Author: Steve Layton

CDs, Chamber Music, Contemporary Classical, Exhibitions, Experimental Music, Houston, Improv, Mix Tape

Houston Mixtape #1: Hand+Made, Screwed+Chopped

[Ed. — After many years in NYC but fresh to my own stomping ground of Houston, Chris Becker has offered to write some semi-regular musings on the new-music scene down thisaway. His own introduction: In its March 2010 Global Ear column, The Wire magazine described Houston as “the weirdest and wildest of (Texas) cities” with a “rich tradition of unofficial and DIY art.” Speaking as a recent transplant from New York City (where I lived for twelve years), I can confirm that our British friends were on point with their analysis of H-Town. I am in my third month as a

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by Steve Layton
Contemporary Classical, Contests, New York, Opera

Le Grand Macabre: Free Tix 2

Congratulations to Joseph Rosenzweig, the first correct answerer to yesterday’s Ligeti question. Yes, Ligeti’s Poeme Symphonique is for 100 metronomes, and with that Mr. Rosenzweig & friend will be attending The New York Philharmonic’s May 27th production of Le Grand Macabre. But there is still one more pair of tickets to give away, and one more question for some speedy answerer to, well, answer: In 1986 Ligeti was an early winner of the prestigious Grawemeyer Award. For what work was it given?  Answers to: sequenza21@gmail.com Will you be the first person e-mailing us the correct response? Will you be the lucky

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by Steve Layton
Contemporary Classical, Contests, New York, Opera

“The end is the Triumph of Love. Death is dead? Now we will live.”

That was György Ligeti speaking about his opera Le Grand Macabre, in a 1978 interview with Herman Sabbe.  Almost sounds sweet, doesn’t it?  One little snag: to get to that end, you’re going to have to endure  — or better yet, revel in — the hellish, absurd and grotesque. But Ligeti leads you through all this with a gleam, wink and half-smile, and the end result is a hellishly good time. Since its 1978 premiere Le Grand Macabre has had a wealth of performances all around the world; yet it’s only now that New York is getting its first full and fully-staged presentation.

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by Steve Layton
CDs, Chamber Music, Composers, Concerts, Contemporary Classical, New York, Piano, Violin

Mozart, Eno, Andres, Clyne, Norman, & seat yourself even!

I don’t normally quote press releases wholesale, but I don’t know what I could better in my own account (though be sure to read the last paragraph for some extra sweet deals). So… ………………. On Thursday, May 20th, Metropolis Ensemble will present Home Stretch, in two performances featuring the compositions of composer/pianist Timothy Andres presented alongside two composers who have inspired his unique style: Wolfgang Mozart, and the father of ambient music, Brian Eno.  Also featured will be the New York Premiere of Anna Clyne’s elegiac work for string orchestra, Within Her Arms. In keeping with Metropolis Ensemble’s mission to re-imagine the concert

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by Steve Layton
Canada, Chamber Music, Commissions, Composers, Concerts, Contemporary Classical, Electro-Acoustic, Experimental Music, Music Events, Performers, Post Modern

Out there. And there. And there. And…

A few of the of the unusual and interesting events coming up soon, soon soon: Victoria, B.C. : Wednesday May 12th, 8pm at Knox Presbyterian Church (2964 Richmond Road, Victoria / $10), LaSaM (Luminosity and Sounds by adventurous Musicians) is presenting a program titled “And Beethoven Heard Nothing“. As they tell it, the show will be “exploring Beethoven’s inherent belief systems, his deafness and the sonorities of his later work. Sonic phenomena; tinnitus and deafness; acoustic space, climax and stasis; memory and silence… The ensemble has pulled experiences of Beethoven’s thought and music through the filters of contemporary soundscape and

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by Steve Layton
Birthdays, Chamber Music, Composers, Concerts, Contemporary Classical, Music Events, Portland, Seattle

WCF in the PNW is A-OK (& so is PDX)

This year marks the 25th anniversary of the Washington Composers Forum. Like any of these ventures, they’ve had some busy and some moribund periods. But more than most and especially through the last decade, the WCF has been a pretty consistent force, beacon and shelter for composers of all stripes (as I can personally attest to from my own long sojourn in the Seattle area). They’ve been great about getting the word on opportunities out to their members, sponsoring commissions, readings and concerts, and their Composer Spotlight series (a different composer holds court each month, sharing whatever they think is

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by Steve Layton
Concerts, Contemporary Classical, Dance, New York

Hoof it on down to the Bowery

I know, short-short notice for the NYC crowd … But there’s a pretty giddy concert to attend this (Wednesday) evening at 8:30 PM, St. Mark’s Church in the Bowery (131 East 10th Street, Second Ave. and 10th Street / $10).  The International Street Cannibals — a happy cabal of composers, chamber players, filmmakers and painters, conceived by in 2005 by composer, cellist, conductor Dan Barrett, and steered by composer/guitarist Gene Pritsker — are presenting “Desperately Seeking Stravinsky”.  Now, Stravinsky was always amenable to the dance, and I don’t think there are many of his works that haven’t been choreographed, but

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by Steve Layton
Composers, Contemporary Classical

The other good guys

Congratulations to John Luther Adams for that 2010 Nemmers Prize, and to all the other Adamses, Reichs, Harbisons, Salonens, Lachenmanns, Carters etc. out there. Keep doing what you’re doing! …Meantime though, there are a few folk closer to my own home & circle, that I’d like to draw your attention to: First up is Christopher DeLaurenti. My good pal and sound artist extraordinaire has ventured out of his beloved Seattle haunts to pay NYC a visit, tonight (Friday), 8pm at The Stone (corner of avenue C and 2nd street, Manhattan, $10/5 students). This is his first New York solo appearance

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by Steve Layton
Composers, Contemporary Classical, Music Events, Opera, Participation

Make it so

Dennis Báthory-Kitsz has been a great friend of new music, a great friend of S21, and a great friend of myself personally for about as long as I’ve been online. Justly (semi-) famous as the “Kalvos” half of the long-running institution that was Kalvos & Damian’s new Music Bazaar (now continued as Kalvos & Damian In the House!), Dennis has never let his rather remote Vermont location interfere with spreading the word about living composers and their music, whether through regular radio and online broadcasts, a steady stream of writings, and endless creative projects. At the same time, he’s also

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by Steve Layton
Composers, Concerts, Contemporary Classical, Los Angeles, Microtonalism, New York, Piano

Pianos East and West, tuned and retuned

We may have missed the first volleys of southern California’s MicroFest — concerts devoted to tunings other than our standard, boring old 12 steps to the octave — but there’s still plenty of time to get your octave-tweak on; events will be running all the way to the end of June. Composers represented include Cage, Harrison, Partch, Crumb, Lachenmann, Tenney, Alves, Corigliano, Gosfield, Haas, Ives, Wadle, Schweinitz, McIntosh, Kriege,  etc. etc… Quite a constellation of stars. For all the details head over to their website. But I wanted to draw your attention to the MicroFest concert happening this weekend, since

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by Steve Layton