On October 7, 2017 WasteLAnd presented Plainsound Glissando Modulation op 49 (2006-2007) by Wolfgang von Schweinitz for their first concert of the 2017 fall season. Subtitled RAGA in just intonation, this sprawling work introduced von Schweinitz as the wasteLAnd featured composer for the coming year. An overflow crowd turned out for the occasion; Matt Barbier and Nicholas Deyoe could be seen hauling extra chairs from storage to the auditorium at Throop Church Pasadena. Plainsound Glissando Modulation is scored for violin and double bass and consists of two parts with three movements each, designated Region 1, Region 2, etc. Violinist Andrew McIntosh and bassist Scott
Read moreOrchestra Moderne, a new ensemble founded by conductor Amy Andersson in March, will debut at Carnegie Hall on Saturday, October 7, 2017 at 8pm with a program celebrating the legacy of immigration to America titled The Journey to America: From Repression to Freedom (Part 1). The inaugural program features Peter Boyer’s Grammy-nominated work Ellis Island: The Dream of America, a haunting tribute to historic American immigration features seven actors reading stories chosen from the Ellis Island Oral History Project, accompanied by an emotional orchestral score and projected photos from the Ellis Island Immigration Museum. Also on the program is Overture to
Read moreTuesday, September 19, 2017 saw the first concert of the season at Monk Space, and for this occasion Luciano Berio’s challenging Sequenza series of virtuoso pieces were performed by the top musicians in Los Angeles. The event was also a fund-raiser to support new music at Monk Space with the musicians generously donating their time and talents for this extraordinary concert. A full crowd wedged itself into the cozy spaces of the Koreatown venue to hear, as the poet Edoardo Sanguineti wrote “…the sequence of sequences, which is the music of musics according to Luciano.” Each Sequenza is written for
Read moreBruce Brubaker Le Poisson Rouge September 17, 2017 Sequenza 21 By Christian Carey NEW YORK – Pianist Bruce Brubaker has long been known as one of the best interpreters of Downtown contemporary music around. His is a versatile catalogue of recordings, including excellent CDs of works by John Adams, John Cage, Alvin Curran, William Duckworth, and Meredith Monk. However, despite an increasingly crowded field of pianists exploring the works around the composer’s eightieth birthday, Brubaker’s renditions of Philip Glass have few parallels; the 2015 InFiné recording Glass Piano is required listening. Brubaker’s latest project, a recording titled Codex,
Read moreOn Thursday, September 7, 2017 the Soundwave Concert Series in Santa Monica presented music from Trajectories, the new CD from Michael Vincent Waller released this month on the Recital label. Pianist R. Andrew Lee, in town from Denver, and cellist Seth Parker Woods from Chicago were on hand to perform, having recorded the album in Kansas City last year. A good-sized crowd assembled in the Martin Luther King Auditorium to hear this latest release from the New York-based Waller. by itself (2016), for solo piano, was first up on the program and the album notes by “Blue” Gene Tyranny state
Read moreThere are certain concerts where there is a new piece which is clearly not the main item on the program. Sometimes a visiting orchestra will include a work by a composer from its country; sometimes it seems to be more or less an afterthought; sometimes a more integral part of the program, but still not the most important or central part. The earlier Prom on August 30, presented by the Royal Stockholm Philharmonic Orchestra, conducted by Sakari Oramo, began with the first UK performance of Liguria by Andrea Tarrodi, which clearly fell into the first category. Liguria commemorates a visit
Read moreThree works on the Proms in August raised issues of authorship and authenticity, among other things. Sir Edward Elgar in the last two years of his life was engaged in the composition of his Third Symphony, which had been encouraged by his friend George Bernard Shaw and commissioned by the BBC. When he died in February of 1934, he left 130 pages of sketches, mostly in short score with few indications of instrumentation, and for many years they were given little attention, and the work considered lost. Anthony Payne, a considerable composer himself, who has had a scholar’s interest in
Read moreLocrian Chamber Players’s mission is clear: they play the very newest contemporary classical fare: selections must have been written in the last decade to be programmed. This time out, the focus is on the music of John Luther Adams, including his setting of the late Alaskan poet John Haines’s “Cosmic Dust,” performed by the group’s regular vocalist, mezzo-soprano Jacqueline Horner-Kwiatek (Anonymous Four, Ekmeles), and the New York premiere of the string quartet “untouched” (2015). “Fortunate Ones,” by the group’s director, David MacDonald, will receive its world premiere. The program also includes music by Adrienne Albert, Aaron Alter, Caroline Mallonee, and Andrew Lovett. As is Locrian’s custom, you will find out more about
Read moreThe Prom presented on August 9 by the BBC National Orchestra of Wales, conducted by Ryan Wigglesworth, featured the first performance of Brian Elias’s Cello Concerto, which was a BBC commission. It was written for and is dedicated to Natalie Clein, who had to withdraw from the concert due to illness. The soloist in her stead was Leonard Elschenbroich, who despite coming late to the party, gave no indication of any kind of lack of preparation. The Cello Concerto is an imposing piece in four continuous movements, lasting twenty five minutes. A grandly rhetorical first movement, is followed by a
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Boston, Chamber Music, Concert review, Contemporary Classical, Electro-Acoustic, Festivals, File Under?
This year’s Festival of Contemporary Music at Tanglewood (in Lenox, Massachusetts) was curated by three youngish stars of the new music community: pianist Jacob Greenberg (ICE), cellist Kathryn Bates (Del Sol Quartet), and violist Nadia Sirota (Q2, ACME). Each planned a chamber music concert, consisting of commissioned new works and contemporary repertory selections. The curators combined forces with the BSO in selecting pieces for the festival’s finale, an orchestra concert conducted by Stefan Asbury and Vinay Parameswaran. Commissioned works included vocal pieces by Nathan Davis and Anthony Cheung, a string quartet (with copious use of water-filled glasses and glass
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