Think the emphasis should be placed on the first word of toy piano? If so, you’re behind the times! The repertoire and the number of toy piano performers are both steadily growing. And manufacturers like Schoenhut are custom designing and upgrading their toy pianos to make them viable for a plethora of special effects (check out David Smooke’s recent blog post over at NMB to learn more about various extended techniques the instrument is capable of enduring). A commissioning project organized by Phyllis Chen and run since 2007, the Uncaged Toy Piano composition competition has worked on expanding the repertoire
Read moreOn the File Under ? blog tomorrow, we’ll be discussing Landscapes, Toshio Hosokawa’s first portrait CD for the ECM imprint. The new recording features an orchestral arrangement of this 1993 work, originally scored for shô and string quartet. I certainly wouldn’t want to be compelled to prefer one to the other: Landscape V is a haunting tone poem in both its intimate and fuller incarnations.
Read moreEarly this week I posted my report on the 2011 Midwest Composers Symposium, wherein I mentioned the fact I had heard a lot of students’ music in a short amount of time. Well, the 30+ works I wrote about Thursday were just the beginning of my new music marathon because Midwest was immediately followed by last Monday’s student composers’ concert at the University of Michigan. That composers’ forum, the year’s second, was refreshingly brief in contrast to the preceding weekend’s protracted program, yet it contained delicious variety and a few personal debuts by composers I was not familiar with. Monday’s
Read moreThe positive aspect of having too much of a good thing is that you’ve consumed something good. For me in the last week, the object of my over-consumption has been new works by student composers, not only created by colleagues of mine at the University of Michigan, but the representatives of the University of Iowa, Indiana University and the University of Cincinnati who attended the 2011 Midwest Composers Symposium. Topping off the weekend-long buffet of freshly baked music was Monday evening’s second student composers’ concert of the year here at Michigan (which I will cover in the next installment in
Read moreFor those of you in the area, the highly-lauded chamber ensemble Brave New Works is returning to their old stomping grounds in Ann Arbor for two performances this weekend. The first is at Ann Arbor’s beloved Kerrytown Concert House on Friday November 18, at 8 PM. The program will feature works by Joseph Schwantner, Chen Yi and UM’s own Evan Chambers and Bright Sheng. Tickets are $5 for students, $10-25 general admission The second concert is the following evening (Nov. 19) at 8 PM in the McIntosh theater at the UM School of Music, and features an all-Michigan program of
Read more[youtube]http://www.youtube.com/watch?v=0OX_4cJyhgI[/youtube]
Read moreLast month at Columbia University’s Italian Academy, I was formidably impressed by an evening of madrigals old and new performed by the vocal ensemble Ekmeles. One of the revelations of the evening began with an idea ofensemble director Jeff Gavett. He thought that the madrigals of Carlo Gesualdo might benefit from Nichola Vicentino’s 31-tone equal tempered scale, most famously employed in the tuning of an instrument of his design, the archicembalo. While, as Gavett admitted in the concert’s program notes, there is not direct evidence that they were ever performed this way in the presence of Gesualdo, there is some documentary
Read morePaul Jacobs performs at the Church of St. Ignatius Loyola in New York City this Wednesday, November 16 at 7:30 PM. Famed as an “evangelist for the organ”, Jacobs will play a 20th/21st century program that highlights not only the instrument’s traditional grandeur and sublimity, but also its range of emotion and insight. John Clare spoke to Paul about the program, teaching organists new music plus composers about the organ, and some new works by Mason Bates and Michael Daugherty: mp3 file An extraordinarily expressive performer and an intensely intelligent musician, Grammy Award-winning organist Paul Jacobs is helping the King
Read moreHere’s a contest for pianists with the music of David Lang. Read all about it here. David explains more in this video: http://youtu.be/BrmQqX_Qs5o Between November 15, 2011 and December 31, 2011, download the score to wed from David Lang’s memory pieces without charge from http://digital.schirmer.com/lang-contest Learn the music and make a video of yourself playing it. Post the video on YouTube.com by midnight (Eastern Standard Time) on December 31, 2011. **IMPORTANT** you must tag the video with the following phrase: David Lang Piano Competition 2011 I spoke with David when he was in South Texas just last year about composition:
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Composers, Concert review, Contemporary Classical, Electro-Acoustic, Events, Experimental Music, Festivals
Judith Berkson performing “Vor an Sicht” (Photo courtesy of Elizabeth Reddin) Vital Vox: A Vocal Festival (Vital Vox 2011) Roulette Brooklyn, NY Sat, Nov 5 & Sun, Nov 6, 2011 I guess there was no better way to kick off the Vital Vox Festival than with a primal scream. Gelsey Bell and her partner for this performance, composer/performer Paul Pinto, actually gave us several of them separate and together at the start of the song cycle Scaling, and they seemed to be the sound that signified both the power of vocal performance and the experimental nature of the festival as
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