Brooklyn Wind Symphony Artistic Director Jeff W. Ball interviews Dr. David Maslanka on the music of the late composer John Barnes Chance, “channeling” the composer, and the growing prevalence of commissioning consortiums among wind ensembles. JWB: When did you first hear a composition by John Barnes Chance? DM: My first contact was “Incantation and Dance.” It was around 1965. I was a first-year grad student at Michigan State and the band there was playing the piece. I wasn’t in the band, but heard rehearsals and performance. The piece was “hot” that year – everybody was playing it. JWB: Has your impression
Read moreComposer/vocalist Sabrina Lastman, whose duo SoCorpo is also a great fixture of the performing arts, is involved in another wonderful project. The Sabrina Lastman Quartet (and they also perform as the Sabrina Lastman Trio sans the drummer) are offering up the tantalizing combination of jazz and world music. Their CD The Candombe Jazz Sessions has been issued this month and was accompanied by a CD release show at Joe’s Pub in NY. They will be also appearing on March 10th at Pregones Theater in the Bronx. Sabrina had a few minutes to spare for a small chat.
Read moreComposer pal (and one of the selected composers on our second Sequenza21-sponsored concert a few years ago) Jeremy Podgursky has been busying-it-up in the Hoosier State for a while around Indiana University, and one of the fruits of that labor is happening this week: Holographic is a new series devoted to presenting contemporary music outside the confines of the Jacobs School of Music, taking new sounds to greater Bloomington and maybe even beyond. The first two concerts (music by Jacob Druckman, John Gibson, Amy Kirsten, Alex Mincek, John Orfe and Sam Pluta) are happening this Thursday, March 8 at 8:00pm
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Commissions, Competitions, Composers, Contemporary Classical, Contests, Hilary Hahn, Interviews, Violin
Next up in Hilary Hahn‘s chats with the composers writing for her 27 Pieces: the Hilary Hahn Encores!, it’s New Zealand composer Gillian Whitehead. [youtube]http://www.youtube.com/watch?v=-J7OdgRJegs[/youtube] And composers, don’t forget that the 27th encore slot is still open until March 15th, and it could be you! So tusches off seats, fire up your Finale & Adobe, but get cracking!
Read moreNew York-based C4 Ensemble is a choir that specializes in new music. Most of its members are composers or conductors, or both! On Thursday March 1 and Saturday March 3, the group is performing a program entitled “A Loss for Words: An Evening of New Choral Music on Alternative Texts” (info and tickets here). Since I’m away this weekend at a conference in Dayton, C4 was kind enough to let me sit in on one of their recent rehearsals. The group’s dynamic is a lesson in exceeding expectations. The member’s take turns leading warmups and rehearsing pieces, allowing for several conductors
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Composers, Contemporary Classical, Events, Experimental Music, Festivals, Los Angeles, Recordings, Twentieth Century Composer
[youtube]http://www.youtube.com/watch?v=pcHnL7aS64Y[/youtube] We had just seen John Cage recite his mesostic/theater work, James Joyce, Marcel Duchamp, Erik Satie: An Alphabet. My composition teacher, a tenured faculty member who had won many awards including a Pulitzer Prize, told us, “Everyone should see John Cage once.” And then, as if to underscore the idea that one only needed to see Cage once, the Pulitzer Prize-winning composer added, “But of course, his ideas are much more important than his music.” At that time (the early 1980s), there weren’t many recordings of Cage’s music available, and I rarely encountered any performances of his music, so
Read moreToday marks a week since Tom Manoff and Brian McWhorter attended an infamous performance of the Osvaldo Golijov’s Sidereus by the Eugene Symphony Orchestra in Eugene, Oregon. The duo’s story – that they recognized substantial sections of another piece, Michael Ward-Bergeman’s Barbeich, in Mr. Golijov’s work – has, by now, practically become legend in music circles. Nearly every outlet covering Classical Music in the country, from The New Yorker to various individuals’ twitter feeds, have focused heavily on the ethics of Mr. Golijov’s musical borrowing. To me, the question of whether what Mr. Golijov did is right or wrong doesn’t
Read more[youtube]http://www.youtube.com/watch?v=5oOj1EKSS6M[/youtube] This has got to be a first. Luis Andrei Cobo is offering his services to compose a grand opera to the highest Ebay bidder. For $150,000 you can buy a grand opera over 2 hours in length. Cobo estimates that he’ll need 2 years of full-time work to complete the project, so $75K/year will enable him to maintain the lifestyle to which he has become accustomed as a software programmer. Don’t have $150K? That’s OK, he’s open to other offers. For as little as $32,000 he will write a half-hour long chamber opera for 3 to 5 singers. The
Read moreSome of the arts organizations in New York are venerable establishments. Others may be relative newcomers, but take little time to install themselves as intrinsic parts of the music scene. It has only been here since the early aughts, but many of New York’s performers and concertgoers would have a hard time envisioning musical life here without the countless collaborations and imaginative programs brought to fruition at the modest-sized, yet mightily influential, Austrian Cultural Forum. ACF begins its tenth season with a celebration: a concert this Friday at Bohemian Hall: a more commodious space. At Bohemian Hall, they have an enlightened take on
Read moreThe Latin American Music Center at Indiana University is presenting American Cosmology, a program designed specially for the Composers Now festival that is involving many members of New York’s new music scene in February. Invited by Composers Now’s artistic director, composer Tania León, the program will be presented on February 4th a the Music Now Marathon in Symphony Space , and on February 6 at the Americas Society Concert Series. American Cosmology was designed by the LAMC’s director Carmen-Helena Téllez to showcase complementary meditations on the sky and the cosmos represented in David Dzubay’s Astral String Quartet and in
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