Composers

Commissions, Composers, Contemporary Classical, File Under?, Minimalism

New Sounds Live

I really enjoyed Q2’s broadcast tonight of New Sounds Live, a concert at Merkin Hall by the Bang on a Can All Stars that featured works by Nik Bartsch, Oscar Bettison, Christine Southworth, Michael Nyman, and David Longstreth. The first in a hopefully ongoing series of collaborations between Q2 and Merkin Hall, it was also a featured event in this week’s Composers Now festival. I particularly enjoyed the Bettison work, The Afflicted Girl, in part because it’s quite affecting; but it also helps that I was able to study in advance and follow along with a perusal score sent over by

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Composers, Concerts, Contemporary Classical, Festivals, File Under?, New York

Week long Composers Now Festival starts today!

Sure, the recession has caused for cutbacks in the arts. But composers are a resilient bunch. This week, New York City will be the site for the first Composers Now festival. Coordinated by Symphony Space Associate Artistic Director Laura Kaminsky and composer Tania León, the festival involves a host of area venues and organizations. The activities start Monday morning with a panel discussion and a marathon concert from 12-6. Tonight alone, there are events at Symphony Space, the Schomburg Center, the Morgan Library, the Jazz Gallery, and the Flushing Branch of the Queens Library. Composers Now will run throughout the

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Cello, Composers, Contemporary Classical, New York, Premieres, Saxophone

Intimate epics: Michael Hersch’s “Last Autumn”

There was a fair amount of buzz a couple years ago (including here at s21), when composer Michael Hersch‘s enormous piano canvas The Vanishing Pavilions was released on CD. What the New York Times has written about Hersch’s work in general seems to apply quite well to this two-hour-plus piece: “If the symmetries and proportions of Mr. Hersch’s music evoke the grounded fixity of architecture, its dynamism and spontaneous evolution are those of the natural world. Its somber eloquence sings of truths that are personal yet not confessional… Within the sober palette, the expressive power and range are vast.” Turns

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Composers, Concerts, Conferences, Contemporary Classical, Minimalism

Blängen the Schlingen with Charlemagne Palestine

Pwyll ap Siôn is a composer and Senior Lecturer in music at Bangor University in Wales (UK). His strong interest in Minimalism (he’s written a book on Michael Nyman) led to his co-hosting of the first International Conference on Minimalist Music in 2007. He also made his way across the ocean for the second iteration of the conference, held last September in Kansas City, MO.  Pwyll asked if S21 might like to print a few of his reactions and thoughts from the conference, and we said sure thing: At the Second International Conference on Minimalist Music last September, hosted by

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Classical Music, Composers, Recordings

Seeing what was coming right from the start

Composer Sir Arthur Sullivan (1842-1900, of Gilbert & Sullivan fame) happened to be one of the earliest voices captured, in 1888, by Thomas Edison’s then-new wax-cylinder recording machine. Invited to dinner at Edison’s London outpost, Little Menlo, Sullivan recorded this small but prescient speech (which you can hear thanks to the Thomas Edison National Historical Park): ” . . . For myself, I can only say that I am astonished and somewhat terrified at the results of this evening’s experiment — astonished at the wonderful power you have developed, and terrified at the thought that so much hideous and bad

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Choral Music, Composers, Concerts, Contemporary Classical, New York

Concordance later, but first a saxy song

New and specialized ensembles, groups of composers and performers banding together, DIY concerts and record labels… All the stuff of now. But let’s pay a little respect to New York’s Composers Concordance, who’ve been DIY-ing it for a good 25+ years now. Their latest outing is a marathon show, Jan. 31st (6:00 pm doors, 7:00-10:00pm performance time at the club Drom, 85 Avenue A, between 5th & 6th, New York, NY. 212-777-1157) No less than 23 composers are on the bill: Roger Blanc, Thomas Bo, Luis Andrei Cobo, Charles Coleman, Dan Cooper, Larry Goldman, David Gotay, Patrick Grant, Franz Hackl,

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Books, Canada, Composers, Contemporary Classical, Interviews

Talking with composers, Canada and beyond

Each generation of composers coming up through college is always a little dismayed to find their music history survey books fizzling out in their descriptions current composers. Maybe one compressed chapter at the end, with a jumble of names or the barest of thumbnail sketches. Half are already only half-remembered, and the other half are musicians you desperately want something, anything more from or about!  Yet often somewhere out there beyond the curriculum, there’s another kind of book; one some dedicated fan, critic or participant created,  providing fuller sketches and often interviews with the people that matter most to them

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Composers, Concerts, Contemporary Classical, Los Angeles, New York, Online, Premieres, Radio

Incoming

Head’s up on a couple things this coming week that caught my eye: WPRB’s Marvin Rosen is doing a special edition of his Classical Discoveries radio show this Wednesday, Jan. 27th. From 5:30 until 11:00 AM EST. Titled “East Meets West“, the entire five-and-a-half  hours will be devoted to works by Middle and Far Eastern Composers, as well as to works by Western composers inspired by these regions. A special treat in the 10-o’clock hour will be the world premiere broadcast of the Sonata for solo viola Op. 423 (1992) by Alan Hovhaness (1911-2000), performed by Christina Fong (from a

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