Le Poisson Rouge is a striking place. This venue was the location of this past Sunday’s concert featuring Iktus Percussion (Cory Bracken, Chris Graham, Nicholas Woodbury, and Steve Sehman), pianist Taka Kigawa, and toy pianist Phyllis Chen. According to Iktus member Cory Bracken, one of the missions of the evening (focused entirely around composer John Cage) was to take some of his pieces that are almost exclusively performed in academic settings, and begin to inject them into the public concert repertoire. What the audience encountered, therefore, was a healthy mix of both often and not-so-often performed pieces by John Cage.
Read more[Ed. note: Composer and Peabody Institute faculty member Judah Adashi has this appreciation of Ralph Jackson, retiring after 10 years at the helm of music-rights organisation BMI.] I met Ralph Jackson in June 2001, when I received a BMI Student Composer Award. As the head of BMI Classical (and later President of the BMI Foundation), Ralph knew this to be a momentous event in a young composer’s life, not least because he himself had been a two-time recipient of the prize. One of the memorable charms of that initial encounter, as the winning composers gathered for dinner on the eve of the
Read morePrinceton Symphony Orchestra Richardson Auditorium, Princeton, NJ May 13, 2012 ChamberMusicianToday.com PRINCETON – The Princeton Symphony’s final concert of its classical season included two repertory staples – Brahms’s Fourth Symphony and Ravel’s Piano Concerto in G Major – as well as a revised version of Sarah Kirkland Snider’s sole work to date for orchestra, Disquiet. Although Snider is a rising star in the world of contemporary music, she has thus far made her name as a formidable composer of vocal works, notably the song cycle Penelope, as well as theatre music and chamber compositions for groups such as yMusic and
Read moreOn Tuesday evening in New York City, Edmonton is taking Carnegie Hall by storm. The “Spring for Music” series, a yearly Carnegie event, is an opportunity for symphony orchestras around North America to come and present their work in New York City- an opportunity that would not necessarily be possible for some of these orchestras if “Spring for Music” did not exist. This Tuesday will see the Carnegie debut of the Edmonton Symphony Orchestra, an up-and-coming star in the symphonic world. The Edmonton Symphony Orchestra is celebrating its 60-year anniversary this year. An integral and beloved part of the
Read moreFor the LA Weekly, I compiled a list of what appear to be the best classical music events next year in Los Angeles. (Of course, the 2012-13 seasons haven’t been announced yet, so there will likely be events in the fall that I’ll be crazy about, and REDCAT had not published its Winter/Spring concert schedule by the time I turned my copy into my editors) Just about all my picks involve 20th/21st century music (there’s lots of pre-20th century music at Ojai, and although Mahler may not seem 20th-century to many classical music mavens, over half of his output was
Read morePlease welcome Jonathan Lakeland, a conductor and pianist making his first contribution to Sequenza 21, a review of pianist Ang Li’s Weill Hall program. Plenty of 19th century rep, but two premieres as well. The collaboration between performer and composer is one of the great joys of music. Pianist Ang Li’s recent Carnegie Hall recital (12/18 at Weill Hall) was, if nothing else, a celebration of this beautiful relationship. Ms. Li programmed music that celebrated the 200th birth-year of Franz Liszt, while also performing new works by two terrific young composers: Jérôme Blais and Jared Miller. Ms. Li began her
Read more[youtube]http://www.youtube.com/watch?v=wHnpLbMWo7c[/youtube] Video shot and edited by Jonathan Jindra. Music by George Heathco.
Read moreMy parents-in-law have a long tradition of enthusiastic photography. Greta the golden retriever is less than a year old, but she’s already an accomplished model. To those readers in the United States, I’d like to wish you a safe and happy Independence Day. While there’s a lot of music played on this holiday that is arranged to be “broadly appealing,” Charles Ives was never one to compromise. “Fourth of July” (1904), from the Holidays Symphony, complexly layers a number of patriotic tunes, which move a different speeds and simultaneously appear in different keys. No one will mistake this piece for
Read moreThe 2011 Celebrate Asia competition from the Seattle Symphony is now open! Seattle Symphony’s Celebrate Asia announces the second Seattle Symphony Celebrate Asia Composition Competition. The Competition seeks to promote and recognize young composers who are interested in Asian culture, music and traditions. The concept originated in 2008, when local Asian leaders wanted to find a way to strengthen bonds with the broader community through a cultural celebration. Celebrate Asia is part of the Seattle Symphony’s Around the World series. The Seattle Symphony, presenting its 109th season in 2011–2012, will come under the artistic leadership of Music Director Designate Ludovic
Read moreArt by Margaret Dolinsky, Copyright 2011 Dear Colleagues, If you are in the vicinity of Bloomington, Indiana, come join us at the premiere of the 2011 version of Don Freund‘s PASSION with Tropes, scheduled for May 20 and 21 at the Ruth N. Hall Theatre of Indiana University. Originally conceived as a monumental oratorio for large forces, it was adapted by Freund for an immersive and interactive multidisciplinary production. In this 80-minute version, PASSION with Tropes is cast for actors, dancers, and an ensemble of approximately 40 voices and instrumentalists who take multiple roles as soloists, chamber groups and even
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