While the spotlight on Tuesday will be on the inauguration, it’s also a big day for the music business. Among several important CD releases is the new full length from Animal Collective, Merriweather Post Pavillion (Domino). Hua Hsu wrote an article about the building interest in the band leading up its release in Sunday’s New York Times. It’s interesting to note that Merriweather is already posting significant sales numbers, particularly for an ‘out’ rock release, on strength of the vinyl version alone (released Jan.6). The recording has quickly become the darling of the blogosphere, garnering a cherished high rating
Read moreVeda Hille – Indie pop plus Hindemith! Vancouver’s Veda Hille is an indie singer/songwriter who fashions classical instrumentation and catchy tunes into an erudite pop style. This Riot Life, her latest CD, draws on a wide assortment of influences. Its frequent eschatological references and cryptically, messianic-tinged lyrics (“Ace of the Nazarene,” “Book of Saints, ““Rose of Sharon”) represent a recent find: an old hymnal belonging to her grandmother. The harmonic sophistication and extended formal designs of her songs reflect Hille’s classical training, as does an unorthodox rendition of “The Moon,” a Shelley setting by Paul Hindemith. Prog-rock inflections are
Read moreA little palette-cleanser to shift our focus away from stimulating discussions of academe – after all, school is only out for a short while – what ‘holiday’ music do you admire? This week, I’ve been listening to Anonymous 4’s Wolcum Yule around the house, enjoying both the Renaissance pieces and Maxwell Davies’ “A Calendar of Kings.” A ‘guilty pleasure’ is Vaughan Williams’ Hodie.
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Boston, Composers, Concerts, Contemporary Classical, File Under?, Orchestral, Orchestras, Photographs
Wendy plays Ken’s viola concerto with BMOP! Hear harmonies analyzed from Wendy’s ankle bone! Friday, November 14, 2008 / 8:00pm – 10:00pm Jordan Hall at New England Conservatory 290 Huntington Avenue, Boston, MA The amazing violist Wendy Richman plays Ken Ueno’s concerto Talus, with the Boston Modern Orchestra Project and the incomparable Gil Rose. Here’s the program: Martin Boykan Concerto for Violin and Orchestra / Curtis Macomber, violin Robert Erickson Fantasy for cello and orchestra / Rafael Popper-Keizer, cello Arnold Schoenberg Concerto for String Quartet and Orchestra / BMOP Principals Elliott Schwartz Chamber Concerto VI: Mr. Jefferson / Charles Dimmick,
Read moreThis just in from singing cellist Jody Redhage: Hi friends, I’m excited to announce that my new website is up and running! Please visit www.jodyredhage.com. Also, Fire in July is playing a really fun show this Wednesday, Nov. 12 at the Players Theatre in the Village. We’re sharing the night with fellow chamber pop band alice. Please see the details below. Hope everyone is well! All best, Jody FIRE IN JULY Wed., Nov. 12, 2008 8:00 pm alice 9:00pm Fire in July Music on MacDougal Series The Players Theatre 115 MacDougal St. (between W 3rd and Bleeker) New York, NY 10012 212-475-1449
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Bang on a Can, Chamber Music, Composers, Concerts, Contemporary Classical, Downtown, Just Intonation
Thursday morning I talked with composer Terry Riley, who is in New York this week to collaborate with the Bang on a Can All-Stars in the US premiere of his work Autodreamographical Tales at Le Poisson Rouge on 8 November. Riley is famous for being one of the “Big Four” of American minimalist composers (the others: LaMonte Young, Steve Reich, and Philip Glass). But while his early works, such as A Rainbow in Curved Air, Poppy Nogood and the Phantom Band, and the seminal In C, were musical rallying cries during minimalism’s ascendance in the 1960s, Riley’s been involved with
Read moreCharles Neidich and friends are performing Messiaen’s Quartet for the End of Time and music by Israeli composers. The program is below, and you can check out the notes over at my blog. Moshe Zorman – Hora Arnaud Sussmann, Violin; Vincent Balse, Piano Menachem Wiesenberg – Like Clay in the Potter’s Hand Gal Nyska, Cello; Vincent Balse, Piano Paul Ben Haim – Pastorale Variee Op. 31b Moran Katz, Clarinet; Vincent Balse, Piano Olivier Messiaen – Quartet for the End of Time Charles Neidich, Clarinet; Arnaud Sussmann, Violin; Gal Nyska, Cello; Vincent Balse, Piano
Read moreSunday Music: CD Samplers in the Era of Pandora Sunday Music Volume 4 Big Helium Records BHRSM004 / www.bighelium.com Unlike the album driven days of yore, today it’s all about the mix. From purchasing single tracks digitally at online stores such as Itunes and Amazon to the internet radio sensation Pandora, which tailors ‘stations’ to a listener’s preferences, music is presented as eminently accessible; instant gratification, inevitable. While all aforementioned methods of mix are exciting in their potential for discovery, surfing the impossibly commercial Itunes or using Pandora’s efficient but sometimes ham-fisted engine is unlikely to provide the enlightening swerves
Read moreDear Friends, You are cordially invited to a concert of The Locrian Chamber Players this Saturday, August 23 at 8PM in the 10th Floor Performance Space of Riverside Church, 490 Riverside Drive, New York. The Program: Charles Wuorinen: Duo Sonata (NY Premiere) Charles Wuorinen: Josquiniana Louis Andriessen: Miserere (U.S. Premiere) Sebastian Currier: Night Time Hayes Biggs: Sultry Air, Balmy Breezes (World Premiere) The Players: Calvin Wiersma and Curtis Macomber, violin; Dan Z. Panner, viola; Greg Hesselink, cello; Erin Lesser, flute; Anna Reinersman, harp; Blair McMillen, piano. A reception will follow the concert.
Read moreDaniel Wakin at the NY Times reports on the passing of Norman Dello Joio at age 95. One of the first pieces of 20th Century choral music I sang was Dello Joio’s Jubilant Song. I still find the work, with its frequent time changes, syncopations, and pantonal harmonies to be an excellent exponent of the mid-century Americana style.
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