Some of you might know Elliot Cole as a composer of concert music, Contributing Editor here at Sequenza 21, or as a doctoral student at Princeton. But do you know Cole as a … rapper? De Rerum, Elliot’s debut EP as a fast-talking MC, under the project moniker Oracle Hysterical, tackles lofty subject matter. According to Cole, “It’s a verse history of the world as I understand it (to c.2000BCE, after which, I discovered, history is mostly redundant), and also a general synthesis of, well, most every (nonfiction) book I’ve read in the last decade.” The EP is available for
Read moreOpera Singer Misha Penton as Klytemnestra (photo by Kerry Beyer) (Houston, TX) Houston based opera singer Misha Penton opens her unique performance space Divergence Vocal Theater this Friday, April 15th. Located at Spring Street Studios, home to many of Houston’s finest visual and mixed media artists. Divergence Vocal Theater will bring together Ms. Penton’s team of singers, musicians, composers, dancers, and lighting and costume designers to present new chamber opera repertoire. Klytemnestra, a collaborative opera dance theater work featuring music by composer Dominick DiOrio, sung text by Misha Penton, spoken text by John Harvey, and choreography by Meg Brooker, is
Read moreTurkish pianist Seda Röder has been around these parts more than a few times; sometimes for her wonderful playing and sometimes for her wonderful podcasts. Now an Associate at Harvard, since coming over to the U.S. in 2007 (after graduating the Mozarteum in Salzburg) Seda has been a bit of a whirlwind when it comes to new music. Not content to take the standard performer’s trajectory, Seda gives almost equal measure to not onlyconcertizing, but also informing and promoting on behalf of the lesser-known — both newer and older — corners of modern classical music. Of course, in one of the corners most dear
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Composers, Concerts, Contemporary Classical, File Under?, New York, Strings, Twentieth Century Composer, Video
Steve Reich turns 75 this coming October, and the celebrations have already begun. Later this month is a concert at Carnegie Hall on April 30th. It features the Kronos Quartet in a new piece commemorating a more sombre anniversary: WTC 9/11. In the lead up to the Carnegie concert, there will likely be countless interviews, features, etc.; but this YouTube video is a terrific five-minute distillation of Reich’s interests, influences, and musical style. I love the segue early on from bebop ii-V-I changes to Steve Reich’s pulsating ostinati. [youtube]http://www.youtube.com/watch?v=zO_WVD6Dt6E[/youtube]
Read moreMiss Music Nerd (AKA composer/keyboardist Linda Kernohan) recently had an opportunity to chat with Sir Harrison Birtwistle after hearing his Violin Concerto premiered by Christian Tezlaff and the Boston Symphony Orchestra. In the course of their conversation, Birtwistle discussed the impetus for writing a violin concerto, his difficulties with precompositional schemes (“I get terribly bored…by the time I’ve got 200 yards down the road”), and how he handles getting “stuck” while writing a work. The entire interview (with some interesting links to other Birtwistliana) can be found here. Ms. Hahn, if you’re looking for a new concerto to learn (hint,
Read moreSpring in Houston is an intensely visual experience as the grass now nourished by rain and sun turns from brown to green. Flowers are blooming in unexpected places while birds of all shades of color return to take up residence in the surrounding trees. Everything looks and smells a little…fresher. Come Spring, Houston’s bird population as well as its amphibians and yes, insects, sing or otherwise rock their antiphonal and conversational repertoire all day and all night. Which leads us to one of the many highlights of what is now the last few months of the artistic season. This Saturday,
Read moreLast Saturday night I caught a trio of Philip Glass‘s slightly more obscure music, performed by a well-rehearsed Pacific Symphony and Pacific Chorale (based in Orange County, California) as part of their annual American Composers Festival. Although lesser-known than its Los Angeles counterpart, the symphony is staffed with many fine Southern California-based musicians and performs in the recently built and acoustically impressive Renée and Henry Segerstrom Concert Hall. The opening piece, “Meetings Along the Edge” from Passages (1990), featured Glass’s collaboration with Ravi Shankar, in which both agreed to each compose a melody for each other and write a new composition around
Read moreExploring the Metropolis administers the Con Edison Composer Residency Program, a response to the challenges musicians face finding space to work in the ever more pricey environs of New York. The organization has just announced that it is expanding the program for its Spring 2011 residencies. They’ll be finding eight composers three month residencies at four different locations throughout the city (including the boroughs of Manhattan, Queens, and Brooklyn). This will allow them a space to work, an opportunity to present their music in a public program at the completion of their appointment, and a small stipend (This year it
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Composers, Concert review, Concerts, Contemporary Classical, Experimental Music, Festivals, Improv, Other Minds, Performers, San Francisco
[The latest iteration of the always-stellar Other Minds festival is now done and in the books. We asked our equally-stellar Bay Area musician friend Tom Djll if he’d like to cover a bit of it for us, and he happily sent along his impressions of the second and third concert evenings.] Other Minds 16 Jewish Community Center, San Francisco Concert Two, Friday, March 4, 2011 There’s a shard of spotlight on my shoulder. A music stand hovers off the sphere of peripheral vision; under it, the shadow of fingers curl like the violin scroll toward which they crawl, spiderish. The
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Boston, Composers, Concerts, Conductors, Contemporary Classical, Criticism, File Under?, New York, Orchestras, Performers, Violin
We’re saddened to learn of James Levine’s cancellation of the rest of his appearances this season at the Boston Symphony Orchestra and his resignation from the post of BSO Music Director. Levine has been in that position since 2004, but has had to cancel a number of appearances during his tenure due to a variety of health problems. In an interview published today in the New York Times, Levine indicated that he will retain his position as Music Director at the Metropolitan Opera. Apparently, conversations between Levine and the BSO about a possible future role with the orchestra are ongoing.
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