CD Review

CD Review, Chamber Music, Composers, Contemporary Classical, File Under?

counter)induction

Against Method Counter)induction – Benjamin Fingland, clarinet; Miranda Cuckson, violin;  Jessica Meyer, viola; Caleb van der Swaagh, cello, Randall Zigler, bass;  Renate Rolfing, Ning Yu, piano; Daniel Lippel, guitar New Focus Recordings CD/DL Chamber ensemble/composer collective counter)induction celebrates twenty years together with the recording Against Method. It consists of pieces contributed by composers associated with the collective as well those by “guest composers.” counter)induction has distinguished itself with  a versatile approach to new music, selecting works with a keen eye toward musicality and a clear resistance to stylistic dogma. Against Method neatly encapsulates this approach.  Douglas Boyce’s Hunt by Night

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CD Review, Contemporary Classical

CD Review: Voices of the Pearl, Vol. 3

Voices of the Pearl, Vol. 3 Anne Harley Various Artists Voices of the Pearl, Volume 3 is one of a series of albums featuring song cycles dedicated to the rediscovery, through contemporary music, of the voices of women from ancient times to the present.. According to the organization website: “The project commissions, performs and records musical works from composers across the globe, setting text by and about female esoterics from world traditions throughout history, reclaiming these lost voices and the tradition of female spirituality.” Volume 3 in this series contains five new works, based on Buddhist, Chinese and other Asian

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CD Review, Choral Music, early music, File Under?

Ora Singers – Spem In Alium. Vidi Aquam (CD Review)

Spem in Alium. Vidi Aquam Ora Singers, Suzi Digby Harmonia Mundi, 2020 English choral group the Ora Singers, led by Suzi Digby, present Thomas Tallis’s magnificent forty-part motet Spem in Alium on their latest Harmonia Mundi recording. Split into eight choirs of five apiece, the singers are given many opportunities to overlap in successive entrances, interact among cohorts, and sound immensely scored chords. The Ora Singers present a beautiful performance that combines purity of sound with thrilling forte climaxes. Digby deserves plaudits for her careful shaping of phrases and mastery of Spem’s myriad challenging balancing acts.  Most of the rest

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CD Review, Contemporary Classical, File Under?

Anna Höstman’s Harbour (CD Review)

Anna Höstman  Harbour  Cheryl Duvall, piano  Redshift Records, 2020  Harbour, a recital recording of Anna Höstman’s piano works played by Cheryl Duvall, reveals an emerging composer who both synthesizes her research interests – she has written about Feldman and Linda Caitlin Smith – while developing a significant voice of her own. Thus, gradually developing fields of sound remind listeners of the aforementioned composers, but Höstman’s gestural palette is significantly different. Examples of this include the ornaments on “Allemande” and the blurring gestures of “Yellow Bird.” The title piece is a twenty-five minute long essay that begins with flourishes that remind

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Rhodri Davies – Transversal Time

Rhodri Davies Transversal Time Ryoko Akama: electronics Rhodri Davies: pedal harp, electric harp Sarah Hughes: zither Sofia Jernberg: vocals Pia Palme: contrabass recorder Adam Parkinson: programming Lucy Railton: cello Pat Thomas: piano, electronics Dafne Vicente-Sandoval: bassoon Confront Recordings Co-commissioned by Huddersfield Festival, Chapter, and Counterflows   Multi-instrumentalist Rhodri Davies created the piece Transversal Time in 2017. This recording is of its performance at Chapter, captured by Simon Reynell (also known for his own label, Another Timbre). The assembled musicians are a who’s who of today’s experimental cohort and Davies gives them imaginative prompts for the music they are to play.

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Ralph van Raat plays French Piano Rarities (CD Review)

French Piano Rarities Ralph van Raat, piano Naxos 8.573894 I was fortunate to hear the US premiere at New York’s Weill Recital Hall by Ralph van Raat of Pierre Boulez’s early work Prelude, Toccata, and Scherzo (1944). Composed when he was just nineteen, the piece is a substantial one, twenty-seven minutes long. Unlike Boulez’s works from 1945 onward, as is evidenced by a recording here of 12 Notations from that year, the piece predates his fascination with Webern and total serialism, instead seeking a rapprochement between tradition and Schoenbergian dissonant harmonies. Van Raat’s recording of the work for Naxos is

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CD Review, Contemporary Classical, File Under?, Flute, Strings

Spektral Quartet – Experiments in Living

Spektral Quartet Clara Lyon (violin), Maeve Feinberg (violin), Doyle Armbrust (viola), Russell Rolen (cello) Experiments in Living New Focus Records (digital release) The Spektral Quartet takes advantage of the open-ended playing time of a digital release to create effectively a double album for their latest recording, Experiments in Living. While double albums often suffer from a bit of flab, this one doesn’t have an extraneous moment. It is a well curated release that attends to meaning making in contemporary music with a spirit that is both historically informed and deeply of this moment. A clever extra-musical addition to the project is a

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CD Review, CDs, Contemporary Classical, File Under?

2 Sono Luminus CDs

Páll Ragnar Pálsson Atonement CAPUT Ensemble, conducted by Guðni Franzson, Tui Hirv, Ásdís Sif Gunnarsdóttir Sono Luminus CD/Blu-ray (2020) Halldór Smárason Stara Siggi String Quartet, Emilía Rós Sigfúsdóttir, Geirþrúður Ása Guðjónsdóttir, Helga Björg Arnardóttir, Tinna Thorsteinsdóttir, Gulli Björnsson Sono Luminus CD/Blu-ray (2020) In recent years, the prominence of Icelandic composers on the international stage has grown considerably, many of them championed by the Sono Luminus label. New discs on the imprint are portraits of two more composers whose careers are in ascent: Páll Ragnar Pálsson (b. 1977) and Halldór Smárason (b. 1989). They are abetted by some of Iceland’s finest

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CD Review, Contemporary Classical

Podcast: Nicolas Horvath – The Unknown Debussy

            Nicolas Horvath Grand Piano Records The Naxos Grand Piano Records label  has released a new CD by Nicolas Horvath, The Unknown Debussy – Rare Piano Music. Known for his interpretations of the piano music of Philip Glass, Franz Liszt and Erik Satie, Nicolas Horvath here performs previously unheard works by Claude Debussy as reconstructed by scholar Robert Orledge. According to the liner notes: “Robert Orledge’s research into Debussy’s sketches and incomplete drafts has resulted in the unearthing and reconstruction of numerous lost masterpieces, the piano versions of which are given their première recordings here.”

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CD Review, Contemporary Classical, File Under?

Jonathan Powell plays Sorabji (CD review)

Kaikhosru Shapurji Sorabji Sequentia Cyclica – Super Dies Irae ex Missa Pro Defunctis Jonathan Powell, piano Piano Classics PCL10206 (7 CD boxed set; digital) Kaikhosru Shapurji Sorabji (1892-1988) was the composer of some of Western classical music’s most intricate, extended, and ambitiously virtuosic works to date. His output encompassed seven decades, from 1914-1984. The serial composer Milton Babbitt, often himself described as the creator of tremendously difficult pieces, ranked Sorabji, alongside Brian Ferneyhough, as the most complex composers of the Twentieth century (Talking Music, William Duckworth). This is not just due to the massive scope of the pieces – several

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