Mikel Rouse’s song cycle Gravity Radio is given its New York premiere at Brooklyn Academy of Music on Tuesday and Thursday evening. The nice folks at BAM have offered for Sequenza 21 to give away four pairs of tickets to the event on the 7th or 9th. The first four folks to email me with the name of one of Rouse’s bands/ensembles will be our winners! Gravity Radio Part of the 2010 Next Wave Festival Dec 7 & 9—11, 2010, 7:30pm NY Premiere Conceived, written, and directed by Mikel Rouse BAM Harvey Theater 60min, no intermission Tickets: $25, 35, 45 Set
Read moreHere in New York we are on the cusp of another great week of concerts. Check out as many of these as possible. Sunday, December 5th – Two concerts at Galapagos: 1) at 4:30 the Chiara Quartet will play Gorecki’s 2nd quartet, Quasi Una Fantasia, and will premiere a new piece by Huang Ruo, Calligraffiti, which features projected video art by Seattle-based video artist Juniper Shuey. 2) and at 7:00, American Opera Projects and Opera on Tap present a show titled Sex, Cigarettes and Psychopaths (a Night of Laughs). There will be scenes from Matt Marks’ serial killer song-cycle The
Read moreIts not often I leave a new music concert and my ears are ringing, but Friday night’s performance of the University of Michigan Contemporary Directions Ensemble (CDE) pumped up the volume with works by Jefferson Friedman, Stephen Hartke and Bang-On-A-Can founders Julia Wolfe and Michael Gordon. The evening started off with Mr. Friedman’s 78 for pierrot ensemble, an upbeat mixed meter groove centering around a repetitive riff alternatively appearing in minor and major modes. As CDE conductor Christopher James Lees explained in his pre-concert remark, the program was designed to explore the “New York” sound, because the featured composers either
Read more‘If the mountain won’t come to Muhammad, Muhammad must go to the mountain’. To rephrase less eloquently, if people won’t go to concert halls bring the concert hall to them. Here in a snowy UK The Guerilla Orchestra plan to do just that. On Friday December the 10th at 6pm orchestras will spontaneously appear in London, Birmingham, Leeds, Manchester, Cardiff and Liverpool, perform Lalo Schifrin’s Mission Impossible, pack up and leave. The venues will be shopping centres, squares, high streets, parks, wherever. The aim isn’t just to confront ordinary folk with something mysterious and unfamiliar (an orchestra) but to protest
Read moreCall for Scores: Deadline: January 31, 2011 The contemporary classical music website Sequenza 21 (https://www.sequenza21.com), in partnership with Manhattan New Music Project (http://www.mnmp.org/), is pleased to issue a call for scores. Composers of any age may submit a single work with the following instrumentation: violins (2), viola, cello, piano, and percussion. Works for smaller groupings (solos, duos, trios, etc.) that employ the above instruments are especially welcome. In the interest of performing as many entries as possible, pieces that are shorter in duration may be preferred. Several pieces will be selected from these entries for our 2011 concert in New
Read moreThe 53rd Annual Grammy nominations have been announced (list of nominees in the Classical category here). Lots of contemporary classical represented, even in the more general categories. Congratulations to Steve Mackey and Michael Daugherty: both are up for Best Classical Album. The ensembles that recorded their works, BMOP and the Nashville SO, respectively, are also up for Best Orchestral Performance. Kaija Saariaho’s L’Amour de Loin was nominated in the Opera category, while Magnus Lindberg’s Graffiti and Arvo Pärt’s Symphony No. 4 were both nominated for Best Classical Contemporary Composition. Also glad to see the Sherry Quartet’s recording of Schoenberg and the Parker
Read moreThe University of Michigan’s final student composers’ concert of 2010 took place this last Monday, November 29, in Stamps Auditorium, part of the University’s Walgreen Drama Center. This collection of performances was unexpected; so many composers submitted material for November 15’s composers’ concert, a brief third concert of the term was necessary. Whereas the concert earlier this month was unique with its multiple composer-performers, Monday’s event possessed a more subtle distinction: a strong stylistic dichotomy emerged among the works, essentially pitting modernist and traditional forces in opposition to each other. From a qualitative standpoint, I found this duality inconsequential because
Read moreThe latest vendor to wade into the online sales arena is Sony’s Ariama. The site’s “public beta” version was recently unveiled. That means that the store is up and running, although they’re still tweaking things and making additions. More than fifty major and indie classical labels have already signed up to sell their catalogs on Ariama. There are several purchasing options available, including MP3, lossless digital (at a higher price), CDs, and SACDs. This past week, I went on to the site to “kick the tires,” making a few purchases and checking on its search engine and offerings. A few
Read moreThis Friday, December 3rd, is the second concert of the season by the American Composers Orchestra at Zankel Hall. This concert “explores composers’ reactions to specific moments, pinpointed and analyzed, which have inspired them to create something entirely new.” The program is titled A Time & Place and includes four world premieres commissioned by ACO. There is a new piece by Douglas J. Cuomo entitled Black Diamond Express Train to Hell that features cellist Maya Beiser as soloist. The Fire at 4 a.m. is Jerome Kitzke’s homage to both the creative and ceremonial fires he has tended. Christopher Trapani explores
Read moreWe’re saddened to hear the news of Ann Southam’s death this past Thursday after a long battle with cancer. Southam was one of Canada’s foremost composers, an influential teacher at the Royal Conservatory, and longtime arts advocate, active in several groups which fostered contemporary music. She received numerous honors during her distinguished career. Earlier this year, she was named a member of the Order of Canada. Southam’s oeuvre encompassed several compositional styles and genres: twelve-tone music, lyrical Neoromanticism, electroacoustic music, and postminimalism. I particularly admire her writing for the piano and have included two videos of contrasting works for piano
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