Concert review

Composers, Concert review, Contemporary Classical, Electro-Acoustic, Experimental Music, Seattle

A year without Matt Shoemaker (1974–2017)

One year ago the Pacific Northwest’s new music community was stunned by the suicide of Matt Shoemaker: painter and musician, enthusiastic traveler, frequent performer with Gamelan Pacifica, and accomplished creator in the genre of dark ambient. Shoemaker’s “electroacoustic soundscapes” have been released in a variety of formats by Elevator Bath, Helen Scarsdale Agency and other labels, and I offer an overview of this work in the Second Inversion article Mutable Depths: Remembering Matt Shoemaker. Shoemaker was a veteran of Seattle’s formidable electronic music scene, and he often performed his music at the Chapel Performance Space, the workhorse venue for experimental music

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Concert review, Contemporary Classical, Experimental Music, Los Angeles

Open Source at Coaxial Arts

On June 19, 2018, Coaxial Arts was the venue for a program of noise, experimental music and sound. The snug downtown Los Angeles location filled up with a congenial crowd of the knowledgeable and the curious for a concert presented by the wulf titled Open Source: Anderson, Hutson, Shiroishi, Smith. An impressive array of cables, synthesizers, mixing boards, computers and radios was spread over several tables, including a large reel-to-reel tape loop. Casey Anderson, William Hutson, Stephanie Cheng Smith and Patrick Shiroishi were on hand to bring it all to life. The evening began with Duo by Anderson and Smith,

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Composers, Concert review, Contemporary Classical, File Under?, New York

Da Capo Players at Merkin Hall (Concert Review)

Da Capo Chamber Players Perform a Potpourri of American Works Da Capo Chamber Players Merkin Concert Hall June 4, 2018 NEW YORK – Themed programs and portrait concerts are all the rage these days. As such, it is refreshing when an ensemble goes eclectic, presenting a diverse array of music. Such was the case on Monday, June 4th, when Da Capo Chamber Players performed eight pieces by living American composers who write in a plethora of styles. Consisting of violinist Curtis Macomber, cellist Chris Gross, flutist Patricia Spencer, pianist Steven Beck and joined by guest artists soprano Lucy Shelton, clarinetists

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Concert review, Contemporary Classical, Los Angeles, Piano

Reinier van Houdt at Dog Star 14

The 14th annual Dog Star concert series rolled into The Wild Beast at CalArts on June 9, 2018 and featured the Los Angeles appearance of the noted Dutch pianist Reinier van Houdt. A fine crowd assembled in The Beast despite a brush fire that shut down two lanes of the local freeway. Four contemporary solo piano pieces were on the program as well as Concert for Piano and Orchestra, by John Cage. Layers for Piano, by Nomi Epstein, opened the program and began with a series of soft, single notes followed by brief chords. A deep rumble was occasionally heard

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Concert review, Contemporary Classical, Festivals, Ojai

At the 2018 Ojai Music Festival

June 7, the opening day of the 2018 Ojai Music Festival, featured the usual welcome variety of lectures, interviews and pop-up concerts as well as performances of music by two notable mid-20th century Italian experimentalists. The first day of the festival was picture perfect and a large crowd milled about the outdoor venues, meeting and greeting. There was little evidence of the disastrous Thomas Fire of five months prior, and spirits were as sunny as the weather. At 6:00 PM, Luciano Berio’s challenging Sequenza IXa for Clarinet, played by Vincente Alberola, was heard from the Libbey Park gazebo, to good

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Concert review, Contemporary Classical, Events, Los Angeles

Southland Ensemble at Automata

The 14th annual Dog Star Orchestra concert series kicked off on Saturday, June 2, 2018 at Automata in Chinatown. A new music tradition, the Dog Star series this year will present nine concerts over two weeks at various venues around Los Angeles. This occasion was a performance by the Southland Ensemble of Byzantine Rites, a new work by Laura Steenberge. A standing room-only crowd wedged itself into the cozy spaces of Automata to experience a remarkable exploration of medieval chant, contemporary music and a wide variety of engaging visual manifestations. Byzantine Rites is the result of research by the composer

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Concert review, Contemporary Classical, Just Intonation, Los Angeles

The Cantata at REDCAT

The much anticipated work The Cantata or, You are the star in God’s eye, by Wolfgang von Schweinitz was performed May 23, 2018 at the REDCAT venue in Disney Hall. A joint production of wasteLAnd and Microfest, the evening featured the wasteLAnd collective musicians conducted by Nicholas Deyoe and the recorded voice of Friederike Mayröcker’s original text with the English translation projected on a large screen. A fine crowd filled REDCAT to hear this extraordinary piece as it explored the intersection of Austrian avant-garde literature and 21st century music written in just intonation. The Cantata has its origins in the

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Concert review, Contemporary Classical, Los Angeles

Cold Blue Solos in Santa Monica

Cold Blue Music presented an evening of solos as the latest in the Soundwaves series of new music concerts held at the Santa Monica Public Library. Music by Daniel Lentz and Michael Byron was performed, with the composers in attendance. Pianist Vicki Ray and harpist Tasha Smith Godínez were on hand as soloists along with a nice crowd arriving on a perfect spring evening. River of 1,000 Streams (2016) by Daniel Lentz was first up, featuring Ms. Ray at the piano and accompanied by a prerecorded track of fragments of the piece that were played through two large speakers on

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Chamber Music, Composers, Concert review, Contemporary Classical, Performers

ArchiTAK at the DiMenna Center for Classical Music

NEW YORK – On February 10th, 2018, Architek Percussion and TAK ensemble presented five US premieres in the DiMenna Center for Classical Music’s Benzaquen Hall. The program, charmingly titled ArchiTAK, was composed entirely of new music by New York and Montreal composers. Walking into the hall expecting some sort of configuration to accommodate five percussionists, a flautist, clarinetist, violinist, and vocalist, I was instead greeted by nine chairs in a tight, even row behind nine microphones. I heard members of TAK ensemble behind me discussing the location of “the knives.” I was ready to expect the unexpected as the program

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Concert review, Contemporary Classical, Los Angeles

Nick Norton at Art Share

On Cinco de Mayo, Art Share in Los Angeles was the venue for Music for Art Galleries, a concert of music by composer Nick Norton. The occasion was the completion of Norton’s Doctoral studies at the UC, Santa Barbara and a large crowd gathered to hear a program of no fewer than ten pieces of his music. A dozen of the top musicians in the Los Angeles new music scene were on hand to perform what proved to be an intriguing variety of original works. The program opened with Mix Bus 09, an electronic piece that filled Art Share with

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