Biggie Smalls, Dr. Dre v. Eazy-E, and 50 Cent v. Kanye West, “HGP Anthem” brings some much needed antagonism to a new music genre more accustomed to passive aggressive behind-the-back battiness than brive-bys and street corner stompings.

“By droppin’ this track we’re showing all these new music fakers who the real playaz are,” say Sacawa and Spangler. “It’s like we’re telling everyone, ‘Yo, we’re hot, and you’re not,’ you feel us? Like, y’all need to get out of the game. Plus, we need to show love for Bmore, you know what we’re sayin’?”

Indeed, new music will soon regret its unofficial partnership with indie rock with the release of Hybrid Groove Project’s latest hit, the number one summer jam of 2008. But don’t call it a comeback, Hybrid Groove Project’s been making heads nod since 2004. Just hope it’s not too late to return those skinny jeans.

Yo, check it out here, y’all.

Contemporary Classical

IFCP honors Carter on Monday and Tuesday

Institute & Festival for Contemporary Performance
Marc Ponthus, Founder/director
 
JUNE 10-17, 2008
www.mannes.edu/ifcp
212.580-0210 ext 4884
 

• MONDAY, JUNE 16
All-CARTER
7:30 conversation: the relationship between Carter & Speculum Musicae
8:00 – Music of Elliott Carter – program 2
Speculum Musicae
Elizabeth Farnum
, soprano
Program to include “A Mirror On Which To Dwell’ (1975 – Speculum Musicae
Commission), ‘Figment lll’ (2007 – Written for Speculum Musicae bassist Don Palma), ‘Oboe Quartet’(2001) and the ‘Sonata for Flute, Oboe, Cello and Harpsichord (1952)
 
• TUESDAY, JUNE 17
Music by APERGHIS and CARTER; Performed by IFCP Institute participants.
 
 
All concerts at 8:00pm preceded by symposium or
conversation with composers and performers at 7:30pm
Ticket price: $20/$10 students
Concert of the 17th is admission free

 
IFCP
MANNES COLLEGE THE NEW SCHOOL FOR MUSIC
150 West 85th Street
New York NY 10024
 

Chamber Music, Composers, Contemporary Classical

Upcoming concert by the Locrian Chamber Players

An Evening of Contemporary Chamber Music with the Locrian Chamber Players
 
Saturday, May 31st at 8 PM
Riverside Church
Entrance at 91 Claremont Avenue
(North of W. 120th Street – One block W. of Broadway)
Free Admission
 
Featured performers: Calvin Wiersma, Conrad Harris, Danielle Farina, Greg Hesselink, Diva Goodfriend-Koven, and Emily Wong
 
Henri Pousseur
Minima Sinfonia (world premiere)
Yehudi Wyner
Madrigal (NY premiere)
Louis Andriessen
Xenia
John Ross
Deux Melodies d’Aspel
Bill Douglas
Celebration IV
Christian Carey
Butterfly Flourish (world premiere)
Contemporary Classical

Bounteous Braxton Set

Anthony Braxton has released a nine-CD anthology of his piano music on Leo Records. Performed by Geneviève Foccroulle, the boxed set includes all of the prolific composer’s piano music written from 1968-2000. The set includes detailed liner notes by Stuart Broomer, featuring an interview with Braxton, and a separate booklet with the libretto and performing directions for his Composition 171, a lengthy work for pianist, actors, prompters, and “constructed environment.”

Ranging from Braxton’s Composition 1, a modernist offering in the post-Webernian vein, to Composition171’s complex narrative and theatricality, this is an excellent overview of Braxton’s evolving aesthetic and questing character, presented with sincerity and impressive facility by Foccroulle. In an era in which record companies are, by and large, shying away from such projects, kudos to Leo Feigin for supporting this ambitious endeavor.

http://www.leorecords.com/?m=select&id=CD_LR_901/909

 

Contemporary Classical

Support your local record store

Today is National Record Store Day. Music sellers throughout the country are celebrating in a variety of ways, from special sales and promotions to instore performances. Given the challenges that have faced “brick and mortar” record stores in recent years – internet retailers, digital downloading, and plummeting CD sales among them – I’m glad there’s a day to celebrate with the people who’ve helped me find many musical treasures. To find out if your local retailer is participating, visit www.recordstoreday.com.