…Or maybe 100? Then I’d be well on my way to doing what sound artist Douglas Henderson has planned at Peirogi Gallery’s BOILER space in Williamsburg, NY the start of next month (only not nearly so well as I think he’s conceived). But if I can’t be there, maybe YOU would like to pick up a tool and contribute? S21’s roving composer in the street, Chris Becker has both the news and an interview with Henderson: . . . . On November 7th and 8th, at Peirogi Gallery’s BOILER space in Williamsburg, NY, I will be participating as a head
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Bang on a Can, Composers, Contemporary Classical, Experimental Music, Film Music, Interviews, Los Angeles
(UNTITLED), an original film satire of New York’s avant-garde art scene, will appear in theaters across the nation this fall. By poking fun at the idiosyncrasies of 21st century Bohemia, (UNTITLED) introduces American audiences to some of the best that contemporary art has to offer, notably a score by Pulitzer Prize-winning composer David Lang, who merges the artistic expressions of the composer protagonist with his own musical voice. (UNTITLED) revolves around melancholy composer Adrian (Adam Goldberg) and his whirlwind affair with a Chelsea gallerist (Marley Shelton), who unbeknownst to Adrian sells vacuous commercial works to high-paying corporate clients. The film
Read moreMany of our regular s21 readers should be familiar with Amsterdam’s own Samuel Vriezen, both as a visitor here on these pages, as well as a composer selected to be on both of our past s21-produced concerts. Samuel’s always been a highly active explorer, whether in his own or others’ music, poetry, concert production, cross-continent discussions with artists of all stripes, you name it. With a strong interest in Language Poetry, it’s not surprising that his explorations have led him to what I might call “Language Music”. No composer could better typify this kind of piece than ex-pat American (and
Read moreActually it goes to 12, and yes, he is working on another parody of Brown’s to be called, The Lost Chord. I hope you enjoy THE SCHOENBERG CODE by Dick Strawser. Chapter 12 should be out very soon, unfortunately Dick was in a car accident and is on the mend.
Read moreMany of us can recall a time, back in the day, when we brought cups of strong coffee to class and heard a professor tell us about the distant early days of “new music”. Long, long ago, in a galaxy far, far away (Italy), Luigi Russolo created his hand-cranked noise intoners – the intonarumori – and wrote his treatise, The Art of Noises, which would ultimately inspire a marvelous British new-wave band to contribute their song, Moments in Love, to a zillion compilations of makeout music. But I digress. Here in San Francisco we are fortunate enough to have a
Read more(UNTITLED), an original film satire of New York’s avant-garde art scene, will appear in theaters across the nation this fall. By poking fun at the idiosyncrasies of 21st century Bohemia, (UNTITLED) introduces American audiences to some of the best that contemporary art has to offer, notably a score by Pulitzer Prize-winning composer David Lang, who merges the artistic expressions of the composer protagonist with his own musical voice. (UNTITLED) revolves around melancholy composer Adrian (Adam Goldberg) and his whirlwind affair with a Chelsea gallerist (Marley Shelton), who unbeknownst to Adrian sells vacuous commercial works to high-paying corporate clients. The film
Read moreAhead of its Oct 23rd general release date Adam Golberg, the actor who portrays all-too-well a modern “avant-something” composer/performer in the new film (Untitled) (with score by David Lang), will be making an appearance on CBS’ Late-Late Show with Craig Ferguson tonight at 12:35 AM. (Hey, if you can’t get actual new-musicians on the mainstream media, might as well settle for someone who plays one!) Here’s hoping Ferguson picks up on the quirky charm and knowing ribbing, rather than the more typical “I just don’t get these losers” read. Sure, hipster new-music meets hipster gallery is an exotic, pretentious, even
Read more[Ed. note: Composer and S21 regular Chris Becker sat down recently with the one and only Matana Roberts. I told him I’d love to feature his interview, and so here it is: ] ……………… Saxophonist, composer, fanzine writer, and blogger Matana Roberts is the current artist in residence at Issue Project Room (NYC) where she is developing and presenting in a series of concerts material for her “large scale…sound narrative” COIN COIN. COIN COIN might be described as a multi-movement composition utilizing composed, improvised, and pre-recorded music along with elements of theater (projections, candles, chains) to give voice to a
Read moreI’m in Baltimore covering the world (intergalactic) premiere of Judith Lang Zaimont‘s piano concerto, “Solar Traveller” with Timothy Hoft and the Peabody Conservatory Wind Ensemble led by Harlan Parker. I caught the dress rehearsal yesterday and a composer masterclass, and will do some interviews today and film the concert tonight. (There is also Husa’s Music for Prague 1968 and Carolyn Bremer’s Early Light [based on the Star Spangled Banner] on the program!) So I was amused to find this as I was checking news this morning: (CNN) — Scientists at NASA have discovered a nearly invisible ring around Saturn —
Read moreOld age isn’t for sissies or the timid and I think the same thing can be said about writing for the stage, especially if it’s the operatic one. It took Verdi years before he produced something that worked on the boards. Evan Ziporyn’s no stranger to the stage–he’s written and performed Shadowbang–and his new two-act 140 minute amplified opera A House in Bali has much to recommend it. The story is drawn from gay Canadian composer Colin McPhee’s (1901-1964) 1946 memoir, with ancillary material drawn from the words of the two other main Western characters–anthropologist Margaret Mead and painter Walter
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