Nico Muhly is set to appear at the Santa Monica Apple Store on the Third Street Promenade Wednesday, September 8th to mark two new releases from Decca. “A Good Understanding” will be released exclusively on iTunes on September 7, with physical copies available on September 21 alongside “I Drink the Air Before Me”. Muhly along with Los Angeles Master Chorale conductor Grant Gershon will take part in a Q&A session – where Muhly will demonstrate how he creates his compositions with GarageBand on his MacBook Pro. The talk will end with a performance by members of the Los Angeles Master
Read moreSteve Reich’s latest Nonesuch CD recently arrived, sans artwork in a little cardboard case. The disc features Double Sextet and 2×5, his collaborations with Eighth Blackbird and Bang on a Can. The former piece won the 2009 Pulitzer Prize in Music. The latter is his most explicit use of rock instrumentation to date. According to the Nonesuch site, it’s still in the “pre-order” phase of activities, so we’ll be good and hold off on a proper review ’til it’s closer to the actual release date (9/14). Suffice it to say, if you’re a regular visitor to Sequenza 21, you’re likely
Read moreThis Thursday evening, the Locrian Chamber Players are presenting a concert at Riverside Church in New York City. The program features music by Harrison Birtwistle, Judith Shatin, John Luther Adams, and Frank J. Oteri. Frank is a fixture on the NY scene. He’s the composer advocate for the American Music Center and is Founding Editor of their web magazine New Music Box. Frank is indeed a persuasive advocate on behalf of other composers, but he’s not asked about his own music nearly often enough. In the interview that follows, we focus primarily on Brinson’s Race, the piece that appears on Thursday’s concert. But along the way, we are
Read moreComposer, violinist, and performance/video artist Laurie Anderson has never been one to rest on her laurels. But Homeland, her latest project for Nonesuch takes her farther afield than she’s previously been. Rather than staying at home to record, Anderson developed the album’s songs over a two year period of touring. And, for the first time, she’s involved her partner Lou Reed in a collaborative recording process (he receives a co-producer credit). The results sound recognizable as songs by Laurie Anderson; but the sonic formula has been tweaked – indeed, refreshed – by the risks taken and departures made during the
Read more“For me it’s very hard to see people who adore Mozart and then don’t appreciate what Keith Jarrett does. You know what I mean? For me music is really just music, and what separates? When you talk about Gershwin and Rhapsody in Blue where do you put that? Is it jazz or is it classical? But it really doesn’t matter this Third Stream or First Stream concept. Who cares if it’s Third Stream or First Stream? It really doesn’t matter as long as you go and enjoy the experience. “ Syrian clarinetist and New York-based composer Kinan Azmeh clearly has
Read moreThree Concerts in One Day! Twelve pieces, including two one-act operas: 6 1/2 hours of music. Here’s what we heard: 10 AM Fantasia for String Trio …Irving Fine Ten Miniatures for Solo Piano … Helen Grime Circles … Luciano Berio Piece pour piano et quatuor de cordes … Oliver Messiaen Since Brass, nor Stone … Alexander Goehr Design School … Michael Gandolfi _____________________________________ 2:30 PM (BSO in the Shed) An American in Paris … George Gershwin Seven Studies on Themes of Paul Klee … Gunther Schuller Prelude, Fugue, and Riffs … Leonard Bernstein Piano Concerto in F … George Gershwin
Read moreHilary Hahn, the only combination stellar violinist/S21 roving reporter on the block, checks in with an up-close sit-down with composer Mark Adamo, on what being a composer means to him, latest projects, etc: [youtube]http://www.youtube.com/watch?v=JLnHTz-henc[/youtube] Follow the rest here, just scroll down the list on the right. Hilary will be back in September chatting up Nico Muhly, so stay tuned!
Read moreYoung composers, like me, seem particularly drawn to comparing themselves to the generations that have preceded us, which probably why my first collegiate composition lesson began with my professor telling me: “You can’t be Beethoven.” I will start pursuing my Masters degree at the University Michigan in September, and in the four years since I heard those words I’ve learned composers of all ages spend a lot of time and thought on how they relate to the lives and works of their contemporaries and predecessors. I know it is commonplace to open a discussion about the composers whom we revere
Read moreWhat to enjoy on those flights to festivals, composing on the beach or just to unwind this summer reading? Dick Strawser has been busy writing the sequel to “The Schoenberg Code” over on Thoughts on a Train – another pun filled parody called “The Lost Chord.” Fans of Dan Brown beware, Strawser outdoes the fiction writer and adds unbelievably hilarious names to a modern composition based thriller. (You might also enjoy his “Stravinsky’s Tavern” as well!)
Read moreOutside the Eldorado Ballroom, Houston, TX (Photo by Chris Becker) “ …(Houston is) one of the epicenters of noise bands and experimental music. Nobody even knows that, you know? ” Dan Workman of Houston’s Sugarhill Studios. Here’s an excerpt of a recording I made of a Houston thunderstorm using a Zoom H4 recorder positioned just behind the front screen door to our house. You might want to turn down the volume about half way through if you listen to this headphones: Houston rain and thunder Part One New York City – the city where I lived for twelve years before
Read more